Who are the artists of crane painting?

Working brush painting cranes artists are, Zhou Zhongyao, Mo Jiancheng, Shi Jun, Che Laitong these four.

One, Zhou Zhongyao "rich and noble double Yi Tu" painting steps

1, hook shape will be placed in the sketch under the cooked Xuan, according to the depth of the crane's own color, respectively, with a different ink line hook out the shape, white feathers with light ink hook, black feathers and eyes, legs with heavy ink hook. When outlining, pay attention to the volume and texture of the crane with different strokes, the beak with hard and straight strokes, and the feathers with soft and flowing strokes. Then paint the white feathers with a layer of white color.

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2, dyeing the base color with ochre and ink to dye the white feathers of the shadowy areas. Need to consider the whole, without the need for pieces of carving, there should be virtual and real, to the intention of the brush. The top of the head, red parts, a flat layer of cinnabar, while wet point white powder, neck and black open feathers, with heavy ink side of the silk out of the form of the ups and downs and dark places.

3, cover the color in the white feathers of the light part of the bright, from the edge of the feathers to the inward dyeing of white powder two or three times, and then cover the dyeing of white powder. The cranes are covered with vermillion, and the neck and open feathers are covered with light ink. Finally, the white powder painting white feathers, heavy ink painting black feathers.

Second, Mo Jiancheng, "Pine Age and Crane Longevity" painting steps

1, white sketches over the draft, with a fine brush outline, line drawing to grasp the texture of the different parts of the crane, strokes should be a combination of light and heavy to have a natural, ethereal sense.

2, backing in order to make the picture composition full and rich, the crane and the background of each other, the first light ink to do the backing, increase the pine trees and stone as the environment echo, the ink becomes wet, the crane and the stone to leave white.

3, sub-dyeing Using goose yellow, burnt umber, a little bit of blue on the feathers sub-dyeing, neck, crane skirt Phi texture, dyeing the hierarchy, the top of the crane with rouge dyeing the bottom color.

4, cover dyeing and finishing feathers with white powder cover dyeing, white from the edge of the feathers to the inner layers of dyeing, and then white chalk silk hair, cinnabar points on the top of the crane, and finally with a fine brush hook feathers, ink fine brush silk crane skirt, chapped tree trunks, pine needles, stone, grass, the picture to achieve a seamless integration.

Three, Shi Jun "Crane Dance" painting steps

1, the choice of very thin cicada-wing Xuan, with thick and light ink lines out of the crane's vivid posture, pay special attention to the ink color changes and the line of the rhythm of the relationship between the real and the virtual.

2, with the penmanship of the background of the reeds of the dynamic posture, this step should pay attention to the composition of the points, lines, surfaces, penmanship, penmanship, rhythm of the randomness. Capture its image, impression, abstraction of the gesture feeling, in one fell swoop. And then with water pink or advertising color, coloring from the reverse side, this step can be based on the picture of the virtual, real, cold, warm, with the powder tuned to high-grade gray, plane coloring.

3, the works with a good base color on the frame, with water color to adjust the picture of the virtual space. Accumulation of water, color, ink. Wash, brush, spray, a variety of means to create texture and atmosphere of the picture. The work is completed with the traditional method of dyeing under the shroud of chiaroscuro space.

Four, Che Laitong "Crane Longevity" painting steps

1, white outline, the crane's beak, eyes and black feathers outlined in heavy ink, white feathers outlined in light ink, the trunk of the pine tree branches with a heavy ink hook with a dry brush, pine needles outlined in heavy ink.

2. According to the mood of the picture, paint the base color. The black feathers are painted with heavy ink and flat brush, and the legs are painted with blue and flat ink. Pine needles are colored with light ink.

3. The black feathers are dyed with light ink and then with heavy ink; the white feathers are dyed with white; the top of the crane is dyed with eosin; the scales on the legs are drawn with ink; and the pine needles are dyed with grass green.

4. The beak and eyes of the crane are dyed with ochre ink, the shaft of white silk feathers is dyed with ochre ink, the silk feathers are cracked, and the pine needles are dyed with light ink.

5. The white feathers are dyed with white silk hair, the top of the crane is dyed with cinnabar, the pine needles are re-colored with stone green, the branches and trunks are dyed with light ink and then chapped with medium ink, and finally the inscription is completed with an inscription and a seal.