Reference of art appreciation papers

Art appreciation is a non-reflective aesthetic acceptance of artistic works with beautiful attributes, accompanied by complex emotional movements. The following is an art appreciation model essay I compiled for you. Welcome to read the reference!

Enlightenment of Calligraphy Art Appreciation on Copying Creation

Abstract: The appearance of any kind of artistic works is only the initial stage of artistic activities. After the completion of a work of art, it is accepted and recognized by readers, and the value and potential of the work of art can really be brought into play. Judging from various forms of artistic expression, the appreciation of calligraphy art has certain special significance. No matter from creation or value attribute, it has artistic expression that other works of art do not have. In the process of copying creation, calligraphy appreciation has certain application value and enlightenment. This paper analyzes the enlightenment of calligraphy art appreciation to copying creation.

[Keywords:] Calligraphy Art Appreciation, Copy Creation and Enlightenment

Different people hold different views on the appreciation of calligraphy art, and there are a lot of words to explain it in ancient and modern times. In the process of expounding the appreciation of calligraphy art, some words give it mysterious information and convey an unspeakable meaning, but whether there is a certain standard for the appreciation of calligraphy art, every scholar has different views on the basis of his own practice. Objectively speaking, the standard of calligraphy art appreciation exists in the objective form and does not need a lot of pen and ink to make subjective judgments. But in any case, the value of calligraphy art appreciation is undeniable.

First, the appreciation value of calligraphy art

In a sense, calligraphy appreciation belongs to the complex psychological activity process of sensibility and rationality, and also represents the individual's appreciation process of object value, which belongs to the synthesis of multiple functions such as perception, understanding, imagination and emotion of the theme. This paper discusses the appreciation function of calligraphy art, which is usually reflected in the following aspects.

1. Words and calligraphy take care of each other.

The content of calligraphy works is words, and calligraphy art refers to art form, that is, calligraphy style. Calligraphy art is different from literature, drama, painting and other art forms. It is an abstract line modeling art, which makes it echo the text content, lead the trend and be natural. This form is the internal unity of perception on the psychological level. In fact, the essence of calligraphy art is a kind of vivid beauty that reflects the form and dynamic of objective things with China's pointillism and font structure. In the process of readers' appreciation, aesthetic feeling is a value judgment. This intention is that people grasp the form of the work from the feeling, and it is also the reader's understanding of the content carried by the text. There are both connections and differences between the two. Aesthetic feeling is essentially a kind of value judgment. Therefore, calligraphy appreciation is actually an aesthetic experience in which text content and text carrier reflect each other. Calligraphy art not only conforms to the dialectical relationship between form and content in the general sense, but also has particularity. Usually, the form of calligraphy appreciation is the carrier of content, the form serves the content, and the theme of its performance is content. At the same time, the art of calligraphy takes the content of calligraphy as the carrier, and the theme of its artistic expression is the abstract intention of the form of the work, which is a subjective emotional process with strong implication. However, because calligraphy takes Chinese characters as the medium or carrier, and Chinese characters are also the tools to express ideas, when calligraphy works enter the audience's sight, when the audience feels the stimulation of Chinese characters, it is accompanied by the process of perceiving the meaning of Chinese characters. Therefore, the appreciation of calligraphy art must pay equal attention to writing and calligraphy art, and the two will be immersed in each other.

2. External form and internal emotion are unified with each other.

The unity of external form and internal emotion is the concrete expression of the process of perceptual value and rational value, which makes the realization of readers' aesthetic value concrete. In essence, the key for readers to appreciate calligraphy art is to master the author's aesthetic feeling and unify the external form and internal emotion of calligraphy art, that is, in this process, the combination of reality and reality, formal beauty and dependent beauty are unified with each other. Among them, the "emptiness" of the combination of reality and reality is the grasp of the meaning and soul of calligraphy, which is realized through the audience's perception. It is empty relative to the specific visible and tangible calligraphy art. The unity of form and spirit means that when appreciating works, we should fully consider the emotional experience of the form and content of works and the formation process of aesthetic perception. The particularity of art is mainly reflected in the fact that the form of the work has both emotional experience and aesthetic comprehension functions, and the content is to further enhance the form and function of the work. The unity of formal beauty and subordinate beauty is usually a research object that can be appreciated from different angles, and the beauty felt from it is different. In the process of appreciation of calligraphy art, it can be simple form lines, composition, or appreciation of the content of the work, but usually in the process of research, more attention is paid to the appreciation of the content involved. In this process, enlightenment is an aesthetic understanding of calligraphy style and writing content.

3. Unity of purpose and regularity.

From a certain value level, calligraphy appreciation activities can be regarded as the dialectical unity of purpose and regularity. Purpose means that aesthetic feeling belongs to a kind of perceptual happiness, which is a pure form of aesthetic feeling without purpose, indicating that the artistic expression of calligraphy conforms to people's inner happy aesthetic feeling, and can also be experienced through people's active pursuit of aesthetic feeling and value pursuit. According to the regularity, the imagination of beauty is usually classified as its own, subjective and in line with the regular characteristics of beauty, that is, people generally agree with the general characteristic order of beauty in the process of appreciation, that is to say, the appreciation of calligraphy art is not only the target embodiment of the audience's pursuit of happiness, but also the law of the audience's pursuit of aesthetic imagination freedom, that is, the dialectical unity of purpose and regularity of calligraphy art appreciation.

Enlightenment of Calligraphy Art Appreciation on Copying Creation

Through the above analysis, we can know that the appreciation of calligraphy art has its inherent application value. On a certain level, it can be said that the appreciation of calligraphy art has a certain enlightening effect on copying creation.

First, express your feelings. The composition of a calligraphy work usually includes words and pen and ink, which are combined to convey feelings. In this part, there are two important factors that cannot be ignored. One is China Chinese characters, which are represented by square characters and schema; The other is a brush, soft. In the process of completing calligraphy works, it is this characteristic that urges calligraphy to achieve the purpose of expressing feelings and feelings. The invention of Chinese characters originated from hieroglyphics. At that time, because the social phenomenon was relatively simple, hieroglyphics could express the communication between people and between people and nature through abstract text symbols. With the continuous development of society, the relationship between man and nature has become more complicated, and simple Chinese hieroglyphics can no longer express rich social life. In view of this situation, power adapts to the development of society and people's needs, and the word formation of Chinese characters has gradually changed. However, the word formation of Chinese characters has changed, Chinese characters are constantly innovating and enriching, and the pictographic spirit still exists. The writing brush is characterized by its softness, so it can create many different forms, which makes it possible to express the complex relationships between people and between people and nature.

Calligraphy is different from other writing. Writing is practical and belongs to language tools and writing records. But calligraphy is for people to appreciate, expressing the feelings between people through pen and ink, and the beauty that people get from natural life. Expressing feelings with pen and ink is an important feature that distinguishes calligraphy from simple writing. When judging the level of calligraphy works, we need to evaluate not only from the technical aspects such as stippling, composition, brushwork and ink method, but also from the aspects of expressing feelings and feelings in pen and ink. At the same time, we need to measure the quality of calligraphy works through this aspect, and the writing pursues standardization and legibility. Calligraphy art is to express the feelings between people and the creator's own temperament, and to express the beautiful feelings between people through the pen and ink forms of calligraphy works, such as point, line and surface, calligraphy and composition.

At the same time, in the life of calligraphers, people's senses can transcend appropriate boundaries, reflect the myriad weather of nature into their brains, and then form original images, which are finally expressed in the form of pen and ink after spiritual perception, artistic abstraction, transformation, refinement and selection, and transform the aesthetic feeling gained in natural life into the high realm of calligraphy art. When learning classical calligraphy, we should not only master the pen and ink techniques, but also learn how the ancients express rich emotions and artistic conception through pen and ink. Secondly, interesting form contrast. Interesting is the quality that makes people feel interesting and attractive. In different historical periods, the characteristics of calligraphy are usually described by one word, that is, Jin people like rhyme, Tang people like law, Song people like meaning, Ming people like state, and Qing people like situation. In today's society, it is difficult to draw a conclusion with one word. Of course, the evaluation of contemporary calligraphy needs to be refined by future generations through the current calligraphy practice. But if you have to judge from a certain angle, it can also be considered interesting.

Very interesting, pay attention to form contrast. The expression of calligraphy forms revolves around time and space. In fact, fun reflects people's aesthetic taste today. In different periods and stages of calligraphy development, people's living conditions and deep aesthetic needs are the same. Up to now, the development of calligraphy art has been complete, and the techniques of various calligraphy fonts have been very rich. In this process, in order to develop the calligraphy techniques of contemporary calligraphers, we must make changes and innovations on the basis of existing fonts and calligraphy. The richness of font techniques provides the conditions and foundation for the formation of Shangqu calligraphy. In this process, with the continuous development of scientific and technological means, people have more information in the process of self-development, and the transmission of research results is fast and convenient. Compared with the past, the formation of Shangqu has already met the corresponding conditions. Nowadays, calligraphers are integrating existing calligraphy resources and applying them to calligraphy creation, writing new ideas and tastes, which can attract more calligraphy works and meet people's physical and mental pleasure requirements. The formation of calligraphy in different times has different characteristics, which cannot be decided by a calligrapher alone. Calligraphy features belong to an objective form. The development of an era has a remarkable feature, and there is not only one calligraphy atmosphere in each era. All kinds of calligraphy go hand in hand, just like today's calligraphy advocates interest, but it does not rule out respecting rhyme, meaning, law and affection.

Not only calligraphy is interesting, but also other art forms. In the fields of music, drama, film and art, some aesthetic trends are still very interesting. Now different forms of expression are diversified in aesthetic orientation, but the interesting aesthetic orientation is more grounded. In the process of increasingly fierce social competition, fast pace of life and great work pressure, people need to use art forms to relax themselves.

In a word, the appreciation of calligraphy art is independent of each other, but not isolated from each other. In the process of appreciating calligraphy works, we should not expand some influence indefinitely, but also take into account other standards, so that people can reflect artistic value in the process of sharing artistic expression.

References:

Zhang Xiaolu. Challenges and Countermeasures of Higher Art Education in China [J]. Journal of Nanjing Art Institute (Art Design Edition), 2012,7 (11): 89.

[2] Zhang Xiaolu. On the influence of Japanese art and culture on China traditional Chinese painting (including Taiwan Province famille rose) in the last hundred years [J]. China painter, 2013,5 (13): 70.

[3] Liang Ji. Kangxi's study of ancient calligraphers and his view of calligraphy in Wang Xidong [J]. Journal of the National Museum of China, 20 1 11(05): 20.

[4] Wang Shuxia. Calligraphy in the farmer's bookstore-Chai Ruixiang, a famous calligrapher in Linfen, Shanxi [J]. China collective economy, 2012,6 (10): 78.

[5] Zhang Jing. The embodiment of folk art elements in graphic design [J]. Grand stage, 2014,6 (17): 23

About art appreciation, the second part: the analysis of improving the humanistic quality of higher vocational students by art appreciation.

With a wise heart and two discerning eyes, we should actively discover the beauty of the object itself, fully understand the object, understand its characteristics and disposition, and strive to express the beauty of the object with wisdom and hands to sublimate it, so as to combine the natural rationality of the object with the rationality and perfection of human artistic creation and realize the harmony between man and nature in artistic creation.

Keywords: art appreciation; Humanities accomplishment

Due to too many professional subdivisions, it is urgent to cultivate useful talents. Although Chinese students have certain knowledge and technology, they often have narrow knowledge and lack comprehensive literacy, especially humanistic literacy. This problem is particularly prominent in the Faculty of Science. Science, art and humanities are the three spiritual pillars of mankind. Science emphasizes law, while art emphasizes emotion; Science pays attention to rationality, while art is more emotional; Humanism has both profound rational thinking and profound emotional charm. Human society is inseparable from science, art and humanities. Therefore, we can also summarize people's literacy as scientific literacy, artistic literacy and humanistic literacy, which complement each other.

So how to improve students' humanistic quality? I will discuss with you from three aspects: the understanding of beauty, the origin of China culture, and design creativity from the artistic point of view, so as to realize the improvement of humanistic quality through the understanding and appreciation of beauty.

First, the understanding of beauty

Art appreciation needs to know what beauty is. A poem by Zong Baihua, an aesthetic master, is used to illustrate the understanding of beauty;

"Ah, where to find poetry?

In the drizzle, the falling flowers are broken;

In the breeze, the sound of running water floats;

At the end of the blue sky, a tottering lone star! "

By describing the rainy spring, running water and the breeze blowing on the face, as well as the twinkling stars in the deep night sky, we can appreciate the artistic conception of beauty. Beauty is not far away. Beauty is the dribs and drabs in our life.

We sum up the laws of beauty and call them the laws of formal beauty ―― symmetry and balance, repetition and grouping, rhythm and rhythm, contrast, change and harmony, unity and so on. Knowing these laws, we can master beauty and create beauty.

1, symmetry and balance:

When we were young, we saw our mother's face, which was symmetrical and balanced and the most beautiful. Butterflies and most animals are symmetrical; Palace and temple buildings are designed symmetrically and solemnly, showing the majesty of "imperial power" and "divine power" and symbolizing stability.

2. Repetition and grouping:

The number of squares and doubles in the review is equal, the clothes are consistent, and the movements are neat, resulting in a majestic momentum; Twins, double affirmation! Eye-catching! Building glass and so on.

3. Rhythm and rhythm:

There are five words, seven words, etc. In terms of poetic rhythm, it also has rhythm, giving people a sense of beauty. The melody of music has been scientifically proved to be beneficial to the growth of animals and plants, which will contribute to physical development and psychological personality cultivation; It also played a very good modeling role; Color rings in the spectrum; Silk-wrapped agate, etc.

4, contrast, change and harmony, unity:

They are two sides of the same problem. All works should handle harmony and contrast, that is, the relationship between unity and change. The contrast in design is mainly dealt with from the factors such as space, density, size, direction, straightness, light and shade, cold and warm. The theory of traditional Chinese painting puts forward that "losing horse racing is not ventilation"; The distance and size of sailing ships at sea are unified at a sea level;

The above is to understand the beauty in life from the perspective of formal beauty. Mastering the law of formal beauty means mastering the law of beauty.

Second, the origin of China culture

In the national culture of China, the appreciation of art is inseparable from the appreciation of the beauty of jade, and China culture is inseparable from the Confucian system. A gentleman is better than jade. Among the words created by our ancestors, there are more than 200 words related to jade, most of which are beautiful and noble. Such as: India, China and Jue. Another example is: Jade Man: Beautiful Girl; Raymond: A gentle young man; Tingting Yuli: a beautiful person;

In addition to Confucianism, jade culture also plays an important role in Taoism, Buddhism and other fields, including among the people. People have the simplest yearning for a better life and also give jade some spiritual qualities. For example, the traditional patterns in jade carvings, whether they are happiness, auspiciousness, dragons and phoenixes, crossing the sea by the Eight Immortals, or Tai Chi, Eight Diagrams, Four Gods, Wan Zi, Keiko, Ruyi, Three Friends in the Cold Year and Fish in the Lotus Year, all have profound spiritual symbols and convey cordial and pleasant meanings. The modeling significance of traditional graphics can be summarized into the following three types:

(1), physiologically safe.

Features: Appears in concrete forms, and obtains psychological pleasure by means of metonymy, homophonic and suggestion.

For example, "Fulu Xi Shou" is symbolized by bats, deer, cranes, (Ganoderma lucidum, Xiantao, pine trees) and magpies;

Zhao Gongming, the god of wealth, is a lucky boy.

"Kirin gives birth" is a man, and Lin is a woman. Kirin has evolved into a Swiss beast that gives birth to children, and the rich children are called Kirin;

(2) Cultural implication type

Features: between concrete and abstract, directly expressed in words and abstract graphics.

Characters have ten thousand words, back words and longevity words; The word "d" is an ancient charm, used as an amulet or a religious symbol, and is usually considered as a symbol of the sun or fire. In Sanskrit, the word "d" means "auspicious place", and Buddhism thinks it is an auspicious image on Sakyamuni's chest, which means auspiciousness, happiness and longevity. Wu Zetian lived in the Tang Dynasty for two years (693) and pronounced "Wan" in Chinese characters.

Taiji, gossip, moire, thunder and other abstract graphics.

Dragon and phoenix, peony, ruyi, Qin, chess, calligraphy and painting, fishing firewood, greeting, four gods (Qinglong White Tiger, Suzaku Xuanwu) and other concrete images;

(3), spiritual yearning type

Features: Poetic object, used to express inner pursuit and gain spiritual yearning.

"Three Friends in Cold Years" Song Zhumei;

"Four Gentlemen" Mei Zhu Lanju;

"Lotus" emerges from the mud without being stained;

The above three are often intertwined to obtain multiple meanings of visual awareness, social psychology and national habits.

Third, design creativity.

Agate carving is the most representative artistic appreciation in sculpture. Agate is the most varied variety in texture and color among precious stones. As far as physical objects are concerned, the advantages and characteristics of agate are the sense of picture produced by the changes of texture and color, which cannot be done by hand.

A good sculpture should be judged from the following three aspects:

1, material: harmonious multicolor agate is an excellent jade material for making beautiful jade carvings. The so-called "pretty color". Refers to the clever use of color in works. When the artistic conception of "cleverness" reaches its extreme, it is called "unique". The value of a beautiful sculpture. Far from being determined by its material value.

2. Carving technology: Choosing a topic according to the material and applying art according to the material are the biggest characteristics of pretty jade carving. Jade carving masters can often "shape according to the situation, layout according to the shape", "be clever according to the color and change with the shape" and carve materials skillfully.

3. Artistic creation: The artist's responsibility is to find the beauty of the object itself wholeheartedly, fully understand the object, understand its characteristics and disposition, and strive to express the beauty of the object with wisdom and hands to sublimate it, so as to combine the natural and special rationality of the object with the reasonable and perfect artistic creation of human beings and realize the unity of heaven and man in artistic creation. This is also the highest aspiration of China people's spiritual world.

To sum up, through the understanding of beauty, the traditional culture of China, the design creativity of artworks, we have a deeper understanding of artworks. By appreciating artworks, we have unconsciously improved our humanistic quality, and his life philosophy will become more and more profound, and his life ideals will become more and more noble. Such a life is a happy life.

References:

[1] Lu. Artistic appreciation and artistic interpretation. Journal of Nanjing Art Institute [J] 20 14, (5)

[2] Heinrich? Wolfling, Pan Yao Chang. Art Stylistics ―― the basic concept of art history [M]. Beijing: Renmin University of China Press, 2004+0.

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