What are the characteristics of Chinese brush painting

Characteristics of Chinese brush painting: Modeling with lines is the characteristic of Chinese painting technique, and it is also the foundation and backbone of Chinese brush painting. The requirements of the line are neat, delicate and rigorous, and the brush is generally used more often. Inherent color is the main, generally colorful, calm, bright, elegant, have a unified tone, with a strong Chinese national color aesthetic interest.

Working Brush Painting Techniques:

White Drawing: A painting method that uses line as a means of expression, relying on the line itself, such as rigidity and flexibility, thickness, clumsiness, squareness and roundness, sparseness and density of the changes in the representation of various objects. At the same time, the line itself also has a certain abstract aesthetic effect. White drawing on the whole Chinese painting is also an independent art, as a work of white drawing, the general line changes are not big, fine and even, for the color to leave room.

Chafing: painting often encountered in the soil, stone, stumps and other objects, often chapped to enhance the texture and thickness, but also a complement to the line, more concerned about the use of the pen. Generally require a natural and smooth, not posturing. Rub, more hidden pen. Generally only rich in chapped techniques, and sometimes also play a role in modifying the failure of the chapped.

Dyeing method: there are many kinds, generally have flat coated, dyeing, cover dyeing, etc., flat coated more in the do color base and screen local flat color, should not see the pen marks, dyeing is divided out of the structure of the object dyeing method, there are two kinds of high dyeing and low dyeing, dyeing in the middle of the object in the raised parts and cause a little bit of three-dimensional meaning of high dyeing, cover dyeing in the part that has been dyeing the color of the ink on a cover of some kind of color, so as to produce a heavy and heavy color changes, baking is generally in the middle of the color change. Color changes, baking is generally outside the object baked part of the color ink, in order to strengthen the main object shaping, in fact, there is dyeing to expand the meaning of the moon and clouds and snow side of the multi-use.

Points: the point in the painting is extremely wide range of uses, depending on where the hit can be flowers, plants and wildflowers, can be moss points, but also regardless of what is only for the decoration of the picture. Dot is a small point, is the expansion of the point, Sifa commonly used in painting. When using points, generally seek the consistency and unity of the brush.

Collision water collision powder: some painting method is flexible, there are color powder collision method, there are color powder water collision method, there are also mutual use. Generally, it is to draw the shape and structure of the object with a large water-containing brush and then collide with the color ink and powder to create interest, due to changes in hydration and insolubility, lively and vivid.

Fading method: layers of color accumulation, a layer of color when withdrawing part of the color, the more color the more layers, paintings of birds and flowers and grasses commonly used in miscellaneous objects.

Split Dye: In addition to separate use, but also commonly used for the cover dyeing the base color, for the flat paint open wake up. The method is to use two brushes, one dipped in color, one dipped in water, the first color brush from the deepest parts of the dyeing, followed by a brush with water to make the color gradually faded outward, so that the more the lighter, leaving no traces.

Hooded dyeing: hooded dyeing, can not be rushed, to be thin hood, a time is not enough, you can cover again, the pen should be full of color, with the pen straight to light, not back and forth smear, so as not to stir up the underlying color.

The unified dyeing: the pen should be full of color, the pen should be light, to prevent the effect of sub-dyeing destroyed.

Touch dyeing: there are two different colors, from the leaves or petals of the two ends of the dyeing at the same time, and then in the middle of the leaves or petals touch together, so that it naturally articulates, forming a unified whole method.

Bonding: using one color while wet and then dyeing another color, so that the colors bleed into each other. This method is suitable for several different colors in the same face, which is characterized by both labor-saving, the effect is also live, there is a sense of flow.

Flat Coat: Coat the color should be thin, moisture should be moderate, to a stroke after a smooth coating, do not smear back and forth. The method of flat coating, in addition to separate use, but also for the base color, lining, cover dyeing and so on.

Baking and dyeing: in order to highlight some of the theme or performance of some specific environment, the atmosphere around the object in a large area of the rendering method.

Chafing, rubbing dye: is to see the pen of a dyeing method. Mostly used to dye stones, tree trunks.

Counterpoint: in the rendering process with color from the back of the paper or silk lined with color, so that the front of the color more deep and bright.

Water injection color method: mostly used for stones and tree trunks. First dye the outline of the stone or tree trunk with ink (the ink color should be varied in intensity), you can use the water enough to be watery and inky, and while the ink is not dry, inject water or heavy ink to wash out the color of the flat surface and produce rich variations.

Dotting the stamen: dotting the stamen is very important in painting flowers. Point stamen with a pointed pen dipped in full color, a drop on the tip of the point down, point into a round ball, dry, to be round, convex, uniform size, the middle of the pit sunk into a small pit for the best.