Combining Piano How to Develop Chinese Music by Integrating East and West? Two thousand words.

It is not difficult to realize that the development of Chinese main key piano music composition has followed the trajectory of China's modern social development. This feature is especially obvious in the creation after the founding of new China, the creation of main key piano music has always followed the guidance of the party's literary policy. With the combination of ethnicity, title and lyricism, they have won the general acceptance and favor of Chinese listeners. But non-major key piano music works are also an important part of composers' exploration and practice of Chinese piano music creation, and are equally worthy of our attention. Under the same social and historical conditions, the main key piano music has the following two obvious advantages compared with the non-main key piano music: firstly, the acceptance of the audience: it is easier to accept the main key music in terms of our Chinese people's appreciating habits, because our national music is based on monotonous melody. While the main melody of piano music in the main key has an absolute advantage, although using western instruments and musical means, the music is still based on the Chinese way, so it is easier to produce ****sound in the listener. Secondly, in terms of understanding: the main piano music is rooted in the fertile soil of national music in terms of musical themes and creative techniques, and the use of familiar musical language to achieve "integration of Chinese and Western, elegance and vulgarity **** appreciation" is one of the driving forces to promote the development of Chinese main music. Most of the works emphasize the use of national and folk tunes, and the composers directly or indirectly use the musical language of China's folk songs and dance music in different ways. Especially in the main key piano arrangements, on the one hand, the melody of the original has long been familiar to people; on the other hand, the adapted music is more rich in the atmosphere of the times, on the basis of maintaining and being faithful to the style of the original, giving full play to the incomparable advantages of other musical instruments so that the adapted tunes in the original expressive power on the basis of the piano's polyphonic advantages, the use of rich and colorful rhythmic texture, will be the original sculpted to be more rich. The piano's colorful rhythmic texture makes the original work even more voluptuous.

China's main key piano music is developed on the basis of the "school music song", and is also developed in the recovery and revitalization of the new period of reform and opening up, and most of all under the guidance of the Party's "Double Hundred Guidelines" and the care and concern of the people. Most of all, under the guidance of the Party's "Two Hundred Guidelines" and the care of the people, it has grown. For this reason, the majority of composers and literary workers have paid a lot of hard work and sweat! China's major piano works in general: rich in subject matter and genre; sweet and moving melodies, leaving an unforgettable and beautiful melody in people's minds, accompanying many people through that glorious journey!

Beginning in the 20th century, Chinese composers began to create piano music works exploratively, and to this day have created and adapted a large number of excellent piano works in the main key characterized by Chinese national style. The long history of national music culture has provided fertile soil for piano music creation in China, and the development of piano music in China has truly responded to the literary and artistic policy of "using the past for the present and the foreign for the Chinese".

The 20th century--diversified development trend The 20th century saw the diversification of the development direction of Western music.

The major influences were Schoenberg's twelve-tone system and Stravinsky's neo-classicism at the beginning of this century. Stravinsky's neoclassicism advocates polyphony and counterpoint, and uses polytonality in tonality, not as far as Schoenberg's atonality. This century, especially after the war, the development of Western music in many genres, such as silent music, noise music, differential music, etc., electronic synthesizers and other new technological means more innovative musicians to provide new weapons. The development of Western music is becoming more and more diversified.

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