Traditional Culture Encyclopedia - Traditional festivals - Describe the ancient Loulan women's clothing
Describe the ancient Loulan women's clothing
In the choice of colors and patterns, also shows the rich imagination of the ancient round sand people. From the color of woolen fabrics, there are brilliant red, yellow, blue, purple, black, white and coffee, aesthetic interest is very high. The pigments are mostly taken from nature, plants and minerals, and even from insects. Experts found that these fabrics, plain in the twill, twill in the plain, indicating that the people's textile technology has been very skillful and exquisite.
Earlier archaeological data show that more than 3,000 years ago, people living in the Western Region, mainly animal skins and hair as raw materials for clothing. They were good at weaving various colors of woolen cloth, but also with color pigments on the woolen cloth painted and dyed patterns, accustomed to using bird feathers as accessories for clothing; clothing styles peculiar, decorative simplicity, the formation of the warm fur rosy, woolen cloth gorgeous clothing style ......
Xinjiang Institute of Cultural Archaeology researcher Li Wenying to Chinese and foreign scholars to introduce the warring states to the Han and Jin Dynasties Tarim Basin inhabitants. Li Wenying, a researcher at the Xinjiang Institute of Cultural Heritage and Archaeology, introduced to Chinese and foreign scholars the clothing trends of the Tarim Basin residents during the Warring States period to the Han and Jin dynasties.
Li Wenying, a researcher at the Xinjiang Institute of Archaeology and Cultural Heritage, concluded that there were three main regional styles of dress in the Tarim Basin: the ü-Tsang Han-Jin style of dress, represented by the objects unearthed in the Shampura graveyard; the Loulan Han-Jin style of dress, represented by the objects unearthed in the Yingpan and Loulan graveyards; and the Jingjie style of dress, represented by the objects unearthed in the Niya graveyard.
During the Han and Jin dynasties, the inhabitants of the Tarim Basin had a basically stereotyped style of clothing, with two basic structures, the front bodice and the overlay, which tended to be wider in style, the pants were mostly crotched pants, and the skirts were mostly set of tubular skirts and flared skirts.
With the prosperity of the Silk Road trade, the East and West textile technology from each other, the woolen textile industry in the Western Region in this period is increasingly prosperous, and with the promotion of cotton fabrics and silk fabrics imported from the Central Plains, woolen fabrics are no longer the only clothing fabrics of the inhabitants of the Tarim Basin, woofing technology at this time is becoming more and more mature, fabrics rich in color and coordination, pattern performance is detailed, to the Han Dynasty woof fabrics unearthed in the Shanpu pull most representative, pattern patterned fabrics. Woolen fabric is the most representative of the Han Dynasty, in addition to geometric patterns, there are a large number of animal patterns, plant patterns.
In addition to the woof, the use of plain weft weight and double-layer structure of the worsted woolen fabrics - syringes (ji, four voices) is the new varieties of woolen fabrics in this period, some of the best is obviously the import of Central Asia and West Asia, the style of clothing is becoming more and more diversified, and contains the East and West and the local different elements of the dress culture.
Ancient Western blouse styles
Wang Fang, a researcher at the National Museum of China, pointed out at the symposium that there are a lot of clothing objects from the Han and Jin dynasties found in the Xinjiang region, and their styles and materials have strong regional characteristics, especially the blouse styles are the most diverse and prominent.
According to the characteristics of the collar of the blouse, there are three major categories: the Guantou style, the lapel style, and the cross-collar style. The details and decorations of the blouse are elaborate and skillful, with many complicated decorative techniques such as spikes, ties, tapes, and patches, which are also an important part of the regional characteristics of the Xinjiang region.
According to Wang Fang, the clothing style of the residents of the western region during the Han and Jin dynasties basically continued the local clothing traditions, but also suffered from the strong impact of the clothing culture from the Central Plains, showing a strong absorption and fusion of the characteristics of the clothing culture, the tailoring methods and decorative techniques have been inherited and developed, forming a new clothing culture characteristics.
And the Western dress trend is also to a certain extent interacting with the influence of the Central Plains. 2011 Autonomous Region Museum organized by the Ancient Western Costume Exhibition shows that "migratory birds dressed in migratory birds horse", as early as in the Tang Dynasty, the Western dress has become a popular trend in the city of Changan.
The autonomous region museum deputy research librarian Alia Tolahaz pointed out that the Xinjiang region is blessed with a dry inland climate and ecological environment, so that the ancient tombs, ancient sites of the textile preservation is quite good.
The researcher said that the twisted warp Luo fabric is a special variety of textiles in ancient Xinjiang, which appeared in Hetian Lopu Shampula ancient tombs, and the Zaoluq ancient tombs, Minfeng Niya site, Turfan Astana ancient tombs, the age of the Han-Wei-Jin and Tang dynasties. The texture is wool and silk. The color is light yellow, red, green and many other colors, the organizational structure are four warp stranded, two warp stranded, three warp stranded, five warp stranded, the pattern has a diamond lattice curly grass pattern, diamond lattice hooked pattern, pepper eye pattern, cup diamond pattern.
"These ribbed fabrics do not belong to the earlier ribbed fabrics in ancient China, but they have the specificity of Xinjiang ribbed fabrics, especially the cup-and-ling pattern with the characteristics of the Central Plains style, which centrally reflects the plurality of Xinjiang's textile culture." Alia Tolahaz summarized.
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