What to do when you can't sing and feel your voice is tight

For the vast majority of friends, you can learn in the following order:

No.1 [Original] Beginner's Vocalization 1: Vocalization Overview

No.2 [Original] Beginner's Vocalization 2: Beginner's Must See Vapor Bubble Tone's Metamorphosis Beginning

No.3 [Original] Beginner's Vocalization 3: Vapor Bubble Tone's Practicing Vocalization Method

No.4 [Original] Beginner's Breath 1: Let's Practice Breath ----- Our Breath

No.5 [Original] Beginner's Breath 2: What parts of the body do you use to practice breath?

No.6 [Original]Beginner's Breath 3: From the actions of life, step by step mastery of breath

No.7 [Original]Beginner's Breath 4: Breath practice comes continuous

No.8 [Original]Beginner's Breath 5: Breath practice breath swallowed mountains and rivers, and breath through the rainbow

No.9 [Original]Beginner's Breath 1: Can speak but not necessarily sing

No.9 [Original]Beginner's Breath 1: Can speak but not necessarily sing

No.10 [Original]Beginner's Breath 1: How to practice the breath of the breath of the body

No.10 [Original]Beginner's Bite 2: The words should be pronounced clearly in order to be more touching

No.11 [Original]Beginner's Bite 3: Mouth Shape and Facial Expression

No.12 [Original]Beginner's Bite 4: Bite force is the most important and the most difficult to do

No.13 [Original]Beginner's Transmission: If there is a big one in the front, then there is a small one in the back

No.14 [Original]Beginner's Bite 4: The most important and most difficult to do

No.15 [Original] Beginner's Voice 3: Singing with the vocal cords

Caveat emptor:

1 Vocal music is the need for systematic and comprehensive study, please do a good job to learn the intention of a long-term study, intend to read a few lines of words today and tomorrow will be masters of the people give up while you are ahead of time.

2 Single text tutorials will produce a misunderstanding, it is best to watch the video tutorials, listen to the teacher's demonstration and explanation, to avoid practicing crooked! (The back with practice, patience to see oh)

No.1 To sing good popular music, first of all, the singer must be able to do the voice and emotion!

To sing popular music well, first of all the singer must be able to do the "voice"!!!!

Voice: refers to the skill of vocalization (also known as singing with those movements)

Emotion: an emotion or an atmosphere to be expressed when singing (generally regarded as whether it is committed or not, and whether it has the singer's temperament or not)

Even if a person who has high vocal skills, his voice will still have defects, because the human voice always strives for excellence in the vocal performance. If the emotional underpinning is missing, then he is at best a vocal machine, and a flawed one at that.

On the other hand, if you go by the courage of the moment, the moment of love to vent words, then it is often off from Karaoke, shouting and other behaviors.

Misconceptions: sound, emotion can not be a good combination of the two, blind training leads to become a numb vocal instrument, and excessive enthusiasm for fire and too easy to dye the air of the marketplace singing, the future will be difficult to change!

No. 2: The two aspects of the singing of popular music

We will discuss the singing of popular music in the following two aspects: voice and emotion!

Of course, in the process of literal expression as well as movement training, it is the voice as the main, emotion as a supplement, but I hope that you in the use of the performance of the process of vice versa, the balance.

Improving vocal skills is divided into four main disciplines: breath, vocalization, delivery, and biting.

Breath: In the beginning, the main thing is to be able to hear the "quality" of a good voice, "gas", "words", "music". (In performing and enjoying the songs, you should be able to hear the "quality" of the voice. (In the process of acting, appreciate the song to learn to change from sensibility to rationality and then back to sensibility)

Many people practice singing blindly, but he did not realize that in the process of singing, the four major departments of the voice are working, which is called singing, practice is effective. But at the same time, the song is sung in the appreciation of a whole, an emotion, not in the test of the level of these four departments!

Example 1: Just because someone is good at practicing their voice doesn't mean they are good at singing songs.

Column 2: People who like Andy Lau but not Jacky Cheung, they are in no way comparing who has high singing skills!

No.3 What is breath?

Since we're talking about the four disciplines, let's elaborate on each one:

First of all, what is breath?

Singing must be done with breath, which in popular music consists of two movements alternating between one breath and one inhalation. (There must not be a third action, such as pauses, heavy inhalation, heavy exhalation, stealing air, leakage, etc.)

On the one inhalation and one inhalation, singing is the art of huffing and puffing, so don't put the cart before the horse. (Now on the market, most of the practice methods, too much emphasis on inhalation, which will greatly weaken the singer's ability to perform, the ability to communicate)

Practice essentials, to use the gas, we need to be a breath of air, alternately working, stabilizing the mouth of the gas, coherent action.

Exercise methods:

1, the weak sound practice

Fair "silk" sound, a breath of "silk" 20-30 seconds, 5-7 breath for a group, each time to practice 3-5 groups

Use the "silk" instead of "silk" to replace the sound, the "silk" of the "silk" of the "silk". Replace the lyrics with the word "silk" and finish the whole song

Requirements: light, thin, continuous, long

3, "toot" exercise (as when a child is playing)

Relax the lips and tremble

One breath of "toot". "Doo" for 20-30 seconds, 5-7 breaths as a group, each time to practice 3-5 groups

Replace the lyrics with "doo", complete the entire track

No.4 Breath movements

Breath movements. We're going to cover chest and abdominal breathing, so let's start by recognizing the upper and lower abdominal areas of the breath movement.

Lower abdomen: dantian (three fingers below the umbilicus), the groove of the abdomen (the semi-circular zone formed by the very bottom and edges of the abdomen), the circle formed by the sides of the body above the hip bone and below the waist, and the same position behind the back.

Upper abdomen: the diaphragm and its surrounding circle. Includes the epigastrium, stomach, lower lung lobes, two ribs, two ribs in front of the chest and two ribs behind the back.

Movements:

1. Take three deep breaths, making sure that both exhale and inhale are full and that they are both five seconds long to find the rhythm of the breath

2. Take three deep breaths, making sure that both exhale and inhale are full, but that the exhale is still five seconds long and that the inhale is as short as possible

3. Repeat the same actions as in 2 three times, but without exhaling or inhaling, and then hold the breath (at this time the breath doesn't move, only the muscles are working).

4. Reverse the muscular movements of the exhalation and inhalation in movements 2 and 3 (the key) and start to take three deep breaths again. The exhalation is for 10 seconds and the inhalation is shorter. Lyrics Maintain vocal and breath movement position to sing

Exercises:

1: Long legato exercises

Quickly count 1,2,3 ..... .9, 10 A breath count 20-30 times, 5-7 breath for a group, each time to practice 3-5 groups

Requirements: to speak breath, vocalization, bite the word to work separately, and strive to bite the word clearly, the strength of the average.

2: strong jumping tone practice

still count 1 to 10, one second between each, count 2 times in one breath, 5-7 breaths for a group, each time to practice 3-5 groups

Requirements: short, fast, even, net

3: practice 1 and 2 in one breath alternately, such as the first practice 2 from 1 to 5, and then practice 1 to count 5 times, and so on alternately

The above exercises must pay attention to the first thing, then practice 1 to 5 times, and so on

The above exercises must pay attention to the first thing, then practice 1 to 5 times, and then practice 1 to 5 times, and then practice 1 to 5 times. >The above exercises must pay attention to, firstly, recognizing the muscles that work with the breath; and secondly, making these muscles work correctly according to the above movements.

Misunderstanding: practicing breath is practicing the ability to work the breath while singing, not comparing whose breath is longer. Take multiple breaths as a group, don't judge based on one breath.

No.5 What is vocalization?

Next, we talk about vocalization.

Vocalization is an instinct of human beings, but speaking, singing which are formed later.

What is vocalization?

The process by which the breath passes through the trachea and pushes the vocal cords, causing them to tremble, is called vocalization. (The breath, the trachea, the vocal cords, the muscle groups which are required for the instinctive vocalization of man)

Since the vocalization is so constituted, it requires the breath as we have already set forth above, and the trachea as long as the upper body is kept straight in the absence of disease, and in the future when we speak of the vocalization, we shall refer in general terms to the work of the muscle groups of the vocal cords.

We have to change from instinctive vocalization to purposeful, controlled vocalization.

First, we need to be able to feel the vocal cords at work, which we can do by making a "bubble sound" while relaxed, which sounds a bit like hiccups. (We'll explain this in the audio and video.)

Secondly, once you've experienced the "bubble sound," sing with the vocal cords working in the "bubble sound" and in the vocal position.

Exercise: Use the bubble sound as a character head to pronounce the 5 vowels "a,e,i,o,u" (pinyin), and remember to combine it with breath practice

Misconceptions:

1. Confuse the primitive voice with the acquired vocal ability. ability.

2. Too many similarities between speaking and singing movements.

No.6 Why Bubbles

Why Bubbles: Bubbles are the best starting point for a positive state of the vocal folds (like the start of an airplane)

Practicing voice is about feeling and not trusting the feeling too much, i.e., sticking with the feeling of practicing the movements.

Speaking under the larynx (relax the throat and mouth, gently pronounce the bubble sound, it will feel lower than the usual speaking laryngeal position)

With the feeling of speaking under the larynx, the position to recite, and then singing training.

Requirements: each word should have bubble sound (vocal cords start to feel), first practice slow songs and then use it on different songs, the overall sound should be both state but also more relaxed.

No.7 Summary

After practicing the previous lessons, if you know all the movements, the next key is to separate the four main work areas

Breath movements, vocal movements, and biting movements have all been mentioned, and the rest is the "vocal movements"

Revisit the exercises from the previous lessons. The first is to practice the exercises in the previous lectures.

For example, in the breath exercise, of course, but please do not forget that as long as there is sound, you have to use the "vocal action", and similarly, as soon as there are words, you have to add the "biting action".

This is the first time I've ever practiced singing in this way, and I'm sure I'll be able to get started.

No.8 Biting

Biting [in front of a mirror] In fact, it is better to look at a mirror when practicing the lesson before

1. Show at least 4 upper front teeth when singing, and of course the more the better when you are relaxed

2.

3. Open your face, look surprised

4. [The most important, the hardest] Loosen your teeth,

Prepare for the movement, you need to use your big teeth to exert force, that is, the force of opening and closing the mouth [use the innermost grooves]

The teeth should be loosened, not opened [the movement] Can you accurately produce both movements

5. Work on the top half of the mouth (bordered by the seam between the upper and lower lips). The lower half of the mouth is relaxed

Practice this by supporting your chin with an immovable object Keep the angle between your neck and chin above 90 degrees and below 120 degrees

6. Keep your mouth big in the front and small in the back, in the shape of a trumpet

No.9 Big in the front and small in the back

The biting motion mentioned in the previous lecture mainly increases the space in the front part of the mouth, while many friends sing with a focus on opening their mouths. The main purpose of the biting action is to increase the space in the front part of the mouth, and many people are obsessed with opening their mouths when they sing, which leads to the blind expansion of the back end of the mouth, and the whole mouth becomes a barrel, or even a funnel, which is not in line with the physical nature of the sound transmission, and even more contrary to the characteristics of the popular music graciousness.

So in the front big at the same time, we have to maintain a relatively small back, so that the mouth becomes trumpet shape

We see this greater than the sign, to form it, there must be a vertex and two sides, the vertex is in our active work on the vocal cords, or breath through the vocal folds of the point (bear in mind: the bottom of the oral cavity is in the vocal cords, not in the mouth of the interior)

The two sides, the lower side, is the bottom of our vocal folds. The lower side, our tongue, should be spread out to the left and right, and kept straight (this action can be clearly seen in many singers' live performances)

The upper side, the upper lid of the mouth, should also be spread out and relaxed, forming a corresponding angle with the tongue.

No.10 Upper Mouthcap

Upper Mouthcap, with the tongue, the tip of the tongue, lick their upper row of incisors, along the center line of the inward movement, in turn, you will come across the roots of the teeth, the protruding piece of muscle [the texture of the point, where the word point, the following details], the indentation is the part of the hard palate, the soft all the way up to the tonsil is the soft palate, in the singing we call it Upper Mouthcap.

Because it's the only one that can work/change on its own without the mouth, or the upper half of the mouth, moving, the movement of this muscle is crucial in the microphone.

When used in conjunction with the biting action, the upper mouth cover and the tongue play a role in slowly concentrating the mouth up to the vocal folds, and this has to be practiced diligently by everyone, and colloquially we don't have the habit of doing this!

Usually our pharynx is the natural protection of our larynx, and in singing, we just want to do to loosen the pharynx, dew throat (relax our pharyngeal muscles but the laryngeal muscles are to work), the pharynx is no longer a one.

No.11 The Unity of Contradiction

The first 10 lectures have basically talked about the four main parts of singing, in other words, if you can make these four parts work at the same time when you are singing and make it gradually become a habit, then congratulations, you are already singing for real.

At the same time, I don't know if you have noticed in your practice that these movements will affect each other when they are working, one loose all the way, one tight all the way, and the solution to it is, in principle, to achieve the unity of contradiction.

In almost all of the muscular work of singing, the muscles have to work actively and relax relatively naturally at the same time, and I hope that you will take the trouble to realize this and spend some time practicing it.

No.12 How to solve the bubble tone confusion!!!!

Everyone has practiced the bubble tone The effect of using it in singing should be obvious But some people may ask:

How come there is a change in practicing how to sing usually still the same as before? Answer:Do you still distinguish between practice singing and usual singing This is obviously a misunderstanding Learning and practicing The most crucial thing is to use ！！！！

Some people would say that using a bubble tone is not good for singing. A:Then I will tell him is not good I did not say that used to sound good This is a simple vocal technique basic action Song good or not is the listener's feeling The technique of singing refers to the singer's feelings!

A singer with a lot of fans doesn't necessarily sing scientifically, understand? You have to sing in a bubbly voice, and you have to express the song naturally and beautifully with your feelings!

Can you sing well by practicing the bubble voice? How long do you have to practice? Answer:In the world in any of the more advanced road to the end is a dead end to achieve the goal is to recognize the direction

Bubble sound is not everything when you are skilled, you do not need to deliberately practice alone because its muscle state has been integrated into your singing at this time you have to make a new movement so that your singing will be really technically improved the level of progress No. 13 Why do you practice qi! (Explanation 1) (Explanation 1)

First of all, when you sing, you must use a different kind of breath than you do in life, and a different amount of breath. Basically, the breath used in singing is the opposite of what you normally do. Why? Simply put, because the vocal cords don't work when the breath is working, the direction in which the breath is exerted and the direction in which the vocal cords are stressed are basically the same, whereas the vocal cords are actively working in a correct singing action, and they themselves are working, and there is force and power, and the direction in which the breath is exerted and the direction in which the vocal cords are stressed are opposing. It's easy to understand the difference in the amount of breath, but everyone has their own vocal habits, tone of voice, speed of speech, volume of voice, etc.

What is the difference in the amount of breath? But when you sing, the height, the strength, the brightness, the speed, the thickness ．．．． All of them are variable and must be changed, so one of the elements of the composition of the voice breath is more with the air as if swimming until the air swallowed the domain of the river

No.14 how to practice breath! (Explanation 2)

1. Take three deep breaths, making sure that both the exhale and inhale are full and that they are both 5 seconds long, and find the rhythm of the breath

2. Take three deep breaths, making sure that both the exhale and inhale are full, but that the exhale is still 5 seconds long and that the inhale is as short as possible

3. Repeat 2 three times, but without exhaling or inhaling, and hold your breath (at this point, your breath doesn't move and only your muscles work)

4. p>4. Reverse the muscular movements of the exhale and inhale in movements 2 and 3 (the key) and begin to take three deep breaths again. The exhale is 10 seconds and the inhale is as short as possible. Vocalization and breath movement position to sing

Practice it first Next time we will talk about the essentials and norms Go for it Go for it[/b]

No.15 Practicing Breath Tricks! (Third lecture)

The breath in vocal music is about the repeated alternation of one breath and one inhalation, and the main expression is the "breath" in the breath, so we should pay more attention to the "breath" when practicing the breath instead of emphasizing too much on the "inhalation". Now in the majority of enthusiasts and even professional singers, there are still people who "lose the watermelon and pick up the sesame seed"

Tips for practicing qi:

1, pay attention to the exhale, the natural inhale 2, the first line and then stop 3, to a group of many breaths, don't try to "try to be strong" in a single breath.

Exercise methods:

1, weak extended tone practice (breath movement see the second lecture)

For the sound of "silk", one breath "silk" 20-30 seconds, one breath "silk" 20-30 seconds, one breath "silk" 20-30 seconds, one breath "silk" 20-30 seconds. "

Requirements: light, fine, continuous, long

2, strong jumping tone practice (same as above)

For the sound of "ha", 10 in one breath, a second between each, 5-7 breaths 3-5 groups at a time

Requirements: short, fast, even, clean

3, "toot" exercise (as when children play)

Lips relaxed, quivering

Replace the lyrics with the "toot" to complete the entire track.

Requirements: Pay attention to the coherence, the mouth of the air, the emotion, to be consistent with the expressed song

(practice part:)

How to shout and practice voice:

Phase 1: practice before you make a statementResearch data show that under normal circumstances, people breathe 16-19 times a minute, and each respiratory process is about 3-4 seconds, but when you sing, sometimes it's not enough to breathe. Seconds, and singing, sometimes a breath to extend more than ten seconds, or even longer, and inhalation time is short, exhaling time is long, must master the gas will remain in the lungs slowly exhaled the essentials, so do first:

(a) "deep inhalation and slow exhalation of breath control to prolong the exercise".

The main points are: first learn to "storage of gas", first press the gas, the exhaust gas discharge, and then use the nose and tongue gap like "smell flowers", natural and loose gently suck, sucking to be full, and then the gas sinks into the dantian, slowly relaxing the chest ribs, so that the gas is slowly exhaled like a thin stream. The breath out slowly like a thin stream of water, exhale evenly, control the time as long as possible, repeat the exercise 4-6 times.

(2) "Deep Inhalation and Slow Exhalation Digital Exercise"

We call the first step "inhaling and lifting and pushing", "inhaling and lifting" the breath inward, "pushing" the breath outward, and "pushing" the breath inward. The breath of the "push" is directed outward and downward, and at the same time of the "push" we do the breath lengthening exercise. We recommend three kinds of exercises:

A. Counting Exercise: "Sucking and lifting" is the same as before. In the "push" at the same time softly and quickly counting the number "12345678910", - breath repeatedly counted, counted until the breath until the breath exhaustion, to see how many times you can repeat the number.

B. "Counting dates" exercise: "Sucking and lifting" is the same as before. At the same time as "push", whisper: "Go out of the east gate and cross the bridge, there is a tree of jujubes underneath the bridge, take a bamboo pole and hit the jujubes, the green ones are more and the red ones are less (inhale sufficiently) one jujube, two jujubes, three jujubes, four jujubes, five jujubes, and see how many jujubes you can count until your breath is exhausted. How many dates can you count. Repeat 4-6 times.

C. "Counting gourds" exercise: "sucking and lifting" as before. In the "push" at the same time whispered: "gold gourd, silver gourd, a breath can not be counted 24 gourd (suction) a gourd two gourd three gourd ......", the breath gas exhaustion Until, repeated 4-6 times.

Counting numbers, "counting jujube", "counting gourds" control breath, so that the more practice control the more, do not run out of gas. At the beginning of the abdomen will appear sore, after practicing for a period of time, will be conscious of great progress.

(C) "deep inhalation and slow exhalation long tone practice"

After the breath practice, the sound began to gradually join. This exercise is still the main practice of qi, the voice as a supplement, in the push at the same time choose a low and mid-range, gently boys send "ah" sound ("big voice" send "ah" is sent and practice qi and smooth), girls send "ee", "ah", "ah", "ah", "ah", "ah" and "ah". Girls make "ee" sound (small voice "ee" is outgoing). A breath of support, the sound of the exit was cylindrical wave-like advancement, can pull as long as possible, repeated practice.

(4) "Tuo Qi Broken Sound Exercise"

This is a half-and-half exercise. Hands into the waist or protect the abdomen, from the dantian hold a breath to the forehead pharynx rushed out at the same time the sound, the sound of the low and middle tones, elasticity, abdomen and diaphragm using the stretching force at the same time popping, we introduce three exercises:

A. A breath of support, the mouth to send out a rapid "crackling patla, crackling patla" (repeated) to the breath will be exhausted when issued "crackling patla, crackling patla" (repeated) to this breath When the breath is about to end, make a "bang a snap" sound. Repeat 4-6 times.

B. A breath taut enough, first slow, then fast to send out "ha work ha) - (repeated) (speed up) ha, ha, ha ......" exercise has to go into the explosive power of the broken sound, singing in the "Haha..." laughter, "ah-ha", "ah-cough" commonly used.

C. A breath of tension, first slow and then fast, "Hey-thick, hey-thick" (repeated gradually accelerated) "Hey-thick, hey-thick..." (repeated gradually accelerated) "Hey-thick, hey-thick ... ..." until you run out of breath, and repeat the exercise over and over again.

After this stage of practice, gas for the sound of the original, gas for the sound of the Shuai breath, has been basically full, "the gas of the" has been basically excited, active, and the sound has been in the brewing, protection, on this basis you can begin to prepare for the sound of the exercise.

Second stage: gas, sound, and word practice

Opera actors, especially Peking Opera actors, including opera enthusiasts, are prone to the problem of haste in shouting and practicing their voices, hating to be able to shout a high and bright voice very quickly, and hastily shouting high pitched sounds, shouting fiercely and even blindly, which is often contrary to the wishes of the audience. We are studying the shouting voice practice, intentionally practicing breath first without rushing the voice, is conducive to vocal exercises, to be clear a step-by-step law and perseverance and perseverance. In this third stage, we suggest that we still do not rush to climb the scale and shout high notes, but practice from the combination of breath, voice and words. The relationship between these three should be arranged in this order: qi serves for sound, sound serves for cavity, cavity serves for word, word serves for word, word serves for emotion. From this order, we can see that the position of the word is in the center, with "sound" and "cavity" in front, and "word" and "emotion" behind. and "emotion" in the back. When the center collapses, the whole plate is lost. The truthfulness of the word sound determines the roundness of the voice, and the "word for word" is exactly the reason. The relationship between the words, sound and gas in the voice practice should be enough to support the "gas", find the "sound" and bite the "word". Specific method is: the use of hanyu pinyin method of the word head, the word belly, the word tail zoom slow down to word practice sound, and then speed up, while practicing the mouth and lips and teeth teeth tongue and throat flexibility.

With this kind of practice, which way you sound mellow and which way you sound dry, you can distinguish and find the right one. The practice of qi, sound and word is very practical and effective.

The third stage: chanting and singing exercises

The purpose of putting chanting and singing in the fourth stage is to practice and explore the voice quality of "broad bass, rounded alto, and tough soprano", and to consolidate the alto and bass instead of blindly pulling up and climbing, so as to make the tone beautiful and pure, and to keep a good voice, and to exercise the toughness and elasticity of the soprano at the same time. Toughness and elasticity. At this time the recitation practice singing are unaccompanied, singing is more difficult, more demanding, practiced in the third stage, there are gas, sound, word cushioning, is a step by step to climb up, the voice is not fatigue, the practice is effective, grasp.

①Chanting poetry is generally selected from the set poem of each line, because the character just came on the stage, to give the audience a first impression, and make them stop talking and quiet down, so the set poem should be a higher pitch, not too fast and not too slow, it is the character's own interest in the ambition of the self-analysis, the rhythm is very strong, it must be practiced, and it is also suitable for shouting, practicing and practicing voice. In the morning when everything wakes up and everything is renewed you can play and practice your voice to your heart's content.

②Chanting: with the chanting and chanting, half-singing, half-reading features, more difficult than the chanting, the emotion is more appropriate to express, the rhythm is more appropriate to stretch, just to be used to shout the voice of the voice. Half-chanting and half-singing are like introductions.

3) Jingbai (Putonghua) Chanting: For modern opera performances and practice, such as using the melody of chanting to read Chairman Mao's poems, "The sky is high and the clouds are faint, and the geese flying south are broken, and it is not a good man who does not reach the Great Wall", etc., which is a good material for shouting and practicing voice. The traditional large-scale recitation and some slurring exercises can also be practiced at this stage to exercise the breath and vocalization.

Phase 4: Arc-shaped voice exercises

This is a very unique vocal technique in Peking Opera, which is like bouncing in dance, jumping up, squatting down and bouncing up again, and also like throwing a lead balloon in sports, spinning up, retracting, and throwing out again, with the breath and the voice launching to form a / type, parabola, pulling back, and then throwing out again.

This kind of double-arc gas, sound, if not properly practiced, it is very easy to "turn off the sound", "turn" or "bared flowers". The general principle is: transport good qi - to good word (like "hanyu pinyin" like decomposition of the word sound) - throw out - collect - and then throw out, and then throw out. -Collect - throw out again, control the breath, volume, and select the best tone, one ring after another, complementing each other. In particular, the Cheng School of chanting "Rong - endowment" seems to be broken, fine as silk, want to break and rise to the fullness of the home. Returning to the sound of the rhyme is even more need to practice hard and master.

The fifth stage: climbing scales and difficult sound practice

"Ga tone", "turn high", "high cavity" is indispensable in singing, we call it the "difficult sound". The most important thing to do is to practice your voice. In the shouting voice practice in the practice of this sound, pay attention to not more practice, the key is to find a way to find a position, if you desperately go to shouting to call, the previous practice will all be abolished, but also hurt the voice. Practice this road sound is the most avoidable squeeze, card, pinch, pressure, strong nu, hard to fight the horizontal air. Mr. Lao said, "such as the word to sing high without having to force the reverse call (to make the awkward force to shout), but the word to do a narrow and fine, do sharp, do deep, the sound since the high carry forward ......, where the word of the soaring according to the above method of the gas will be raised to send out ...... then the listener has clear Bright, singers and not laborious." Here are tricks, methods, according to their own actual conditions, to feel, to explore.

Singing voice practice method (9 methods):

(one)

Singing the most frustrating thing, nothing more than out of tune.

One of the most important things is that you can sing in your own voice, and you can do it without the presence of anyone else. But when you sing in front of a crowd, your voice will change, and you won't even be able to breathe.

It's a good idea to take your time and practice, but if you like to sing, you'll have to solve the problem of "off-key" singing.

Basic law, the first: practice gas, practice gas cut to relax the throat and chest and abdomen together, and then a collection of a release, a sound, a light breathing, back and forth more than ten times, sing a favorite song, sing the mouth must be like a half-moon "? .

(bis)

That said, after the first "trick" practice method, the "second trick" should be powder.

Method: Relax your whole body, take a deep breath in, sing from I to I with a slight breath, take another breath in, and quickly and smoothly "hoo" the scale in a bright voice.

This method helps to increase the volume of breath and brighten the voice. However, some practitioners with shallow and narrow ****songs may find their throats tight and their voices fast after a "motivated" workout. If you encounter this situation. Please pour a cup of warm white water,......

The poem says: "Take a sip and pat your chest. Then use your hands to massage the whole neck and throat, so this will help blood circulation and open up the chest and mouth **** sound.

(ter)

After the "two strokes", it is time for the "third style". Please lightly hold both hands on the left and right side of the ribs (a little above the waist), and then inhale, in the inhalation should feel both sides of the ribcage lateral expansion, the hands please remain in the same position, and then close the abdomen to exhale the gas, and when you exhale, keep the expansion of both sides of the ribcage. Then relax the whole body and repeat once, twice, three times up to seventeen or eight inhalations. The purpose of this posture is to increase the lung capacity and at the same time to improve the body's tension. The first and foremost condition for singing is to have sound and breath. Okay, do you feel tightness in your chest, or even a heavy head and dry throat? Take a teaspoon of black tea leaves with some rock sugar and repeat what I wrote last time: "Take a sip and pat your chest. However, this time, you can pat more places, even the abdomen, which is very effective for practicing voice and qi.

(4)

The fourth style. Eyes looking into the distance, mouth bar singing favorite songs, singing, both hands lightly press the abdomen, the so-called intention to guard the dantian.

Why do you need to press your hands lightly on your belly? This can drive the mind to concentrate. People's thoughts are very abstract, and by pressing on the abdomen, they are making sure that their voices are "deep enough", i.e., that they are sounding in the dantian.

Since we have started to use the dantian voice, there are higher requirements for practicing singing, so, so, please remember the first, second, and third postures, and don't deviate from them.

(quinquies)

Dantian vocalization is the starting point for all rounded, bright and beautiful voices. However, to achieve a clear and bright sound, it is really not an overnight endeavor. Work hard to enter the fifth style ━━━

Hum 1 2 3 4 5 6 7 I and then return to the starting point from the high register of Hum. When practicing, the ribs on both sides of the body expand slightly across the body, and the sound comes from the lower abdomen to the bridge of the nose, while the throat must be relaxed.

Purpose: To develop the **** sound between the nose and the mouth.

Another old saying, learn from the past.

(f6)

Sixth Style, Vibrato and Bouncing Tones ━━

1. Inhale, and inhale y.

2. Strike the 1 2 3 4 5 6 7 I scale with the lips, with the ribs expanding slightly on both sides and the belly bouncing with the lips.

3. Open your mouth in a round shape, and use the "hoh" sound to bounce your abdomen from 1 to I.

Purpose: To develop a strong and flexible singing voice.

(7)

The focus is on practicing a clear bite.

First of all, adjust the vocal part,

I. The first thing you should do is to pat your chest and clear your mouth.

2. Inhale y, inhale both sides of the rib cage to the horizontal expansion, the purpose is to regulate the **** sound smooth.

Three. Let the voice spit out "open, Qi, handful, together" four words, the reason ━━ open, is to open the mouth wide; Qi, the sound of teeth; handful, so that the word sound concentration; and the meaning of the together is to exercise the lip sound.

This is the first step in practicing the articulation of words, so please remember to practice them.

(8)

A friend asked, "I can't sing in tune, I can't reach the high notes, I can't reach the low notes, I want to sing, but it's hard for me to hear, what should I do?

This is really a very large singing deficiency, now on the "out of tune" as the title.

1. Slowly expand your diaphragm, breathe in y, and hold your breath.

2. Support the breath to the apex, immediately with the hands to fast beat; clap chest loudly with irregular "huh" sound with the air and "huh call".

3. Both hands back and forth, left and right, patting and massaging the head, the intensity should be moderate, the purpose is to make the head cavity **** sound enhancement.

(IX)

Practice the continuous tone ━━━

First inhale, inhale the two sides of the rib cage slightly open, gas inhalation to seven full can be, because the inhalation is too deep, too full of the opposite is easy to let off steam. /4--- /5--- /6--- /6--- /7--- /i

Repeat the above intervals with the MA note, inhaling once every four beats. Remember that when practicing scales, inhale and exhale quietly, and don't let your voice tremble. Purpose: This style is to train the penetrating power of the singing voice.

Done! I hope it will help you, may you soon become the king of K song!