I want to know all the action skills of poppin, and, ah, how to practice.

All the actions of Popping are as follows: muscle vibration, or explosion point, is the primary element of Popping. It can be said that popping is completely based on the existence of Pop, and Pop needs a considerable sense of rhythm. Theoretically, all muscles of the human body can control their own movements through consciousness. As a popper, in the initial stage, you should learn how to pop the big arms, small arms, wrists, legs, chest, shoulders, neck and even back and crotch, and a popping master can pop more places, and even control individual muscles in some parts instead of muscle groups. There are many elements in another piece of music, such as light drums, heavy drums, bass, piano and so on. When dealing with musical instruments, the strength and relaxation speed of pop are different, so it is very strong to be able to use your own body pop flexibly to deal with music. Hit: Like pop, it achieves a vibrating effect by contracting and relaxing muscles, so it is difficult for many people to distinguish between pop and Hit. However, literally, hit is hitting people. In a relaxed state, the vibration of muscles makes the limbs feel as if they are touching something, so each stroke will stop, just like touching something. Pop, on the other hand, makes muscles exert their strength in a relaxed state. When the muscle movement reaches the maximum, it does not stop but continues to let the movement end naturally. In the words of a popper: hit is pop plus dimestop, which may not be completely accurate, but it may be easier to understand. The style of widely using Hit instead of pop is called Hitting, and the generally recognized best hitting style Popper is Poppin Pete of EB. Groove: rhythm. Bugallo Sam first brought this concept to Bugallo and pop music. No matter what kind of dance, this is a very important element. "Dance without rhythm is lifeless." You can see the importance of this element from this sentence. Control: Control is divided into three aspects. 1. Breath control: the control of qi is divided into internal and external (inhalation and exhalation), and the visual effects produced by these two methods are different. For example, ticking and electric shock are the effects produced by the cooperation between external and muscle pop. Many beginners often ignore the role of pneumatic control in sonic boom. In fact, pneumatic control is quite important. 2. Body control: the control of the body, that is, grasping the control of the body and paying attention to the expressive force and tension of the action. 3. Speed control: Speed control, when completing the movement process, we should pay attention to the control of the movement speed combined with music, which can make the movement look more layered in rhythm. Dimestop:Dimestop and Lock are different, but the effect is exactly the same, that is, properly tighten muscles and keep the body completely still (lock body). This element was inspired by Bugalo Sam's Lock, and added pop elements. Scroll: that is, rotation. Scroll is a connection foundation and an extremely important basic element for Bugaro and animation. Tumbling parts include neck, shoulders, chest, buttocks, legs and so on. Bugaro rolls and wavy rolls need different feelings. Bugallo tumbling emphasizes rhythm and whole body feeling, while wave tumbling pays more attention to the control of specific parts. Fresno: The basic movements of pop and bugallo, written by Bugallo Sam, emphasize the direction, rhythm and balance of pop. When doing every movement, pop needs different muscle points and force points. Fresno naturally uses the muscle points and strength needed by pop when doing every movement, making the action effect more perfect. Walkout: The basic movements of pop-up and bugallo, created by Bugallo Sam, emphasize the three-dimensional sense of pop-up and move in a cross step. Bugalo Walkout is slightly different from ordinary Walkout, and has a certain sense of rolling and rhythm. Flex: including Neck O Flex, Twist O Flex, master Flex (here master means zombie) and basic movements of Flex Walk, Popping and Bugalo, all of which were created by Bugalo Sam, emphasizing the change of direction and the stability of movements. Twist: The basic movements of pop-up and bugallo, which were created by Bugallo Sam, are movements used for displacement conversion and embody the sense of twist, emphasizing the stability of the movements, and are divided into Egyptian twist and Romeo twist. Odeman: One of the basic movements, Odeman: Bugaro style, which uses the rotation of the chest and crotch for lateral displacement. Wave: Electric current (often translated as wave in the past) imitates water waves and flows around a certain part of the body in a path. It is a smooth, coherent and rhythmic style, and it often uses scrolling. Common wave actions include arm wave (wave from the fingertip of one hand to the fingertip of the other hand), body wave (wave from head to toe or hand to chest to toe) and touch wave (wave whose position changes when touching the body). Torsion wave (starting with two hands and making two waves with different paths, and finally crossing the upper body to the feet), dynamic wave (dynamic wave, which is often used in Newstyle Hiphop), second wave (the action of combining hand wave with body wave is usually an important element of Hiphop) and so on. Popper, whose dance is dominated by wave movements, is a dancer with wave style. The representative figures are Poppin Taco, Liquidpop Eric and now popular J Smooth. Sliding: or sliding, floating, moonwalking, that is, sliding or spacewalking. This style actually originated from early comedians and was carried forward by later imitators. Backward sliding or moonwalking was first created by james brown. Then in the early 1980s, Jeffrey Daniels of Shalimar performed the most successful and respectable performance in the TV program "Soul Train", and the most famous performance was performed by Michael Jackson. The common sliding steps are backward sliding step, forward sliding step, side sliding step, horizontal sliding step, diamond sliding step (in fact, this action rather than backward sliding step is the real moon walk), backward sliding step, side sliding step and continuous in-situ knee winding. In the past, sliding was a compulsory course for all poppers. But now, with the increasing demand for mastering music, many poppers begin to ignore this element, because the action itself is simple and easy to imitate, but it is difficult to express music well in Funk music, so only some animated poppers still use this element more in dance. Isolation: Isolation is actually a kind of control over the body, that is, it is very important to keep other parts motionless while moving one or a certain part of the body, and it is also widely used in robot style, but the application between them is very different. Slow motion: Slow motion, which looks like slow motion playback on TV. Pop required course in animation style. Glance: a way of walking, flapping with hands and feet while walking. Creep: Just like the literal meaning, creep forward, emphasizing the body control when moving. Tick: It is one of the important styles of pop-up and a common means of electronic vibrato. Strut: the action is compartmentalized, similar to ticking, which pops up in a period of action, but the effect is not continuous, but like a fast-forward DVD image. pop is added to every compartmentalized action. Strobe: Strobe, similar to strutting, but the end of each frame action is Dimestop instead of Pop. Serpentine: A snake that combines wave and tumbling styles, so it is named because it behaves like a twisted snake. Cobra: Cobra moves with the rotation of the chest and shoulders in the opposite direction (even with the rotation of the neck in the opposite direction to the chest). It is named after the image of Cobra holding its head high and preparing to attack when its body and arms move, and is often classified as a snake. Crazy legs: characterized by complex foot movements and transformations, it is a style created by Poppin Pete. The twisting, rolling and sliding of the lower body are the basis of crazy legs. Tutankhamun: Egyptian hand, named after this action style, is very similar to the characters in ancient Egyptian murals. Including the action of waving the part, so that the shoulder and the big arm, the big arm and the small arm, and the small arm and the wrist form a 90-degree or straight line, and then each part is continuously bent or circularly twisted with the rotation and flexion of the joint, and each action is separated. In the past, Tutankhamun-style movements were usually done with ticking (that is, every single movement needed pop). But with the development of Popping, this convention has long been abandoned. Tutankhamun can make music quickly or slowly without pop at all. Even today, many pop artists combine Tutankhamen with Bo. Recently, Tutankhamun has a new derivative, finger Tutankhamun, which makes various changes at a 90-degree right angle (representative: J Smooth). At present, the recognized masters of Tutankhamun are Mr.Wiggles, Jr.Boogalood and others. Robots: Robots were first invented by early French comedians. It is because of this style that early Popping was called mechanical dance. It is characterized in that the limbs are controlled at a fixed speed when doing actions, and then suddenly stop, just like actions that only machines can do. Usually only one part of the body is moved at a time, just like being controlled by a computer program, and the movements should be standardized. Bopping: dynamic robot, different from the robot stopping with Dimesop at the end of each action or causing slight spring bounce with body control. Bopping ends with Dimestop and Pop. In addition, Bopping combines the pop mode of animation to imitate various textures, which looks more visual than robots. (Now robots and Bopping have been combined to a great extent. The specific difference depends on the dancer's own style. ) The representative figure is Boping Andre of America. Puppet: Puppet people, literally, imitate the style of puppets, showing the feeling that the puppet joint chain is loose but limited. One of the early Bugalo styles. Dummies: Dummies are similar to puppets, except that dummies emphasize the feeling of a puppet, just like being manipulated by an invisible line (in fact, many views now think that this is a form of puppet). One of the early animation styles. Scarecrow: Literally, the scarecrow imitates the scarecrow's style, which is characterized by leaning when moving, often raising the upper arm, swinging the lower arm, and tilting both arms in the same direction (just like being blown by the wind). One of the early Bugalo styles. Toy man: Toy man, literally means imitating the style of toy man. Different from other imitation styles, toy people emphasize the movement of joints to imitate the feeling of toy shaft. One of the early Bugalo styles. Collapse: an action that usually belongs to a mannequin, such as a tire being deflated or a puppet being cut off. Lean: literally, lean on, lean on. This is another popular comedian's trick, giving people the illusion that people lean on something, but it doesn't actually exist. The most classic action is Michael Jackson's 45-degree tilt, but this action is completed by the cooperation of the sole and the mechanical device on the ground, not by manpower. Toe & Heel Walking: This action usually appears in robot style. Keep the angle between your feet in a V-shape, use the heel of one foot and the toe of the other foot to bear the load, then move your feet to the left or right at the same time with the heel and toe as the axis, then move the center of gravity of your feet to the toe and heel respectively, and then repeat. If done well, the movements will be smooth. If you control the angle of each step very small and do it quickly, it will look like the whole body is basic. Electric shock: this action looks like an electric current passing through the body. It seems to be similar to Wave, but different. This action emphasizes imitating the feeling of being shocked. Air posture: The air posture imitates the feeling of the body floating in mid-air. Every movement is a posture, but the body is not static, and it keeps bouncing, as if it were influenced by strong buoyancy. Scolopendra: a standing action, but it imitates the twisted feeling of centipede when walking on the ground, emphasizing the control of the body and the use of isolation elements. Ground motion: Ground motion, mainly brought by Mr. Wiggles, who is also a master of breaking, integrates breaking elements into Popping and uses knees and other parts (even the back) to exercise on the ground. E.T.: Alien, a style created by Poppin Pete in the 1990s. It imitates the effect of aliens with long hands and short feet in the movie E.T., fully absorbs the characteristics of ground movement, and uses this part of the knee extensively in action. Spider-Man: Spider-Man is a style created by Poppin Pete in 1990s, which imitates the characteristics of legs moving when spiders crawl. Shadowbox: The style created by Skeet Rabbit is hard to describe. . . Fillmore: I'm sorry for my ignorance, but I really don't understand. . . Sleeping Style: Sleeping style, which was created by Poppin Pete in the 1990s, imitates people who are exhausted and about to fall asleep. Its main feature is that it won't fall when moving, and it imitates the way people yawn and shake their heads when they are tired. Heartbeat: This is a very popular sport. You put your hand under your coat or T-shirt, and then push the clothes forward. It looks like your heart is beating in your chest. Usually dancers will move forward when doing movements, which will give people the illusion that your heartbeat is pushing people forward. Bicycle: This is another trick that comedians often use. Leg movements give the impression that you are riding a bike. This action is usually combined with the forward movement of the hand, giving the impression that you are holding the handle of the bicycle. S-walk: let your feet move forward in an S-shaped curve path in turn, which is also called snake walk. Because it is also a kind of footstep action that produces optical illusion, it is often classified as a sliding range. Up & Down: This is a rather controversial element for popup, because Up& Down itself belongs to Hiphop, its main content is to shrink the chest, which can play a very good role in chest pop and increase the rhythm of popping. Practice method ... I suggest you practice Frasen first ... and then practice lacing and the rhythm of "ma bu", but you can't stop ... that's basically how you practice.