Traditional Culture Encyclopedia - Traditional festivals - Top Ten Classic Crosstalk Essays in Spring Festival Evening
Top Ten Classic Crosstalk Essays in Spring Festival Evening
1, cosmic cigarette
Ma Ji's Cosmic Smoke (1984) occupies a very high position in previous Spring Festival Evening crosstalk. This cross talk satirizes false advertisements, which is deeply rooted in people's hearts, to the point, humorous and funny, and has also successfully shaped a cigarette salesman and become the pioneering work of "sketch cross talk". ?
Step 2 eat noodles
Eating Noodles (1984) is a sketch written and starred by Peisi Chen and Zhu Shimao, and it is the first real sketch of CCTV Spring Festival Evening. The sketch tells the story that Chen Xiaoer was asked by the director to eat noodles again and again in order to play a good role. The works are interesting and natural, reflecting the hardships of being an actor and the gap between dream and reality. ?
3. "Five senses strive for merit"
Striving for the Top with Five Senses (1987) is a cross talk composed by Ma Ji and performed by Wei Liu, Feng Gong, Zhao Yan and Wang Jinbao. The whole program is ingenious and ingenious in all aspects, which can be called a masterpiece in cross talk. ?
4. In the Gate of Hell
The comic dialogue "Dream in the Tiger's Mouth" (1987) written by Liang Zuo and performed by Jiang Kun and Tang Jiezhong tells a bizarre story: a man was too short to find a partner, so he went to the zoo at the weekend and accidentally fell into the tiger hole while watching the tiger.
This work breaks through the structure of traditional cross talk, and there are no flaws in content, performance and effect. The story of Tiger Cave was once rated as one of the "Top Ten Memories of Spring Festival Evening" by the audience. ?
5. Leading role and supporting role
The leading role and supporting role (1990) are sketches created and performed by Peisi Chen and Zhu Shimao. This work tells the story of Peisi Chen, who plays a traitor, trying all kinds of tricks to become the protagonist. With his efforts, he finally got what he wanted, but in the end he unconsciously returned to the image of "traitor" because of his image and habits.
The leading role and supporting role make the audience watch it for a long time, and always taste Peisi Chen's exquisite performance and superb skills as a "supporting role" in laughter.
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