Hua Dan (the name of China traditional opera) is a complete collection of detailed information.

Hua Dan is a traditional opera character in China. The image of young or middle-aged women is lively or provocative and dissolute, often with a little comedy. The word Hua Dan comes from Xia Tingzhi's Collection of Brothels in the Yuan Dynasty: "Where there is a geisha, Hua Dan breaks his face with ink."

Basic Introduction Chinese Name: Hua Dan Nationality: China Birthplace: China Occupation: Representative works of China traditional opera actors: introduction, characteristics, etymology, classification, history, four famous poets Mei Lanfang, Cheng, Shang Xiaoyun, Xun Huisheng and Hua Dan Brief introduction Hua Dan is a branch of China opera, which is different from (northern opera is often called "Qingyi") and Udan. Most of them are naive and cheerful young women. Spring grass spring grass rushed into the hall. There are also provocative and dissolute young and middle-aged women, who are called provocative. The word "Hua Dan is the master" in the film and television circle also refers to the actors who are good at playing such roles, and it must have borrowed the title of China traditional opera. One of the characteristics of Hua Dan (Zhang Yanjun's works) is his clothes. Except for some introverted boudoir women, they all wear long dresses (called pleats and purses in the play), mostly short coats, or skirts, jackets, or pants and jackets. When wearing trousers and coats, you should wear a vest, a "meal list" (that is, an apron) and a "four-happiness belt" (that is, an ornament hanging in front of your waist and between your legs). Cao Chun in Cao Chun rushed into the hall. Sun Yujiao in Pick the Jade Bracelet and Li Fengjie in The Prince and the showgirl were both wearing trousers and coats. And Li Fengjie is the "two-door embrace" with Gui Dan (that is, he plays concurrently) instead of acting. The second is "four merits". Mainly doing work for free. Read white characters, use fluent white characters, and perform quickly and skillfully. Especially with sharp eyes and smart waist as the top priority. Singing is a supplement, and dancing is a must. If it's an assassination, you have to jump. Its modeling emphasizes white, craftsmanship and spirit, but does not emphasize singing skills. It requires delicacy and beauty, and its singing skills are sensitive and agile. Typical figures are Yin from the Vatican Palace and Shaohua Mountain, and Zhou from Xin Anyi. The etymology of the word Hua Dan comes from Xia Tingzhi's Collection of Brothels in the Yuan Dynasty: "Where a geisha is a prostitute, Hua Dan is the one who breaks her face." There are Hua Dan Zaju in Yuan Dynasty. The Twelve Chapters of Zaju written by Zhu Quan in the 31st year of Hongwu in Ming Dynasty even listed Hua Dan's Zaju as "fireworks and gunpowder", which fully showed that Hua Dan mainly played a geisha. Zhao in Zhao's Romantic Salvation is a typical Hua Dan. After several dynasties, Hua Dan has become a variety of local operas in China, such as Han Opera, Kunqu Opera, Beijing Opera and Cantonese Opera, with some individual styles. Hua Dan can be classified into boudoir Dan, banter Dan, tease Dan and assassination Dan. Dan, a young girl who plays an unmarried girl, is introverted and shy, and is closely related to her, such as You Erjie in the Peking Opera Xun Hui Sheng School, A Dream of Red Mansions, A Bloody Wedding Dress, and Cheng Xuee in. Joke Dan plays the role of talking, laughing and fighting in comedies and burlesque. Instead of singing Pihuang, we sang folk tunes such as Nangong, Blowing Opera and Liuzhi Opera with suona accompaniment. For example, the woman in the tomb, the calf house, the big noodles and the valley. Provocative, play a dissolute and acerbic woman. Such as Pan Qiaoyun in Cuiping Mountain, Yan Xijiao in Wulongyuan and Ma Jinding in Baluo River. There are two understandings of Ju Xiang's assassination of Dan in The Story of Enjoys and Hatreds: one is that he assassinated others; One is that he was assassinated by others. The former is like Bai Jinlian in Double Nail, Xu in Double Bell and Kill the Son. The latter is like Zou in the Battle of Wancheng. Generally speaking, Hua Dan is also called "Big Hua Dan" and "Little Hua Dan". Hua Dan, though humble, grew up in a big family, such as the giant maid in the play. The matchmaker or matchmaker in The West Chamber is. Hua Dan Jr. is a housewife or a servant girl. For example, Jade Girl in Bean Juice, Han Yujie in Looking at Jade Biography, and Chunlan in Hua Tian Cuo. The title of the role of a maid in Nudan's play. For example, the chrysanthemum fragrance in "The Story of Enqiu". The historical drama Hua Dan rose in the Yuan Dynasty. Play more passionate and witty women, such as Zhao in Guan Hanqing's Save the Wind and Dust. Later, it was called "Iron Egg" in Kunshan Dialect. There are also "one, two, three, four, five, six and paste" in Kunqu Opera. Namely Lao Dan, Zheng Dan, banter Dan, pride Dan, assassination Dan, boudoir Dan and paste Dan. Iron Egg also plays a baby boy, such as the river monk (that is, young Tang Sanzang) in "Recognizing the Son". In the Qing Dynasty, Wei Changsheng, an actor of Shaanxi Opera, introduced stilts into Beijing (that is, binding wooden feet to simulate foot-binding walking), which became a stunt in Hua Dan's performance. Hua Dan's famous performers in modern times include Xun Huisheng, the founder of Xun School, and Xiao Cuihua, the founder of Xiao School in the "Four Famous Dances" of Beijing Opera. Mr Xun is famous for playing girls and Hua Dan. Yu Xiansheng is famous for joking, provoking and assassinating Dan. The four girls played the roles of dramatists of different ages, identities and personalities. Hua Dan is a branch of Danhang, which is different from Zheng Dan (formerly known as Hehe). Most of them are naive and cheerful young women. There are also some young and middle-aged women who are provocative and dissolute. The word "Hua Dan in charge" in the film and television circle also refers to an actor who is good at playing such a role, probably borrowed from Beijing Opera. In Hua Dan, there are boudoir, banter, teasing and assassination. The unmarried women in "Dan Girl" are introverted and shy, and are closely related, such as You Erjie in the drama "Looking at the Jade Biography" by Xun (Huisheng) and "A Dream of Red Mansions". Although Cheng Xuee in Feng Haichao is mostly played by Zheng Dan of Mei School (Lanfang School), she can also be classified as a noble family. Joke Dan plays the role of talking, laughing and fighting in comedies and burlesque. Instead of singing Pihuang, we sang folk tunes such as Nangong, Blowing Opera and Liuzhi Opera with suona accompaniment. For example, the woman in the tomb, the calf house, the big noodles and the valley. Provocative, play a dissolute and acerbic woman. Such as Pan Qiaoyun in Cuiping Mountain, Yan Xijiao in Wulongyuan and Ma Jinding in Baluo River. There are two understandings of the assassination of Dan: one is the assassination of others; One is that he was assassinated by others. The former is like Bai Jinlian in Double Nail, Xu in Double Bell and Kill the Son. The latter is like Zou in the Battle of Wancheng. Hua Dan, a rising figure in Yuan Zaju. Play more passionate and witty women, such as Zhao in Guan Hanqing's Save the Wind and Dust. Later, it was called "Iron Egg" in Kunshan Dialect. There are also "one, two, three, four, five, six and paste" in Kunqu Opera. Namely Lao Dan, Zheng Dan, banter Dan, pride Dan, assassination Dan, boudoir Dan and paste Dan. Iron Egg also plays a baby boy, such as the river monk (that is, young Tang Sanzang) in "Recognizing the Son". In the Qing Dynasty, Wei Changsheng, an actor of Shaanxi Opera, introduced stilts into Beijing (that is, binding wooden feet to simulate foot-binding walking), which became a stunt in Hua Dan's performance. In modern times, Hua Dan's famous performers include Xun Huisheng, the founder of Xun School, and Xiao Cuihua, the founder of Xiao School. Mr Xun is famous for playing girls and Hua Dan. Yu Xiansheng is famous for joking, provoking and assassinating Dan. Both of them are good at using their eyes. When Yu Xiansheng was studying in an ordinary class in Fulian City, his eyes were full, which made the clowns who were studying in the same class afraid to look him in the eye. Otherwise, you will be at a loss and forget your lines. Its modeling emphasizes white, craftsmanship and spirit, but does not emphasize singing skills. It requires delicacy and beauty, and its singing skills are sensitive and agile. Typical figures are Yin from the Vatican Palace and Shaohua Mountain, and Zhou from Xin Anyi. Four famous actors 1927, the "Best Actor in the First Peking Opera" was held in Shuntian Times, Beijing, and Mei Lanfang, Cheng, Shang Xiaoyun and Xun Huisheng were selected as the "Four Famous Actors" in Peking Opera. Mei Meilanfang Mei Lanfang (1894- 196 1), born in a family of Peking Opera, studied drama at the age of 8, and took the stage at the age of 1 1. She is good at Tsing Yi and also plays Beijing Opera blues. Mei Lanfang has created and developed Dan Jiao's singing, recitation, dance, music, clothing and makeup in more than 50 years of stage practice, and has formed a unique artistic style, which is known as Mei School. He has a deep foundation, both civil and military; The typhoon is beautiful, very beautiful; Her mellow voice and charming singing style have created a large number of typical images of ancient women with different postures. The representative works of Mei School include Cosmic Front, Drunken Princess, Broken Bridge, Strange Double Meeting, Farewell My Concubine, Mu and so on. Mei Lanfang has led Beijing Opera Troupe to Japan, the United States and the Soviet Union for many times. He is an internationally renowned opera singer who has spread China's operas abroad. Cheng (1904 ——1958) studied drama since childhood, played Tsing Yi and studied under Mei Lanfang. He is brave in artistic innovation, pays attention to phonology and four tones, and pursues a high combination of "sound, emotion, beauty and water". According to his own voice characteristics, he created a kind of vocal style with soft throat, ups and downs, intermittent rhythm and varied changes, and formed a unique artistic style, which was called "Cheng School" internationally. Cheng is good at performing tragedies, and his plays such as Yuanyang Tomb, Tears on the Barren Mountain, Green Frost Sword and Anti-Marriage between Yingtai and Yuan mostly show the tragic fate of women in feudal society. Shang Shang Xiaoyun Xiaoyun (1900 ——1976), a young student, was awarded the title of "children shine first" at the age of 14. Start to learn martial arts, then correct Dan and play Beijing opera blues. He has a deep foundation, a broad and bright voice, and his singing skills are famous for his strength. He is known as the "Shang School" internationally. Representative works include Two Entering the Palace, Sacrifice Tower, Zhaojun Dike, Liang Hongyu and so on. They created many heroines and chivalrous women. Xun Huisheng of Shang Xiaoyun, Hua Dan Xun Huisheng (1900 ——1968) studied art in Hebei Bangzi class when he was a child, and changed to Beijing Opera at the age of19, playing Hua Dan and Beijing Opera blues. He has a profound foundation, and can combine the advantages of Bangzi Opera and Hua Dan's performance in one furnace, forming a unique artistic style, and is known as "Xun School" in the world. He is good at playing innocent, lively and gentle female roles, and is famous for his plays such as Matchmaker, Golden Jade Slave, Dream of Red Mansions, Hairpin Phoenix and Looking for an Official Mother.