Lonely and desolate, sad spring and summer, how to understand the banana of poetic imagery?

? It is well known that Basho is closely associated with loneliness, sadness and these emotions. In southern China, there is the silk and bamboo music "Raining on Basho". Slowly and slowly, people can't help but cry. In the poet's eyes, Basho and the rain are a sad landscape. When the two things are added together, they are even more melancholy. When the rain hits the plantain, the sound of rain on the plantain leaves can make people cry even more Therefore, plantain has long represented loneliness and sadness in the eyes of the literati. Many poets used plantain to express their personal feelings and separation. As a result, many famous poetic works have been left behind .

As early as the Han Dynasty, people began to develop and utilize the plantain, but the limitations of geographical distribution and the development of practical value is relatively late, resulting in the plantain into people's aesthetic vision. After Yongjia's southward transition in the Eastern Jin Dynasty, plantain became the object of literary expression. The Tang and Five Dynasties was a period of development for the creation of plantain themes, with the absolute and relative number of works increasing, and the classic scenes of "Rain beating on plantain", "Poem inscribed on a plantain leaf", and "Unexpanded Plantain Leaf" have become an important way for literati to experience their emotions. The Song and Jin dynasties were a prosperous period for the creation of banana themes. Famous artists had many famous works. The color beauty of plantain was y and comprehensively explored, and the individuality of plantain was also formed in this period. Yuan, Ming and Qing dynasties are the continuation period of Basho theme creation, Basho has become an important object of expression of traditional literature and title poetry.

The limitations of the regional distribution of plantain and the late development of practical value led to plantain entering people's aesthetic vision later, until the Eastern Jin Dynasty became the object of literary expression, but the Tang and Song dynasties are relatively prosperous creative situation.

? Ancient literary works from the leaves, flowers, gestures and other perspectives to comprehensively and y reveal the rich color beauty of the plantain, and will be complex and rich thoughts and feelings projected onto the plantain, through the image of the plantain to cause the literati sadness, elegance, leisure, Buddha Zen and other emotions and interests.

? Since the Middle Tang Dynasty, Raining Basho has become an important lyrical image in ancient Chinese literature. Rain beating Basho consists mainly of rain and Basho, presenting rich aesthetic characteristics, such as rhyme, rhythm and region. While appreciating the chants, rain beating plantains triggered various emotional experiences of ancient literati, such as travel, boudoir resentment, and leisure. The universal social utilization and unique aesthetic value of plantain attracted extensive attention of the literati. The beauty of the color of plantain leaves and flowers, the beauty of the landscape in a specific environment, and the charm of the beauty explored by people in the long-term aesthetic process*** constitute the aesthetic connotation of plantain.

? Basho is not only an important theme of language art, but also an object of expression for gardening, painting and other art forms. Various art forms interpenetrate each other, forming a rich and colorful Basho culture.