Characteristics of Chinese Illustration Style - Split Screen Illustration

What are the characteristics of traditional Chinese illustration?

Old novels have illustrations and embroidered images, which is a tradition in China.

Illustrations are woodblock prints, carved on the woodblock and then printed, often painted both vulgar, carved and simple, with very few exceptions. Ren Weichang in the Xianfeng period, generally considered to be the last master of traditional printmaking in China. The "thirty-three swordsmen" that has been handed down to us, the characters are very vivid.

China's printmaking has a long history. The most ancient printmaking works, is the Han Dynasty Xiao form seal, in the seal engraved with dragons, tigers, birds and other pictures, printed on silk and paper, become a beautiful and skillful graphics. Printmaking grew in the Sui and Tang Dynasty Buddhist paintings, flourished in the Song and Yuan Dynasties, and reached its peak at the end of the Ming Dynasty, and the greatest artist was Chen Hongshou (Old Lotus). In the Qing Dynasty, printmaking developed in general, and New Year's paintings were popular among the people. Ren Weichang in the Xianfeng period is generally regarded as the last master of traditional printmaking in China. Later prints were influenced by Western art, and the traditional style of China was quite different.

Ren Weichang's printmaking collection "thirty-three swordsmen", *** there are thirty-three swordsmen's figures, the characters are very vividly modeled. Occasional free time, flipping through the pages, very trigger some imagination, often give rise to a thought: "It is best to give each picture 'insert' a short story." It has always been the practice of painters to illustrate for novelists, but there never seems to have been a novelist who illustrated a series of paintings for a novel.

Because I don't read much, I don't know all the stories of these thirty-three swordsmen.

Because I don't read much, I don't know all the stories of these thirty-three swordsmen. But even write thirty-three stories of swordsmen wish, can never be accomplished. After writing the first story "The Sword of the Lady of Yue", I couldn't write the second story "The Bearded Swordsman". Writing a narrative is much less laborious than writing a novel, so I introduced the original story in a straightforward manner.

The four stories, "The Bearded Man," "Nie Yinniang," "The Red Thread," and "Kunlun Nu," are well known and will not be recounted in detail, but since the original text is so well-written that I am not capable of translating it into a similarly succinct and clear style of writing, I have appended the original text. The more obscure stories are written out in their entirety.

Chinese ancient books engraved illustration art

Ancient people wrote books, attaching importance to the role of the map. "Left map right book", "left map right history", "text is not enough to fill the map, the map is not enough to narrate the text", graphic and textual, complement each other, is a good tradition of the Chinese book.

China's books over the ages engraved and printed by the sweat of the cow, as vast as the sea, many of which are accompanied by beautiful illustrations, which is not only a valuable historical and cultural wealth, but also the study of ancient politics, culture, folklore of the vivid material.

One of China's ancient books engraved illustrations of the origin and emergence

China's ancient books, in terms of its form of production, can be roughly divided into writing the book and printing the book of the two eras. Before the Han Dynasty, people wrote books on natural carriers such as bamboo slips, wooden documents or silk fabrics such as thick silk, etc. In 1942, a painting on silk was unearthed in a tomb of the Warring States Chu in Changsha, Hunan Province, on which colorful images and illustrative texts similar to those of the Jinwen script were painted around the twelve deities, symbolizing the twelve months, which is an early survivor of the illustration of silk books in China.

The so-called engraved illustrations, that is to say, the engraving of the way to obtain a copy of the manuscript. Engraving, also known as full-page printing, that is to say, the text or drawings engraved on a block of wood or other materials on the plate, and then inked on the plate brush printing method. This method, you can get a large number of copies of the illustrations. Because of the ancient book plate to pear, jujube wood-based, so these illustrations, are prints, also known as woodcuts.

After the invention of engraving and printing, the first applied to the Buddhist scriptures illustration publication. Tang Dynasty, the famous monk Xuanzang Venerable Master, had carved and printed the Buddha's image to benefit the four directions. Feng Zhi at the end of the Tang Dynasty, "cloud fairy scattered record" volume quoted in the "Sangyuan Yilu" said: "Xuanzang to return to the front of the paper printing Puxian image, Shi in the four directions, every year, five packs of no more than." Visible quantity is quite a lot.

Existing older version of the illustration of art, in 1953 in Chengdu City, Dongmenwai Wangjianglou near the Tang tomb unearthed in the "mantra of dharani sutra". This piece was found in the silver bracelet worn on the arm of the tomb owner, engraved with ancient Sanskrit mantras, surrounded by and printed in the center of the small Buddha. It was published after the second year of the reign of Emperor Suzong of the Tang Dynasty (757 A.D.).

Another more important work in the remains of Tang prints is the title page of the Vajra Prajna Paramita Sutra, which was printed in the ninth year of the Tang Xiantong reign (868 A.D.). This piece is a scroll about 16 feet long, made of six pages of paper glued together, the end of the scroll is painted with a picture of the Garden of Solitude in Gion, the whole picture is decorated with gorgeous motifs, the layout is stable, and the use of soft lines is strong, which is a masterpiece of engraving and engraving technology that has reached maturity. At the end of the volume, there is a publication mark of "King d for the two relatives on April 15 of the ninth year of the reign of Xiantong", which is the earliest existing engraved illustration artwork and Buddhist prints in the world with the exact date of publication and printing. China in the form of engraving for books printed illustrations, than Europe at least five hundred years earlier, this picture is China's early engraving illustrations in the most prestigious masterpieces.

The early Tang emperors, more than to take Confucianism, Buddhism, Taoism and the policy of equal emphasis on the three religions, Buddhism developed rapidly. The female emperor Wu Zetian changed Tang to Zhou, borrowed the "Great Cloud Scripture" as the prophecy of the female lord appointed by heaven, claiming that her "Dragon Rising" was a prophecy of the Buddha, and it was the great development of Buddhism. At that time, statues and temples were built all over the country, and the publication of sutra scrolls by the people became a popular trend. Therefore, the number of Buddhist prints and drawings must have been large at that time. However, because of the long period of time, few prints of the Tang Dynasty have been handed down to the present day. In addition to the Tang Huichang five years (A.D. 845), the Tang Wuzong imperial decree to destroy the Buddha, the scriptures and engravings, all to the ashes, passed on to the present day Buddhist engravings illustrations, such as the light of day, hard to find and hard to find. But according to documentary records and existing objects, preliminary can be sure, after the invention of Chinese engraving and printing, the first in the Buddhist scriptures in the printing of the most widely used, Buddhist subject matter works, also become the earliest emergence of the art of Chinese engraving illustration of the history of the category.

Second, the precedent of the Five Dynasties, Song, Yuan illustration

Following the Tang Dynasty and the Five Dynasties, is a great turbulence in Chinese history, the great division, the great chaos of the times, but also a relative decline in the history of art. However, the art of engraving and illustration pioneered by the Tang Dynasty made considerable progress in the midst of the turmoil.

The surviving prints of the Fifth Dynasty are still only Buddhist in subject matter, and the number of prints is as small as a phoenix's hair, but compared with the Tang Dynasty, it is still a bit more. Among them, the most noteworthy are the "Great Sage Bishamon Heavenly King Statue" and the "Great Compassionate Goddess of Mercy and Suffering Statue of Guan Shiyin". The two pictures were printed in the later Jin Kaiyun four years (A.D. 947), the latter is inscribed with the words "return to the Yi army section of the history of the inspection of the school Cao Yuanzhong," under the name of the engraver Lei Yanmei, is the earliest one of the publication of the engraving of time, place, publication of Shi, engraving the name of the engraver should be a complete picture of the plate carving of the illustration works; the former is the earliest one of the plate carving of the illustration works. Guanyin statue, indicating that although they are Buddhist art, but in the choice of subject matter, much richer than the Tang Dynasty.

In 960 AD, the Northern Song Dynasty was established, after the South and the North, the leveling of the group, the country back to unity. The Song dynasty emphasized the rule of literature, engraving and printing technology, the overall development of the art of engraving and illustration has also made great progress.

Song dynasty engraved illustration art remains, still mainly Buddhist content. Such as Song Taizong published "imperial secret interpretation" four illustrations, is the oldest existing landscape painting prints; Yongxi years published "Maitreya Buddha", "Manjushri Bodhisattva statue" and other four charts (now exists in Japan), are all fine; "great with the request of the dharani mandala", "great with the request of the dharani mantra scripture, etc., is also world-famous relics. He, such as the Southern Song Lin'an published "Manjushri guide to the praise", the plate placed on the top of the page, is the earliest existing large-scale Buddhist illustration group, can also be said to be the longest history of the comic works. In the Southern Song Dynasty, the Jian'an Yu's Qin You Tang edition of "The Legend of the Ladies" is a work worthy of a special book. Xu Kang's "Dreams and Shadows of the Dust of the Past" commented, "Since the embroidered books, the Song's publication of "Lei Nü Chuan" is the most exquisite."

This book is similar to the "Manjushri Guidebook" in its layout.

Liao, Jin and Xixia, which were confronted by Song, were all minority regimes in China. They are engraved in the art of illustration, the same has made remarkable achievements. Such as the Liao capital city of yanjing, is the northern buddhist engraving illustration art of an important place of creation. in July 1974, in Shanxi province should county fugong temple shi jia tower, found a large number of buddhist scriptures of the liao dynasty engraved, which is attached to the illustration of more than a dozen, each is a fine. Jin dynasty engraved sutra "Zhao Cheng Tibetan" (also known as "Jin Tibetan") title painting, engraved plate strict and powerful, deep and thick, simple and bright background, character personality is distinctive, is a Buddhist engraved illustrations in the rare masterpieces.

From the above, it is not difficult to see that the Five Dynasties, Song and Liao, Jin's engraving illustrations, whether in the engraving techniques, engraving team, drawing the region, or in the expression of the content and methods, progress is obvious, for the art of engraving illustrations in the future development of a good foundation.

Yuan dynasty, is also an important era in the history of China's engraving and printing, Yuan publication of book illustrations than the two Song dynasty is not only not inferior, but also progress. In terms of religious plates, the Yuan dynasty completed the "moraine sand Tibetan", the title of the painting is neat and beautiful, far out of the Song above. More importantly, many varieties of Chinese book illustrations, is in the yuan dynasty only began to appear. Such as the yuan publication "the west wing" is the earliest existing opera illustrations, "full phase of the five kinds of plain language" is the earliest plain language publication illustrations, "the matter of the book has a map of the beginning of the book, which are engraved illustrations in the history of the art of the book. Therefore, the Song and Yuan dynasties is an important era in the history of Chinese engraving and illustration art to carry on the precedent and start from the past.

Three, bright and colorful illustration of the Ming Dynasty

Ming Dynasty, China's comprehensive development of the book publishing industry, carving home, workshop bee, plate engraving illustration art has entered a golden age of prosperity and development. Its characteristics are mainly manifested in the following aspects.

Hundreds of flowers blossomed, unprecedented prosperity, is the first feature of the Ming dynasty engraving illustration. After the Tang, Song and Yuan dynasties of exploration, to the Ming Dynasty, the art of engraved illustrations not only in the production of unprecedented geographical expansion, and gradually formed Jian'an, Jinling, Xin'an three major schools of art, others such as wulin, suzhou, wuxing and other places of engraved illustrations, but also has its own unique characteristics, around the three major schools of thought, such as the stars of the moon, showing a school of vibrant life. Various schools, regional prints compete with each other, and mutual exchanges, promote, for the Chinese engraving art to a broader world, providing a good condition.

Diverse forms, each excel in the field, is the second feature of the Ming dynasty engraving illustration art. This is mainly manifested in the form of illustration in addition to the Song, Yuan's single-sided way, on the map below, and the emergence of double-sided even type, multi-faceted even type, moonlight type and many other types of painters with the type of shape, providing a full range of options.

From the childish and clumsy to the exquisite and elaborate, is the third feature of the Ming Dynasty engraved illustration art, but also the biggest feature of its artistic style. Generally speaking, the early Jian'an, Jinling school illustrations, with rough and simple folk art sketchy style. Since the rise of Hui printmaking, painting must seek its fine, work must seek its fine, gradually became the mainstream of illustration art in the Ming Dynasty, Jian'an, Jinling and other places of printmaking is also close to it, and its fusion, convergence into one, so that the Chinese art of illustration is more brilliant and eye-catching. This is probably because after the middle and late Ming Wanli, there are a large number of literati to participate in the creation of illustration, so that illustration is not only the book binding, text illustration, but also the literati desk play. Intellectuals to join, to improve the social status of illustration, promote its quality and quantity in the leap, played a decisive role.

Specialization of the illustration art team, is the fourth feature of the Ming dynasty engraving illustration art. Ming Dynasty illustration art, leaving the name of the painter is very much, such as Wang Keng, Wang Xiu, Cai Chong Huan, He Ying, Lu Xiazi, Xiong Lianquan, Zhang Mengzheng, etc., are a moment of fame. These people worked hard, leaving behind uncountable works, such as Wang Wenheng's works that can still be seen today, that is, no less than dozens of kinds of works. Some popular artists, such as Tang Yin, Qiu Ying, Qian Gu, Ding Yunpeng, Chen Hongshou, etc., but also for the illustration of the drawing. Ming dynasty carver, more like stars. Such as the main general of Hui carving - Anhui Shexian Qiu Chuan Huang carving, seen in the "Qiu Chuan Huang's rewritten genealogy" recorded, there are nearly three hundred people. Their father and son lineage, brother to brother, but also living in the north and south of the country, the Hui style of engraving has made an outstanding contribution to the dissemination of the style of engraving. Others, such as Jingde Bao Chengxun, Guo Zhuoran, Wulin Xiang Nanzhou, Wuxing Wang Wenzhuo, Jinling Liu Su Ming, etc., are all a generation of famous craftsmen. Such a large team of engravers, became the talent base for the great development of the art of illustration in the Ming Dynasty engraving.

Technical excellence, rapid progress, is the fifth feature of the Ming dynasty engraving illustration art. Jian'an, Jinling two schools of early illustration works, the technique is still a little rough, not much change in technique. After the rise of Hui school, this situation has been thoroughly improved, dyeing and chafing, all free to use, out of God. At the same time, the carvers also pay attention to theoretical summaries, such as Lu Yujiu copied Huizhou carvers to teach the dictum: "Carving and painting on wood is not rare, deep kung fu to the heart to be careful. If you want to have two knives and a stable line, you need to watch and carve more to develop the skill. Seeing and carving more, but also think, knife carving pieces of all kinds of skill. There are only eighteen kinds of martial arts, but carving is difficult to learn. The knife has its own knife, brush printing skills have high and low. □□□□ great joy, the first carving people carving landscape." Simple and concise, itself is a textbook about carving.

Development of the calendar, push the new, is the sixth feature of the Ming Dynasty engraving illustration art. The most noteworthy here is the combination of overlay printing technology and printmaking art, the emergence of color prints overprinting. Initially, in order to obtain the color plate, taken in a plate, according to the content of the picture, respectively, coated with different colors, overlay paper printing method, known as the single plate color method. This method, in the Yuan Dynasty. On the basis of this method, or in its revelation, Ming time appeared will be colored drawings according to the different colors were sketched down, each color engraved into a small version, sub-panel sub-color, color by color overprinting or overprinting method, that is, overprinting. Because of its plate shape like L nail, also known as "L version". Later, the invention of convex and concave two plates embedded, so that the paper surface arching method, so that the picture has a three-dimensional sense, known as the "arch flower". Overprinted illustrations, colorful, light and shade appropriate, between the yin and yang to the back, several can be messed up. Ming Dynasty many of the illustrations, such as Hu Zhengyan engraved "Ten Bamboo Zhai painting spectrum", Wu Faxiang engraved "Luo Xuan change ancient paper spectrum", are among the best.

Of course, the Ming dynasty prints, especially the late Ming engraving illustration works, there are unsatisfactory. Such as over-emphasis on the red tape, rich and beautiful work, sometimes look, rather than the early prints to the pain, interest in the sky. Formulaic, programmatic methods of expression, also restricts the development of its world. However, the Ming Dynasty illustrations represent the highest achievement of ancient Chinese illustration art in terms of both quantity and quality, and are in a leading position in the world. Even with the fine known as the Western copperplate illustrations, compared to the overall is also better than ever.

Four, by the decline of the Qing dynasty book illustration

The Qing dynasty after the entry of customs, took an extremely authoritarian cultural policy, banned the burning of books, the network of harsh and dense, and repeated text prison. Readers in order to avoid the disaster, more indulgence in broken compilations, diligent in the study of the evidence. "The city gate fire, the fish in the pond", the Ming Dynasty flourished in the art of engraving illustration, and thus gradually declined.

The decline of the Qing dynasty engraving and illustration art is a process, not overnight will fall. In the early Qing Dynasty, Cheng Ming Yu Xu, there are still some fine works, such as Jingde Bao Chengxun engraved "Yangzhou Dream", "Qinlou Yue" and other opera script illustrations, exquisite and elegant, is considered to be the Hui version of the Temple of the army; four snow hall publication "Sui and Tang Dynasty", "Feng Shen Yuyi", the ancient Wu San Duo Zhai publication "ancient and modern biographies of the ladies of Yuyi", as well as "Kasa Weng ten kinds of song", etc., are no less than the Hui version of the masterpieces of the boom period. Some famous carver, such as Huang Shunji, Liu Rong, Tang Shang, Tang Yi, Cai Si Juan, Tan Yi Kwai, etc., also live up to the reputation of the famous workers, so that the plate engraving illustrations in the Qing dynasty, before the Jia, there is still a brief boom.

The first decline in the Qing dynasty illustration category, precisely the most popular, the most prosperous Ming dynasty novels, opera works illustrations. This kind of work, all the banned books are the first to bear the brunt. Fifty-third year of the Kangxi Emperor (1714), the Kangxi Emperor has issued an oracle: "the rule of the world must first correct the hearts of the people, thick customs. To correct people's hearts, thick customs, it is necessary to advocate Confucianism. All novels and obscene words, should be strictly prohibited to destroy." In this case, novels, opera books illustrations naturally can not escape bad luck. After the Qianjia such works are rarely seen after the beautiful to see, because of this.

In fact, the Qing rulers hated the Qing dynasty unfavorable literature, rather than the art of illustration itself. On the contrary, illustration with its immediacy, image, can be used as a tool for the "holy dynasty" to sing praises. Therefore, in the Qing government organization engraved books, more beautiful illustrations. The Qing government engraved books, more by the Wuying Hall, the illustrations of such books are called the Palace of the prints. Among them, such as "imperial plowing and weaving map poetry", "Yuanmingyuan Poetry", "36 scenes of the Summer Palace Poetry", "ink method set", etc., are representative works of the Palace prints. Temple prints more fine brush chapping, exquisite work, chapter and verse, printing quality are superior. The inner court engraved so much emphasis on illustration, for the previous dynasty. But the same because the court, one-sided pursuit of rigor and stability, these works are not as folk works of dynamic and elegant, the interest of the sky.

Under the ruler's high-pressure policy on opera and novels, the two major categories of folk engraving illustrations in the Qing Dynasty - figure painting and landscape painting, but has made great progress. Character illustrations in the "Ling Yan Pavilion Meritorious Ministers Figure", "Wushuang谱", "Evening Laughing Hall Painting Biography", as well as the "Water Margin", "Three Kingdoms Portrait" and so on, are the best of the best in this regard. At the end of Ming Dynasty, the politics were dark, the civil officials were confused, and the military generals were weak, which led to the end of the country. Han intellectuals hope that there is a figure like the ancient sage and generals to come out to turn the tide and reorganize the country, the development of figure painting in the early Qing Dynasty, and this mentality more or less related.

The landscape illustrations of the Qing Dynasty (mainly the illustrations in the books of Fangzhi), has achieved unprecedented splendor. Great painters Xiao Yun from painting "Taiping landscape painting", heavy brushwork, the atmosphere is somber, the trust is also the Ming dynasty Li Li of the good mountains and beautiful water of the grief of his homeland, with a strong sense of nationalism and patriotism, in the ancient landscape illustration, can be said to be unprecedented, and no one after that. Qing Dynasty emperors like to travel, painted "South Patrol Ceremony", "West Patrol Ceremony" and many other illustrations, on the good, the next must be very much, so the Qing landscape books such as travel illustrations are very rich, outstanding achievements. Fangzhi illustrations, more or less related to this. But these illustrations, more by the temple version of the impact of the "Taiping landscape drawings" in the majesty of the gas, no way to see.

The Ming Dynasty developed a set of color printing illustrations, to the Qing Dynasty also has a good structure. Shen Yinbo during the Kangxi period of the Qing dynasty published "Mustard Seed Garden Painting Biography", "a color, respectively successive, where dozens of plates, there are accumulated to more than a foot", is still being held up as a guideline for painting. The West Lake story" volume crown good scenery ten charts, for the Jinling Wang Nga color overprints, pictures rich and exquisite, also for the overprints in the book of the great view.

After the qing jiaqing, plate engraving illustration in the outstanding works are not much, in addition to a few characters biography books and travel books illustration, can be described as very few, the technique is also rare breakthroughs.

It is also worth mentioning that, during the Qing Dynasty, the Western lithography was introduced to China. Lithography on the printing of pictures convenient and labor-saving, low-cost, and soon replaced the form of engraving, became the main method of printing book illustrations. The late qing dynasty lithographic books are very much, the picture is also exquisite, although it is not woodcut, but in the technique and composition, still to a certain extent inherited from the tradition of engraved illustrations, is still a precious cultural heritage, but is not the scope of this paper, so do not mention.

The characteristics of split-screen illustration

The characteristics of split-screen illustration:

1, the sense of context: in addition to depicting a specific role, the scene needs to be constructed in the picture of the story, so that the audience can enter the picture of the situation.

2, point of view guide: before and after the scene in the picture and the level and composition need to have a certain time extension, guide the audience to focus on the point of view and the level of progression.

3, strong perspective: the need for more accurate perspective and perspective-based scene scheduling, so that the space can be completely expressed.

I. Composition of split-screen illustration: circular composition, circular composition, a word composition, S-shaped composition.

Sense of context: In addition to depicting a specific character, the reputable grinding scene needs to be constructed in the picture of the story, so that the audience can enter the picture of the context. Point of view: The front and back of the picture and the level and composition need to have a certain time extension, to guide the audience to focus on the point of view and the level of progression. Stronger Perspective: More precise perspective and perspective-based scene scheduling are needed to allow for a complete representation of space.

The style of Chinese illustration is characterized by relative softness, highlighting the mood, and portraying the emotions of the characters through the changes of reality and sparsity. Combined with China's unique form of expression and culture of virtual shooting, it builds up the mood of the picture with flat painting method and detailed lines. The illustration of national trend style is an innovative extension of Chinese traditional culture, which brings the ancient traditional art back to the public's view in a new form and a new look.

Two, the characteristics of the illustration

1, Europe and the United States illustration source is oil painting, the history is relatively long, Europe and the United States illustration style and presentation methods are based on realism, pay attention to the details of the picture processing, good at all things with a realistic approach to creation and expression.

2, Japanese illustration generally focus on shaping power and social insight, illustration as a way of expression in visual communication. The essence of foreign cultures is constantly absorbed and integrated into the Japanese art of painting.

3, Korean painting style is a combination of Japanese and European and American, some use the realistic structure of Europe and the United States, Asian aesthetic standards; some take the European approach to deal with the details of the dark part, the use of Japanese techniques to deal with the details of the light part.

Which illustration styles

Illustration styles can be divided into the following categories:

1. Japanese and Korean style

Features: Japan's most typical is the "celluloid" style, aesthetic painting style, the characters of the body type of slender, men and women do not change much. The Japanese style is more casual and life-like, while the Korean style tends to be more ornate and romantic, and is basically similar to the realistic style.

2. Europe and the United States

Characteristics: Europe and the United States style illustration to the majority of realistic, emphasizing the real texture and texture, detailed drawing. Like to exaggerate the expression, so that the character looks more vivid, more dynamic.

3. Chinese style

Features: Compared with the above two styles of art illustration, Chinese style original drawings also have their own distinctive features, introverted and subtle but full of tension. Although Chinese style original drawings are also more or less influenced by European, American, Japanese and Korean original drawings, but the deep classical art, elegance and mystery are still its characteristics.

4. Q version of the illustration

Features: Q version of the illustration style is the most prominent, mainly in the characters and animals, the characters are cute and exaggerated or quirky, the proportion of the short, although the lines are simple, the color blocks are clear, but the characters are distinctive.

5. Flat style illustration

Features: mainly composed of color blocks, geometric modeling, smooth contours, almost no contour line visual expression of diversity, can be friendly, can also be rigorous. In line with the modern screen media and contemporary aesthetic trends and popular style.

6. Witty and humorous style illustration

Features: more common is the use of exaggerated techniques modeling, which is very common in Europe and the United States style. Commonly used in news magazine illustrations, there is humor, satirical flavor contained in the picture, mostly in politics, society and culture and other issues related. The choice of colors is also exaggerated, making people laugh at the first glance.

7. Realistic Illustration

Features: The most common style, is what, on what kind of painting, is to draw like. The most important thing is to express those things that need to be expressed clearly.