What is the art of Qin Terracotta Warriors?

Question 1: What are the terracotta warriors and horses of Qin Dynasty? Qin terracotta warriors and horses are made of pottery.

Terracotta warriors and horses are mostly made by combined farming. First, make the first tire with ceramic mold, and then cover it with a layer of fine mud for processing, carving and coloring. Some burn first, some burn first. In fact, all the terracotta warriors and horses in those days had bright and harmonious paintings.

Question 2: What is the artistic style of the Terracotta Warriors? The artistic characteristics of Terracotta Warriors and Horses sculpture are mainly the combination of painting and plastic, exquisite vividness, ingenious composition, flexible techniques, unified form and content, and rich authenticity and decoration. Because of this, Terracotta Warriors and Horses occupy an important position in the history of China sculpture, which can be compared with Greek and Roman sculptures. Generally speaking, it is: realistic carving technique, paying attention to detail description.

Question 3: What are the main artistic features of Qin Terracotta Warriors? Generally speaking, it is: realistic carving technique, paying attention to detail description.

The Terracotta Warriors and Horses of Qin Shihuang's Mausoleum contain infinite power in the overall dynamic and static harmony and unity, which shows the admiration and reverence of the artistic designers for the military power of Qin Wang. As an individual sculpture, the concretization of the image, especially the personalized features of the face, has increased the vitality of the military array. Pottery figurines are made by combining molding and hand kneading. Craftsmen and artists use techniques such as sticking plastic, carving and painting in the process of kneading plastic, and give full play to their personal imagination according to long-term observation of different characters. There are various faces and expressions of figurines: some faces are long and wide, some are round and muddy, and their cheekbones are raised; Some are fierce and some are handsome; Some are simple and honest, and some are smart and capable. The style of beard and hair is also unique. Beards have upturned horns, thick moustaches on both cheeks, and some have long beards; Some people only have short moustaches. Hairstyles are also strange and varied: long hair and moustache, which are conical and round, and the position is right. The braids at the back of the head are either crossed, big or forked. Except for a few upright and kneeling figures and riders, most of them are upright, with weapons in their right hands and drooping left hands, and their bodies are mostly models. The theme of the military array requires the warriors to stand at attention, and the uniform arrangement naturally forms the overall solemn layout of the military array, showing the overwhelming momentum of Qin Jun overwhelming Liuhe. In the limited free creation, artists have shaped warriors and poured their love into the children of ordinary people. In the harmony of unity and change between the whole and the individual, a great artistic conception has been completed, which not only embodies the military power that the rulers want, but also shows the vitality of ordinary people.

Question 4: What are the artistic and historical values of the Terracotta Warriors? First, the artistic value of the Terracotta Warriors:

The creation of terracotta warriors and horses is based on real life, and its artistic techniques are delicate and vivid. The costumes and expressions of the Terracotta Warriors are different. There are many kinds of hairstyles, different gestures and different facial expressions. From their costumes, expressions and gestures, we can tell whether they are officers or soldiers, infantry or cavalry. There are veterans with beards who have fought many battles and young people who have just stepped into the battlefield. Ordinary figurines, as high as 1.96 meters, stand upright and concentrate on thinking, showing a firm and powerful appearance. The figure of a soldier, with his head slightly raised and his eyes looking straight ahead, looks high-spirited and childish. The samurai is wearing armor, holding a spear in his right hand and pressing the car with his left hand, which shows that he is a Wei Dao warrior. In a word, pottery figurines have distinct personality and strong characteristics of the times.

Second, the historical value of the Terracotta Warriors:

It is the perfect embodiment of realistic art in Qin Dynasty. It is tall, symmetrical, vivid and lifelike. The majestic military array represents Qin Shihuang's military achievements and dignity in order to accomplish the great cause of reunifying China. It is a bright pearl, because it has a mighty army of the Qin Empire more than 2,000 years ago-a magnificent underground army array composed of more than 7,000 terracotta warriors and horses, which attracted worldwide attention and shocked the world.

Question 5: What are the artistic achievements of the Terracotta Warriors? The Museum of Terracotta Warriors and Horses of the First Qin Dynasty is located in the east of Lintong County, 37 kilometers away from Xi, with a magnificent momentum. It is a national key cultural relic protection unit.

Artistic value:

The art history of these terracotta warriors and horses is very valuable. The creation of terracotta warriors and horses is based on real life, and its artistic techniques are delicate and vivid. The costumes and expressions of the Terracotta Warriors are different. There are many kinds of hairstyles, different gestures and different facial expressions. From their costumes, expressions and gestures, we can tell whether they are officers or soldiers, infantry or cavalry. There are veterans with beards who have fought many battles and young people who have just stepped into the battlefield. Ordinary figurines, as high as 1.96 meters, stand upright and concentrate on thinking, showing a firm and powerful appearance. The figure of a soldier, with his head slightly raised and his eyes looking straight ahead, looks high-spirited and childish. The soldier is wearing a shovel, holding a long handle and pressing the car with his left hand, which shows that he is a defensive soldier.

Pottery figurines have distinct personality and strong characteristics of the times. These poems about horses and horses are a treasure house of sculpture art, adding luster to the splendid ancient culture of the Chinese nation and adding a glorious page to the history of world art.

Terracotta warriors and horses are known as "the eighth wonder of the world" and "one of the great discoveries in the archaeological history of the 20th century". 1987 12. UNESCO has listed the Mausoleum of the First Qin Dynasty (including Terracotta Warriors and Horses Pit) in the World Cultural Heritage List. It is not only the precious cultural wealth of China people, but also the precious cultural wealth of all mankind.

Historical and cultural values:

According to historical records, Ying Zheng, the first Qin Emperor, began to build a cemetery when he ascended the throne at the age of 13. Planning and design shall be presided over by Prime Minister Reese, and general Zhang Han shall supervise the construction. It took 38 years to build, and the project was huge and magnificent, which created a precedent for the luxurious burial of feudal rulers in previous dynasties. At that time, the total population of the Qin Dynasty was about 20 million, and the labor for building tombs reached 720,000. The spiritual household soil is taken from Sanliu village, 2000 meters south of the cemetery, to the county quarry, with multi-level loess cliffs, 5-25 meters high. A large number of stones used in the construction of the cemetery were taken from Zhongshan and Jun 'e Mountain, north of Weihe River, and all of them were transported to Linchong by manpower, so the project was very difficult. It is conceivable that the vastness of the project, the dead bodies under Zhongshan Mountain and June Mountain, shows the cruelty of the whole project.

Qin Terracotta Warriors and Horses amazed the audience with their huge scale, magnificent scenes and superb scientific and artistic level. With the Qin Terracotta Warriors Museum, the ancient city Xi soon became one of the most important tourist cities in China. Tourists from home and abroad have come here. Most foreign heads of state and other distinguished guests visiting our country should put visiting the Terracotta Warriors on their agenda.

The historical and cultural value of Qin Terracotta Warriors and Horses is unique. It opened a window to observe the era when it came into being, and greatly changed people's views on that era.

Qin terracotta warriors and horses shocked the world and first publicized their outstanding artistic achievements. Thousands of large-scale ceramic sculptures are arranged in a space of nearly 20,000 square meters as a whole, and their majestic momentum makes almost all visitors with different skin colors have a strong tremor from the bottom of their hearts, which reflects the artist's outstanding ability to master grand artistic themes, pursue overall charm and artistic creation. There are thousands of terracotta warriors and horses in Qin dynasty, and the characterization that comes to the fore shows the author's artistic accomplishment and achievements from the aspects of body grasp, verve treatment, color application and detail description. The realistic style of the works not only left us a superb model of ancient art, but also left many precious historical records about that era. Serious and unified military themes can be handled so vividly and have such a shocking artistic charm that people have to look at the special laws in the development of ancient art in China from a new perspective and re-explore and frame the development history of ancient plastic arts in China.

The excavation of terracotta warriors and horses pits in Qin dynasty also greatly rewrote people's understanding of the scientific and technological level of Qin dynasty, and vividly demonstrated the development level of productive forces in Qin dynasty with a large number of empirical materials. As far as the history of science and technology is concerned, many materials found in the terracotta warriors and horses pit shocked the world. For example, 1, the cultural relics unearthed from the pit of Qin figurines show that the metallurgy and metalworking technology in Qin Dynasty were much higher than our previous estimates, among which the widely used chrome-plated bronze rust prevention technology was the most representative example, which was a very mature technology at that time, and most of the weapons unearthed from Qin figurines were coated with this protective layer. This stunt seems to have been lost from the Han Dynasty. In sharp contrast, more than 2000 years later, in 1937, modern chromium plating technology was born in Germany and went down in history as a patent invention. 2. The Terracotta Warriors came out of the pit ... >>

Question 6: What kind of sculpture does Qin Terracotta Warriors and Horses belong to in artistic form?

Sculpture is a kind of plastic arts, also known as sculpture, which is the general name of three creative methods: carving, engraving and plastic. The designers of Qin terracotta warriors and horses, in order to reproduce the majestic momentum of "attacking millions" 2000 years ago, not only pursued the tall figure of a single pottery figurine, but also carefully designed a large-scale military array system composed of more than 8,000 tall pottery figurines. This huge terracotta warriors and horses group contains many obviously different individuals, which makes the whole group more active, real and full of life. Throughout these thousands of soldiers and figures, their artistic achievements in sculpture have reached a perfect height. Whether it is the image of thousands of troops and horses with both form and spirit, or the lifelike war horse, it is not a mechanical imitation, but an effort to show their "inner vitality, motivation, emotional soul, character and spirit."

Question 7: Briefly describe the artistic features of the Terracotta Warriors and Horses of Qin Shihuang. The art of Terracotta Warriors and Horses is a model in the history of ancient sculpture art in China. His artistic style and skills were inherited and developed by later generations, which made his artistic tradition go back to ancient times. Today, people from all over the world watch this world miracle with great surprise and praise. The Terracotta Warriors and Horses of Qin Shihuang are the pride of our nation and the precious heritage of world culture.

Question 8: The sculpture art of Qin Terracotta Warriors and Horses is amazing and lifelike.

The sculpture art of Terracotta Warriors and Horses in Qin Dynasty initiated a large-scale sculpture in the history of sculpture in China. Mainly reflected in the following two aspects:

(1) Realism is the basic style of Terracotta Warriors and Horses, and the image size of Terracotta Warriors and Horses is similar to that of real people and horses in real life. The costumes of the Terracotta Warriors, such as armor and battle robes, are all imitations of the military costumes at that time, while the chariots and weapons equipped for the Terracotta Warriors are physical objects. From the modeling of pottery figurines, it not only reproduces the actual lineup of various services and arms, but also successfully shapes the images of Qin Jun generals with different ages and personalities. These various and lifelike figures are the reappearance of Qin Jun's different life forms. In terms of identity, which one is he wearing? Crown, dressed in a double-decker shirt and colorful fish scales, standing on the sword, holding his head high, strong and extraordinary in spirit, is obviously a general with great wisdom and courage and decisive command; Those who wear long crowns, battle robes, long armor and serious faces are probably commanding officials who are good at strategy and assist generals; Those who wear a bun, a shirt, boots on the ground, crossbows and arrows are undoubtedly Qin Jun's light-hearted people; Those soldiers who don't wear hats, wear battle armor, and hold long knives or long-range shots are obviously Qin Jun's heavy warriors. From the age point of view, this old man with a long beard and several wrinkles on his forehead looks calm, sophisticated, steady and resourceful; In his prime, his face is wide and his ears are big, his heaven is full, and he is very happy, which makes him look soft and firm. This young man, with his head slightly lowered and Shu Mei's beautiful eyes, looks quiet and simple. From the functional point of view, those who wear a long crown, stretch their arms forward and hold the reins in both hands are the image of the imperial guards: standing in front of the horse in leather shoes, short armor, tight pants and ankle boots, holding their heads high, looking forward, holding the reins in one hand and the bow in the other, is the image of Qin Jun cavalry; Wearing a bun, dressed in battle armor, with his right knee on the ground, his left leg bent, his body leaning to the left, and his eyes staring at the left front, he was an alert and brave archer in the Qin army. He wore a bun with a belt and leggings around his waist, his left leg slightly bowed, his right leg stretched backward, his right arm bent over his chest, his left arm stretched straight to the left, his head turned to the left front, and he looked up at the left front in a neutral posture. Ethnically, in addition to the vast majority, Guanzhong also has the image of "Hu Ren" with deep eyes, high nose and two whiskers. Judging from facial expressions, some people are smiling and others are satisfied; There are dull and expressionless people; People with regular facial features, wide face and fat figure; A steady and elegant person with an easy-going expression; Others are absent-minded and worried. These complex and diverse facial expressions and various terracotta warriors and horses truly reflect the actual situation in Qin Jun, so they have more realistic artistic features. This is a successful example of the use of realism in sculpture art in the long history.

The realistic technique of Qin terracotta warriors and horses sculpture is not only reflected in the overall grasp, but also in the details, which are meticulous and vivid. For example, the hair styles of Qin figurines include spiral patterns and wave patterns. Braids have three strands and six strands, twisting and twisting, with a clear direction. The hair of the terracotta figures is clearly visible. There are single-ring bun, double-ring bun, three-ring bun, four-ring bun and so on, which show various styles of hair binding in real life. The head of the bun is fan-shaped, wavy and undulating. The dress patterns of the pottery figurines follow the twists and turns of their bodies and are vividly portrayed. The nails in the armor of the Terracotta Warriors are dense and well carved. What about the belts and hooks tied to the waist and the legs of the pottery figurines? , as well as boots, shoes and other details, are very similar to the actual comparison. Even for kneeling figures, the dense arrangement of the right foot sole is based on the consideration of different friction forces of each part after the foot touches the ground. Like knuckles and nails on fingers, they are very realistic. Even the unnoticed detail of the teeth in Ma Tao's mouth is quite ingenious, and six teeth are shaped to show the horse's prime of life, which shows the realism incisively and vividly. Its artistic position and significance occupy a glorious page not only in China, but also in the history of world art development.

(2) Visual effects

Paying attention to visual effect is an important feature of Qin terracotta warriors and horses sculpture art; The art of terracotta warriors and horses originated from life and is higher than life. Although the basic style is realistic, it breaks through the limitation of "realism". In other words, realism does not rule out that sculptors can gallop their imagination, and can use vivid, exaggerated, generalized, implied and symbolic expressions. For some local features of the human body, we should not blindly pursue the truth of subtle details, but strive to grasp the key parts for proper exaggeration. This kind of exaggeration does not make people feel false, but gives people a clear and refined feeling, which makes ...