Chinese classical garden poetry and picturesque embodied in what aspects?

I. The cultural quality of Chinese classical gardens Unlike the West, since the creation of Chinese classical gardens, has been along the road of "reverence for nature" until the end of feudal society. Chinese gardens in this path of continuous development and improvement, and finally formed a unique style of natural oration landscape garden, reflecting the harmony and coordination of man and nature. In my opinion, the most poetic and picturesque gardens are private gardens. It can best reflect the aesthetic core of Chinese garden art. It is often used by the literati to cultivate their minds, and the style emphasizes the leisurely flavor of calmness and serenity. The mood and appearance of the garden mainly depend on the cultural quality of the owner, which is also the reason why many famous gardens come from the hands of literati painters, and almost all famous gardeners are good at painting. The construction of gardens has similar aesthetic standards and spiritual aspirations as the painting of poems. The construction of gardens is often inspired by literary ideas, and the interest of gardens depends on literary transmission. Gardens and poetry, calligraphy and painting echo each other, penetrate into each other, and complement each other. The reason why gardens are regarded as an elegant form of art, but also with its expression of the garden owner's good artistic cultivation and outstanding personality, so the pursuit of poetry and painting has become the most common starting point and destination for gardeners. China's garden to mechanical model mountains and water as a taboo, and emphasize the "intention", emphasizing the performance of the construction of the "chest gulch". The whole garden, it has its poetic, a landscape point of view to show the picture, but also dense with a certain emotional connotation, enough to pull people's feelings, moving people's souls. Even a wood, a mountain, a water, a pavilion, a tree, an old plum, a clump of bamboos, are reminiscent of a certain personality, a certain kind of temperament, to become the carrier of the expression of love. If you are in the Suzhou gardens, careful visitors will find that even a corner, you can feel the beauty of the picture - if the window is facing the white wall, there must be a few poles of bamboo, a few bananas, or stacked with rocks, to avoid monotony and monotonous. -Chinese gardens pay great attention to the white of the whitewashed walls to achieve harmony and purity with the rich colors, light and shadow, and landscape shapes of the entire garden, which can also be said to be the use of painting techniques in the details of gardening. In short, the painting contains poetic feelings, the garden refers to the painting, and the poetic feelings have become an important principle of the garden. This also has a great relationship with the cultural quality of the garden owner. Second, the Chinese classical garden "like heavenly" quote a poem: "water out of hibiscus, natural to carve", everyone for natural pure things have a kind of indescribable feelings it! It's a bit like Lao Tzu's unity of heaven and mankind. I can only say: this is a kind of art. "Although made by man, just like heavenly", this is a kind of art of gardening. Whether it is a private home forest with limited space, or a large-scale royal gardens, whether it is to appease the soul of the temple gardens, or to cultivate the feelings of the famous scenic gardens, are desperately pursuing the wild interest of the natural mountains and forests. This is different from Western gardens, as a representative of Western classical gardens, the garden design of Versailles, France, is the formal principles of classicism and Baroque design of dynamic and open, extended features infused in the art of gardening, resulting in strict rules, symmetry and uniform artificial order of the natural landscape. Western gardening art development trajectory, although its style is variable, but the overall style has been the rules of geometric type, advocating rationalism, to the form of a priori harmony for the essence of beauty; this is the mainstream of the Western classical gardens, the expression of the human-centered, manpower over the idea of nature. The symbolism of Chinese gardens, whether in the form of rocks, ponds, or through the selection and cultivation of flowers and trees, always exists and is always conscious, while this approach is not common in the West. On the contrary, Chinese gardens also lacked the elements that Westerners would have liked to find, especially the regular, symmetrical planning, the artificial manipulation of water to form fountains, and the extensive use of lawns. Classical Chinese gardens emphasize the idea of "natural and heavenly conditions on the ground, not waiting for manpower to be false". The artistic processing of the garden, but also as far as possible, the poetic mood, the reference to the painting, to avoid the carving of the traces. Stacking stones into mountains, mountains have veins, chiseled pools have sources of water, flowers and trees in all seasons, although planted by people, but not false modifications. As for the garden pavilions and pavilions, are not as the center of gravity and the main body of the garden, but focus on its "point landscape" role, and strive to integrate with the surrounding flowers and trees. In this way, the pavilions and terraces are different, the roads are winding, the rocks are scattered, the flowers and trees are covered, and the whole garden becomes an artistic whole, a painting of the main body, a silent poem, and a natural realm which is feasible, desirable, swimmable, and livable. Third, the classical Chinese gardens and the dialogue between people Being in the garden, you will feel the pleasure that the garden brings you, and the beautiful feeling in your heart is irreplaceable by many other beautiful things. The delicacy of classical Chinese gardens is like the human heart, and its splendor lies in the inner emotion of the flavor of the scenery in the step-by-step movement. I have heard such a story, "Zhuangzi - Autumn Water" records, once Zhuangzi and Huishi swim in the Hao Liang, Zhuangzi said: the fish in the water swimming around, how happy ah. Huishi said, "You are not a fish, how do you know the happiness of fish? Zhuang Zi replied: You are not me, so how do you know that I do not know the happiness of fish? This conversation is full of wisdom and interest, and has been widely circulated, and many garden works in later times have quoted this allusion. For example, there is a "Fish Threshold" in Yichangyuan, a "Fish Bridge" in Harmony Garden of Summer Palace, a "Fish Pavilion" in Jingyi Garden of Xiangshan, a "Fish Pavilion" in Yuanmingyuan, a "Fish Pavilion" in Bei Mingyuan, and a "Fish Pavilion" in Bei Mingyuan. Knowing the Fish Pavilion" in the Yuanmingyuan and "Hao Pu Jian" in Beihai Park, all of which pursue the realm of joy and forgetfulness, self-accomplishment and relaxation. Is this not a dialog between classical Chinese gardens and people? Gardening will take into account the communication between the garden and the people, and the people's **** sound. At the same time, I think the reason why Chinese classical gardens can achieve the good effect of dialog with people is that Chinese gardens pay much attention to the design method of moving the landscape easily, which is also a reflection of the relationship between time and space. The He Garden in Yangzhou gave me a very deep feeling, as we traveled through the He Garden, we experienced different psychological feelings, which made us taste the changes of our inner emotions. It can be seen that the beauty of space and time is created by the easy movement of scenery, and the beauty of space and time enables people to have a peaceful conversation with nature. Summarize: "Those who know are happy with the water, those who are kind are happy with the mountains" contains the essence of Chinese gardens; close relationship with nature, striving for change, and the expression of permanence. Like the Chinese landscape painting, summarized as "landscape", the Chinese garden tries to approach and symbolize the essence of nature. This is not a reproduction of nature, but a "pursuit of nature's essence". This "pursuit of nature's essence" is precisely the essence of Chinese garden art. The art of gardening is so profound that we should study it from all sides in order to savor its true meaning and absorb its essence. To study China, we must study the flavor of classical Chinese gardens. As a student of architecture, we should learn the essence of classical gardens, and create and design a modernized garden space without losing the traditional Chinese culture has become the direction pursued by modern architectural design. Garden is a space art reflecting social ideology, garden to meet the needs of people's spiritual civilization, garden is the material welfare of society, is the reality of the standard of living, so the garden not only to meet the needs of people's material civilization, but also according to people's aesthetic requirements, functional requirements, etc., to create a beautiful scenery, environmental hygiene, comfortable and convenient garden space, so that both the poetic and picturesque, but also a strong sense of the classical garden, and a strong Chinese traditional culture, garden space. Poetic and picturesque, but also a strong sense of modern life.