Where is the next stop of Beijing TV Series? Industry leaders, experts and scholars discuss the development direction of Beijing TV series

What should Beijing TV series do in the new era? On the afternoon of September 16, a seminar on "Narrative Strategies and Aesthetic Images of Beijing TV Plays in the New Era" was held in Beijing.

The meeting invited writers, directors, producers and other creative personnel who have made great achievements in Beijing theme creation, as well as experts in Beijing literary criticism to discuss with them. Among them, Li Guangfu, an actor of Beijing People's Art Theatre, is well known to the audience. As an old Beijinger, he is also full of affection for Beijing-themed works of art. In his view, Beijing culture has strong vitality, which can break regional prejudice and show distinctive national style and strong regional characteristics. Actors should fully display Beijing's regional cultural characteristics through deep feelings and personal practical experience, vivid role-building and personalized performances.

Guo, vice chairman and actor of Beijing Television Association, has participated in and produced Beijing-themed TV series Happy Birthday. He believes that actors should make full use of the particularity of Beijing language, show the characteristics of Beijing TV series, integrate Beijing etiquette culture into Beijing TV series, and further promote China's traditional culture and national spirit. "Beijing in the new era is more inclusive and international in the transformation of contemporary society. In the blending and collision of Beijing culture with foreign culture and even foreign culture, new image, cognition and cultural characteristics have been formed, which can become the creative inspiration and material source of the new Beijing TV series. "

Wang Zhili, a screenwriter who once wrote the famous Beijing-themed TV series Love Courtyard and Little Women under Zhengyangmen, compared the characteristics of the old Beijing drama with those of the new era. He believes that the writers and actors of traditional dramas have rich cultural backgrounds and can fully display the customs, characters and stories of old Beijing. "At the same time, Beijing in the new era has a lot to write, but I want to write a real Beijing in the new era.

Hao Jinming, vice chairman of Beijing Television Association and manager of Daqianmen (Beijing) Culture and Art Co., Ltd., agrees with this view. He believes that today's new era Beijing-themed TV dramas have put forward new topics for creators. If you stayed in Beijing the day before yesterday and yesterday and miss the past, you can't get out of the whirlpool of the past. "Film and television drama creators should enter a new era, truly experience and feel Beijing in the new era, and reflect Beijing's new era with their old feelings for Beijing."

"The charm of Beijing is that it is always at the forefront of the times. New social phenomena and new things first appeared in Beijing. Rather than saying that Beijing has a rich and long cultural tradition, it is better to say that the biggest feature of this tradition is that it is always new. " Shi Yifeng, a professional writer in Beijing Laoshe College of Literature, interprets and suggests that writers of literature and film and television dramas should make full use of the distinctive features of Beijing culture to create realism.

Literary critics and researchers attending the meeting unanimously pointed out the possible limitations of the types of Beijing-style TV dramas in the past. Everyone agrees that the creation of Beijing theme must be innovative in order to make substantial changes. Zhao Hui, director of the Beijing Critics Association and director of the Basic Department of the School of Drama, Film and Television of China Communication University, pointed out that the description of Beijing's creative themes and the anxiety of new Beijingers lacks attention to suburban themes, children's themes and industrial themes, and lacks the embodiment of traditional culture and some old Beijing artists and Beijingers' cultural inheritors. At the same time, there is still a lack of expression about the old and new contradictions and conflicts between New Beijingers and traditional Beijingers.

In this regard, Ma Congfeng, member and vice chairman of Beijing Federation of Literary and Art Circles, said that Beijing Federation of Literary and Art Circles and Beijing Critics Association have been planning the overall layout, leading the development of film and television creation industry with literary criticism, leading fashion and better promoting the construction of "film and television capital". In the future, the Municipal Federation of Literary and Art Circles will also explore editing and publishing the annual report on the development of film and television art, and further promote the positive interaction between literary criticism and film and television creation by establishing professional literary criticism journals, opening film and television criticism columns, building short video brands of literary criticism, and setting up film and television sub-forums and network audio-visual industry sub-forums in the Beijing Forum on Literature and Art..

The seminar was hosted by Beijing Federation of Literary and Art Circles, and undertaken by Beijing Television Artists Association, Beijing Literature Critics Association and Beijing Literature Research and Network Literature Development Center.