Connotation Illustration —— Kindergarten teachers create warm-hearted illustrations to pay tribute to the workers who fight against the epidemic. How to evaluate this kindergarten teacher's works?

Ask God to tell me what this picture contains. This picture is the work of an American illustrator named theexchangeofflowers. The shy expression of a robot and a girl is a very warm scene in my eyes. In addition to warmth, maybe different people can see different connotations.

Kindergarten teachers create warm-hearted illustrations to pay tribute to anti-epidemic workers. How to evaluate this kindergarten teacher's works? Kindergarten teachers create warm-hearted illustrations to pay tribute to anti-epidemic workers. Bian Xiao thinks that this kindergarten teacher's works are not only vivid, but also full of far-reaching significance. Because of the epidemic, many people's lives have undergone tremendous changes. Some people fight in the front line and protect thousands of small families behind them through their own efforts. There are also some people who abide by local requirements and stay at home honestly, and also want to make some contributions to this war epidemic through their own efforts. This kindergarten teacher is also very kind. Through his own understanding, he recorded those warm anti-epidemic pictures.

The kindergarten teacher's work is excellent. In everyone's impression, kindergarten teachers play with their children. It really takes a lot of courage to become a kindergarten teacher, and at the same time, you have to learn a lot of talents. Painting is one of them. This kindergarten teacher is a teacher in Hangzhou. Because I saw many meaningful anti-epidemic pictures on campus, I wanted to record them with a brush. For example, when the dark clouds were at the top, two volunteers wore red vests and held party flag in their hands. These volunteers have overcome many difficulties. Even if there is danger, they will not shrink back easily.

The work is rich in connotation and worth savoring. Some people may think it will be easier to take photos directly, but taking photos is only a moment, but when creating paintings, you can pay a lot of effort and have deep feelings. Through these warm pictures, we can understand the teacher's voice, and at the same time, we can make the masses more and more moved.

Use your own ability to contribute to the fight against the epidemic. The unity of the people of China is obvious to all. Although we have different identities, we are United as one. Everyone hopes that mankind can win in this war epidemic. I believe that through everyone's efforts, this victory will surely come to everyone soon.

What is the humanistic connotation of illustration art? Visual culture is not only visual art, but any cultural style in which people directly obtain information and interpret meaning through visual perception. Professor Zhang Shuyu's definition of visual culture in the book Introduction to Visual Culture is: "A culture with image symbols as its constituent elements and visual perception as its external expression is collectively called visual culture". Therefore, in addition to traditional visual arts such as painting, sculpture, architecture, handicrafts, drama and dance, mass media such as photography, movies, television and multimedia computer networks are also indispensable components of visual culture. All these are the existence of illustration art. Because of this, I want to make a preliminary discussion on "illustration art" from the perspective of visual culture, and analyze the influence of illustration art on visual culture from the educational value of illustration in visual culture and the influence of visual experience on illustration art creation. Looking at Illustration Art from the Perspective of Visual Culture When talking about "visual culture", American cultural scholar Daniel Bell said: "I think it is an absolute fact that contemporary culture is visual culture, not printing culture." He also emphasized that "the essence of contemporary tendency" is "eager for action, pursuing novelty and coveting sensation". Visual culture has become the mainstream form of contemporary culture, which has a far-reaching impact on people. More and more people begin to read from the perspective of visual culture. It can be seen that people's reading behavior is turning: reading based on printed text is gradually changing to reading based on visual images, which leads to great changes in reading objects, reading methods, reading nature, reading psychology and functional value. However, the gap between the new form of visual culture and people's traditional visual experience is puzzling, which is not a simple problem, but a problem related to people's cultural literacy and quality of life. We use illustrations to interpret China culture from the perspective of communication, which is an important way to explore the evolution, reorganization and evolution of China culture, and at the same time, it makes the study of media and national cultural communication increasingly important. When it comes to illustration, people often think of such scenes: images in books and magazines, images in outdoor advertisements, and exaggerated symbols, cartoon characters and deformed symbols drawn quickly. Through these superficial phenomena, we can find that illustration is the real aesthetic product. Like poetry, dance and other art forms, it is a form of expression that reflects people's inner feelings and a personalized life confession. For example, Jimmy thinks that "image" should be another fresh literary language in Shu Jie. In his works, he created a smooth and poetic picture, and exuded a deep and charming style. Jimmy's story leads everyone who appreciates his works to see and believe the beauty and goodness in the world, and also reflects the bits and pieces of modern life, so everyone can find a kind of reflection and sustenance in his story. Perhaps this is the charm of Jimmy's works. Another example is the picture book author Qian Haiyan. She is a famous young female cartoonist who has risen in recent years. Her cartoon works are humorous and witty, which contains a delicate spirit and profound humanistic spirit. She has a unique perspective on observing life, so in her works, a few cartoons and a few concise words reflect her unique wisdom in life. It can be seen that looking at illustration art from the perspective of visual culture can also enable us to obtain the thought and existence state represented by a certain era or a certain writer, which can be accepted and recognized by people in the contemporary information age. The Educational Value of Illustrations in Visual Culture Visual culture has new connotations and development opportunities, while information culture has brought new breakthroughs for its own development. In such an era atmosphere, visual culture and information culture began to be highly integrated and promoted each other, which naturally had a positive impact on all levels of society, and contemporary education was no exception. It can be said that in extracurricular life, visual culture is everywhere, such as TV, video, internet and various newspapers and books. In this real world full of visual symbols, how to make students better understand and accept the educational value of illustrations and get more effective information is directly related to the development potential of students and the improvement of teaching quality. Text illustrations contain rich humanistic connotations. On the basis of studying text language, we further think about text illustrations, and guide the method of obtaining information by borrowing text illustrations, which will guide students to understand visual culture on the basis of understanding this method. For example, how is the central theme reflected in text illustrations? What information can be obtained from the background of the illustration? How to find more information from the details in the illustrations? How does this illustration impress readers? On this basis, with the help of information technology, the transfer training is extended to multimedia resources or network resources, and the role characteristics of visual images are grasped by comparing and distinguishing the differences between "text with map" and "picture with text". For example, illustrations in some texts not only reveal the meaning of the corresponding text language, but also contain rich connotations. This is because these illustrations are not only the author's simple description of the text language, but the author's re-creation of the work. The lines, light and shade, and position management on the screen are all painted with the author's emotional color. French Jean rattle once put forward in the article "The Challenge of Science and Technology to Culture": "We can't underestimate the image culture, especially the dynamic image culture. Because they act on emotions through images, they have had and will continue to have a profound impact on expressions and value systems. " Mr. Lu Xun once said: "The illustration of books is to decorate books and increase readers' interest, but that kind of power can supplement words." "Feng Zikai had illustrated nine novels such as The True Story of Ah Q before his death. He said: "These illustrations are like putting a microphone on Mr. Lu Xun's speech and amplifying his voice. "Indeed, in a sense, illustrations are an artistic amplification of some written language information and are irreplaceable. Especially in the information age, in the vision of visual culture, text illustrations have new connotations and new meanings. How to correctly understand the modern educational value of text illustrations is the voice of the times and the need of students' development. The influence of visual experience on the creation of illustration works Illustration belongs to painting art, which appeals to vision. Illustration works not only show their unique instant shapes and lines, but also often show some aesthetic orientation of the creator. If the creator wants readers to understand his works well and have feelings with him, he not only requires the creator to have rich visual experience, but also must be able to correctly grasp the readers' visual psychological schema. Only in this way can the creator's works show vitality in the generation. Of course, readers need a certain visual experience when interpreting works, which has inherent aesthetic feeling and moral significance, because visual experience is a kind of visual psychological schema of human beings. Our visual psychology is not a blank. From the beginning of contact with the world, various visual experiences gradually accumulated in our hearts. Various visual shocks of the world and society are processed and refined, and mirror images are produced in some neurons of the brain, which becomes the premise for us to further accept new visual stimuli-called psychological schema in psychology. Heidegger pointed out: "the world image does not mean the image about the world, but the world is conceived and grasped as an image, and the world image has not evolved from the previous medieval world image to the modern world image;" It is better to say that the world has basically become an image, which marks the essence of modernity. "Therefore, visual experience needs its existence and sublimation not only for creation, but also for life. It can be said that today's digital illustration can also be understood as a new variety of illustration. Compared with digital illustrations, illustrations using conventional painting media can become "traditional illustrations". Digital illustrations and "traditional" illustrations do have something in common. The basic knowledge of "traditional" illustration, such as sketch, colorimetry, perspective and anatomy, is completely applicable to digital illustration. I think it is inconceivable for digital illustrations to leave the support of visual experience. It can be said that digital visual experience has created a new art of digital illustration. But for digital illustration, technology alone is not enough. Technology is a tool to convey artists' thoughts, and the soul of digital illustration comes from its artistry and visual experience. Visual experience only rises to the category of art when it is used by artists for artistic creation. Specifically, artistry refers to the depth of artistic thinking, the height of artistic accomplishment and the comprehensiveness of artistic ability conveyed by digital illustrations. Artistic ability refers to the ability to realize artistic conception, such as creative ability, modeling ability, color ability, etc., which is an important embodiment of the artist's artistic level. Visual experience and artistry are the most important parts of digital illustrations. As william mitchell said, "Image representation is affecting every level of culture with unprecedented power, from the deepest and most subtle thinking to the most vulgar and shallow production of mass media. "In the face of this era monopolized by visual culture, the ancient illustration art still exists and is popular among elites who stick to critical realism. In their images, the depth of the picture is compressed to varying degrees, and with the flat painting of a large area of pure color, the main schema emerges obviously, which effectively enhances the visual tension and appeal of the image. In addition, it is difficult for us to find a clear artistic style from their images. Mixed between their images are variations of various artistic styles, such as realism or expressionism. Traditional painting style is no longer the standard for them to define their own artistic style, but only as a reference and reference form that emphasizes artistic individuality. What is revealed from the images is more about their self-feelings about the times as individuals living in the present. The concept in the image means that it has gradually broken away from the shackles of traditional illustrations and dominated the whole artistic process. Although their art is not completely divorced from the category of elite consciousness and social reflection theory, they have made a new description of contemporary illustrations in the relationship between social reality and individuals. From a direct point of view, vision is the most important way to feel, own and enjoy life. From an indirect point of view, vision is the only way to feel, own and enjoy life-in indirect feeling, owning and enjoying life, visual experience can cover and replace all other sensory experiences, while all other sensory experiences cannot. The deepest motivation of human demand for visual culture is mainly determined by the basic position and important role of visual experience in human life. Therefore, the influence of visual experience on illustration culture is historic and profound. Illustration art is a way to express the value of human social life, face new situations and touch the future. It opens up a new form of life feeling, condenses new value resources for people's survival, and transforms it into the achievements of iconology, internalizing it into the ethical expectation and survival foundation of social individuals. Therefore, I hope that domestic illustrators can also broaden their horizons and find real creativity and inspiration through the confusing situation. For visual experience, we should examine it in the cultural background and think about their possible correlation, rather than copying it.