There are many famous artists in phonology. Who do you think is the best crosstalk master?

In the impetuous real society, crosstalk, a craft handed down from generation to generation, is more inclined to fast food. Crosstalk writers can write 300 paragraphs a year, and crosstalk actors can constantly test the water with new paragraphs every year. Whether or not their creations follow the burden structure of traditional crosstalk, they can show a rigorous attitude of abandoning the traditional crosstalk artists' "dead outline and dead mouth". In short, making money has become the only criterion to measure the success of crosstalk performers. Under the excessive media hype, it seems that as long as you are a little older in the cross talk industry, one or two jokes can be remembered by most audiences, and you can be praised as a cross talk master, a cross talk master, and a cross talk performance artist ... All reputations have become so cheap. But the original art of crosstalk is a serious satirical art, and Degang Guo himself said that it would be great to have a crosstalk master in an era!

Xue, a late Quyi theorist, graduated from Peking University and was transferred to China Radio and Rap Troupe as a composer in 1960s. He has worked with Hou for more than 20 years. He devoted his life to the research of China's Quyi creation, and had profound and unique views on the creation and performance of cross talk. He also believes that "crosstalk masters" should first have standards, and then use standards to measure people. Rather than simply judging by media exposure and audience familiarity. A few years ago, Mr. Xue was asked in an interview with the media, "Who do you think can be called a master in the history of cross talk in China?" His answer is both reasonable and unexpected.

Xue said: Master, my understanding is that we should stand at the peak of the times, turn the tide and lead a generation of pioneers, so that we can become masters. Everyone has a different understanding of the master. If you ask me, I will consider it according to my own standards. I think only four people in China deserve the title of master, that is, Ma, Ma, Hou. When a reporter asked, "Do you think Ma Ji counts?" Xue said bluntly, "According to my standards, Ma Ji doesn't count. He is a representative of Acura crosstalk, and has made great contributions to the crosstalk in New China. However, the image of eulogizing in his works is untenable, and many of them have problems in later life. Ma Ji himself did not meet the standards of a master in terms of his attainments and contributions to crosstalk performances. "

These four people in Mr. Xue's eyes are indeed the most influential figures in the phonological field in China. Although there are differences between generations, they all have profound artistic achievements. Let's talk about Zhang Shouchen first. When the long audience mentioned Zhang Shouchen, they all called him "Grandpa Zhang Shou" and "Grandpa Shou". Besides conveying a kind of love, it is more about respecting his artistic level and his contribution to improving traditional cross talk. When Liu Baorui was taken as an apprentice, Zhang Shouchen was already recognized as the "stand-up king", and his stand-up jokes were worthy of the classic word. His position and prestige in the Crosstalk Gate even surpassed that of his peers.

Let's talk about the horse that can be called a master in cross talk. You can't find the second place any more. Ma's achievements benefit from many aspects, such as his family background, from his grandfather Enxu to my father. Secondly, he is very talented. Before finishing his studies, master Zhou Deshan decided that Ma Li San would become a great man, and his wisdom and spirituality would be fully displayed on the stage. The last point is cultural literacy. Ma is the one with the highest cultural level among the four masters, and has played an important role in the inheritance of heirloom skills. Being able to write, change and act, coupled with the delicate portrayal of small people, make Ma's jokes leave endless aftertaste for the audience.