Traditional Culture Encyclopedia - Traditional festivals - Respect ancient culture 800 essay material
Respect ancient culture 800 essay material
Chinese culture is profound and far-reaching, carrying five thousand years of history and the soul of the Chinese nation. As a pure Chinese, you should have the moral quality to respect and carry forward the traditional culture of your motherland.
"Du Fu is very busy" was once a hot topic, about his graffiti in the Weidi crazy circulation and comments. Suddenly, Du Fu dressed in a witch's robe, riding a broomstick disguised as Du version of Harry Potter, or he rode a white horse "impersonating" the Tang Monk, even more outrageous is painted as a hand-carrying machine gun ready to fight at any time soldiers, overnight, the network formed "two factions" Overnight, "two factions" were formed on the Internet -- the supporting side and the opposing side. Regarding this phenomenon, the positive side believes that maliciously scandalizing Du Fu's image is a vulgar and shallow act. However, the opposing side countered that "Dufu graffiti is a funny picture created by children to develop their imagination, and it is an opportunity to expand the understanding of Dufu among students and remind adults of Dufu's life, so it doesn't need to be taken too seriously."
Perhaps numerous people may have been just trying to entertain, hence the Dufu-gate incident. But in a sense, it is a disrespect and desecration of traditional culture. The spiritual culture of a nation reflects the vitality of that nation. Chinese culture, which has been passed down for 5,000 years, must have reasons and meanings for its preservation. From hieroglyphics to modern simplified Chinese characters, from classical Chinese characters to today's shirts, from the bumpy horse-drawn carriages replaced by spacious and comfortable private cars, a series of great changes have occurred in Chinese people's clothing, food, housing and transportation, but the tradition of festivals has continued, this is because these specific festivals are only found in China, and they symbolize the history of China's development, which is a precious product left behind by the history. As a Chinese descendant, we should not overly respect foreign festivals and activities, such as Christmas, Valentine's Day, Halloween eggs, etc. These festivals are pieces of the soul of those countries and nationalities, if we pick up the pieces and put them on our bodies to cover their souls, then we can not experience the joy of the real foreign culture, the culture of their own country will also be forgotten. In this way, our "soul" becomes like a worn-out doll, covered with patches and threads.
Du Fu, a great patriotic poet, although his career was not so smooth, but still have their own swan's aspirations, always concerned about the country, to achieve the real worry about the people. The friendship between Li Bai and Du Fu is probably the most respected in Chinese cultural history, except for Yu Bo Ya and Zhong Ziqi. It is a pity that the two met too late, and their farewell was also in a hurry. After Li Bai wrote his farewell poem, Li and Du never met again, and the sentimental Du Fu has been in a state of missing his friend ever since. It can be seen that Du Fu was both a loyal and a sentimental poet. Although I didn't have the chance to visit the Cao Tang where he lived back then, I think it must be a sacred and solemn place, with the lingering scent of Dufu's longing and sorrow! Such a great man should be worthy of our learning, to admire, rather than for pure entertainment to make Du Fu "very busy."
Respect the culture, carry forward the inherent spirit of the Chinese nation, so that our "soul" stands in the center of the world to emit the light of the Chinese nation full of five thousand years of wind, rain and snow!
A nation that doesn't know history has no future, and people who don't know history can never get rid of ignorance. History is science, history of film and television must respect science. The "dramatization" of history is in fact a dramatization of our nation. Literary artists, especially writers and scriptwriters who create historical subjects, should treat history correctly, read more history, go ignorant, avoid being shallow, quit being impatient, be responsible for history, be responsible for the readers or the audience, and strive to create a fine product.
In the past 20 years, China's film and television creations on historical themes can be said to flourish. Among them, and to the Qing history of film and television dramas dominate. Such as "Nurhachu", "two Palace Empress Dowager", "burning Yuanmingyuan", "Prime Minister Liu Luoban", "play on Qianlong", "Yongzheng Dynasty", "a generation of incorruptible official Yu Chenglong", "Kang Xi's private visit", "the world's grain silo", "Kangxi Dynasty" and so on, all belong to the Qing Dynasty and representative of the major themes. These numerous film and television dramas have been on the screen or screen, into thousands of households, and then into the overwhelming trend, such as a stream of colorful "historical tide", the silent history of space and time stirred up a lively and extraordinary, is a major spectacle of cultural life in China.
Artistic re-creation must respect history.
"Teasing" history, easy to introduce young people into the wrong
China's long history, literature is extremely rich. China's 5,000 years of civilization, in addition to the ruins and relics can be proved, a large number of historical documents preserved in the written account. The study of Chinese history and culture, the creation of historical works of literature and art, including film and television drama, are required from here to obtain raw materials that is material, or academic argumentation, or artistic processing, true reproduction of the original historical appearance. It is unbelievable that those so-called "artists", "writers" and "famous directors" do not need to look for historical information, not to mention research, but completely "overturn" history. They have gone so far as to completely "overthrow" history and rewrite it as a matter of course by relying solely on their "artistic" minds. They just do not want the real history, that history is not vivid, history, "no drama", only they make up vivid, emotional drama, the people love to watch. This is not called artistic re-creation, but should be called "historical re-creation"! Because they changed the historical facts, messed up the original things (pieces) of the "cause and effect" relationship, also created the absurd.
It is obvious that history, in the hands of the writers and directors, is but a front, a prop to be borrowed, just use the names of historical figures, let them wear ancient costumes, build palaces or mansions, to interpret the myths of love in their hearts and the human nature of good, good and bad, to use the past as a metaphor for the present, modernize the history, give vent to their commercial values and vulgar pursuit of feelings, and turn the history that is originally vivid and inspiring, into a "historical" story, which is not only a story, but also a story of the past. This has turned history, which was originally very vivid and inspiring, into a ridiculous farce, which actually creates a pile of cultural garbage!
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