Traditional Culture Encyclopedia - Traditional festivals - Shout appreciation of works of art

Shout appreciation of works of art

Appreciation of works of art is as follows:

Specific appreciation:

With the theme of eulogizing "life, love and death", this painting reveals the anxiety and fear of human beings at the end of the century through symbols and metaphors. In this painting, there is no specific object suggesting the horror that caused the scream. The image in the center of the picture is creepy. He seems to walk past people and turn to the railing that stretches out into the distance.

Covering his ears, he could hardly hear the footsteps of two pedestrians in the distance, nor could he see two ships and church steeples in the distance; Otherwise, the whole loneliness wrapped tightly around him may be slightly relieved. This lonely man, completely isolated from reality, seems to be completely conquered by his deep fear, and this image is highly exaggerated.

Introduction to the work:

It is a painting by Norwegian painter edvard munch in 1893. * * * * has four versions, namely: the first version created by 1893, and the work is woodcut of egg white; The second edition, painted in 1893, depicts colored wax wood; The third edition, created in 1895, depicts pastel wood; The fourth edition is egg white wood oil painting.

The author's influence:

1, historical development

Under the influence of philosophy and aesthetic thoughts at that time, he tried to explore various conditions in the human mind and express themes such as disease, death, despair and love. Therefore, his creation has the title of "spiritual realism". Because of the attack of conservative forces, it was closed soon, but it gave great stimulation to young German painters and promoted the emergence of expressionist movement.

2. Dissemination of ideas

Edvard munch expressed his personal feelings about life and death through themes. Every painting conveys the painter's feelings and emotions with unparalleled intensity. The details of the depicted concrete objects are simplified, while the emotions are exaggerated. Objects themselves become the carriers of emotions to be expressed, although they are still concrete.

These paintings have eternal power to shock the soul. Behind all this, we can also see the scene of "the end of the century", the abyss of lost desire and the strange circle of unavoidable death shadow, and the anxiety and helplessness of life are intertwined.