An example of how to write an introduction format

Introduction, also called introduction. Also known as introduction, it refers to the overview before the book. It is used to explain the purpose, process and data source of this book, and briefly explain the viewpoints and conclusions expounded in the manual, so that readers can have a general concept first and help to understand the whole book. Introduction has its fixed format and writing. How to write an introduction

In fact, understanding the meaning of "introduction" can't help the majority of candidates to cope with the application examination of the constantly innovative question system. As we all know, official document writing, that is, the implementation of questions, has always been the "darling" of civil servants' application for examination. Whether it is "Editor's Note", "Website Essay", "Speech", "Brief Comment", "Preparation Points" and "Introduction" in the national examination, or "Speech", "Online Reply" and "Work Plan" in the provincial examination, the implementation questions are constantly innovating in life, and the biggest problem caused by this feature is that the answering method of the implementation questions is not fixed. This makes it more difficult for candidates to prepare for the exam, and also puts forward higher requirements for us to master and implement the questions. It is recommended to watch and learn the video course "Practical Writing is Scoring" for free.

Answering skills

As the saying goes, no matter how the subject changes, its essence will not be shaken. The definition of the implementation topic in the civil servant's application outline is that the implementation topic requires an accurate understanding of the work objectives and organizational intentions, follows the principle of administration according to law, and completes the task in a timely and effective manner according to the objective and actual situation. Being able to accurately grasp the "work objectives and organizational intentions" and effectively carry out the work around the purpose of issuing documents is the most fundamental starting point for implementing the problem. Therefore, to cope with the flexible and changeable trend, we should firmly grasp its essence-accurately grasp the work objectives and organizational intentions (that is, the reasons/purposes of issuing documents), and determine the answer ideas and the key points of official documents scoring according to the reasons for issuing documents, so as to keep constant and change. The introduction we are talking about today is no exception. This point has been explained in detail after the course "Practical Writing is to Grab Points".

Apply for real questions

An art gallery plans to hold an exhibition of artists' works before dawn. Please write an introduction for this exhibition according to "given information 4". Requirements: 1. Answer questions about Li Ming's creative purpose, materials and artistic pursuit. 2. The content is specific, the level is clear and the language is fluent. 3. No more than 400 words. -20 16 national examination sub-provincial real questions

Although the topic of "Introduction" of the exhibition is relatively novel, it is more difficult for candidates who have not been exposed to it, but in fact, as long as the essence of implementation is grasped, the idea of answering this question will be handy. As far as the stem is concerned, no matter how the "introduction" of practical articles is written, the stem has clearly stated the reasons and requirements of the article, that is, the "introduction" requires "an answer around the creative purpose, materials and artistic pursuit of Dawn", so this question is divided into three parts: the creative purpose, materials and artistic pursuit of the artist Dawn. In other words, as long as the main points of these three parts are answered, the question will pass perfectly.

The original materials are as follows:

4. A considerable number of contemporary artists in China regard "China Element" and "China Symbol" as the supporting points in their own creation, which can be directly reflected from the artist's behavior, installation, ink experiment, oil painting, comprehensive materials and other artistic materials and media, and artistic creation expressed in different languages. "China Spirit" has already constituted the geographical landform and realistic picture of the psychological environment of Dawn's creation. In the oil painting of Dawn, the application of the Great Wall image not only highlights the significance of China elements and China symbols, but also implies the artist's strong demand for deep historical time and space excavation and dialogue with history. His installation work "Extending the Great Wall to Wan Li" starts from the Great Wall, Sima Tai, North First Road, crosses the former Roman Empire, and firmly wedges into Mount Olympus, the birthplace of European civilization. The China spirit contained in it highlights China's extremely uneasy national pride in the process of modernization for nearly a hundred years and the subjective spirit in the colonial context, which is the premise for Dawn to show its great power consciousness.

It is at this point that Dawn is different from other artists who are used to China elements and China symbols. His huge comprehensive material series can best reflect his artistic spirit and China spirit. Cloth, kraft paperboard, ink and wash, Great Wall weathered soil, ink, propylene, industrial adhesive, etc. , which constitutes the dialogue relationship between time and space, geography and humanities in Dawn's works. In this kind of works, Dawn shows strong confidence in China spirit and local language, and explores how China traditional culture develops its sense of responsibility with the cultural imagination of China spirit at a time when scientific rationalism is sweeping the world.

Dawn's works are not limited to the art garden, but full of conscience, humanity and endless feelings. In the series "Catch the Shadow", Dawn's experimental work of behavioral ink painting, we can feel that the source of artists' conscience comes from the profound cultural spirit of China tradition, which makes Dawn position itself as a cultural responsibility of China. It is from this sense of responsibility that he carried out a series of "catching shadows" all the way. The motivation of "catching shadows" itself has been given a realistic answer in the naming of a series of exhibitions such as "Meeting Tradition", "Ink Painting" and "Ink Painting Society" planned and executed by Dawn, in which the spirit of ink painting is the spirit of oriental culture.

Dawn also uses modern machinery to make ice bricks and uses ice sculpture technology to shape Christian churches. No matter how much the church he founded is discussed. In this installation work, what we feel is the artist's questioning about the civilization of the Bible, a western religious belief, and his reflection on his own cultural position. Similarly, Adam and Eve described the helplessness of mankind after leaving the Garden of Eden, projected human nature into the realistic context, expressed the impetuous anxiety of materialistic cross-flow and alienation of human nature, and also proved the helplessness of western existentialism centered on people. There is no doubt that behind the shadow it captures is the core of China's spirit-the realm of harmony between man and nature.

Through the analysis of the material, we can see that the main points of "Dawn's creative purpose, material and artistic pursuit" required by the title are as follows:

Creative purpose: The artist Liming's works are supported by "China element" and "China symbol", which implies the artist's strong demand for deep historical time and space excavation and dialogue with history; The China spirit contained in it highlights the extremely uneasy national pride and the subjective spirit in the colonial context in China's modernization process in the past hundred years, and shows the great power consciousness.

Materials of the work: cloth, cowhide cardboard, ink and wash, weathered soil of the Great Wall, ink, propylene, industrial glue and other comprehensive materials, which constitute a trinity dialogue between time and space, geography and humanity. The creativity of the Great Wall of TCM embodies the profound cultural spirit and responsibility of China tradition. Using modern machinery to make ice bricks, the spiritual core of China's "harmony between man and nature" is displayed by ice sculpture.

Artistic Pursuit: Dawn shows a strong confidence in China spirit and local language, and discusses how China traditional culture develops its sense of responsibility with the cultural imagination of China spirit in today's world of scientific and technological rationalism.

After the main points come out, the main points required by the topic are presented. Of course, we should pay a little attention to standardization in language.

Reference answer

Introduction: "Artist Dawn Collection Exhibition" was held in this art museum. The artist Liming incorporated "China Element" and "China Symbol" into his own creation, and his artistic creations such as behavior, installation, ink painting experiment, oil painting and comprehensive materials all contained "China spirit".

In the oil painting Dawn, the use of the image of the Great Wall highlights the significance of China elements and China symbols. The China spirit contained in his installation "The Great Wall of Wan Li" highlights the national self-esteem and subjective spirit, which is the premise for him to show his great power consciousness.

Dawn uses cloth, cowhide cardboard, ink and wash, weathered soil of the Great Wall, ink, propylene, industrial glue and other comprehensive materials to create works, which constitutes a dialogue relationship between time and space, geography and humanity. The creativity of the Great Wall of Traditional Chinese Medicine embodies the profound cultural spirit and responsibility of China tradition; Highlight the spirit of oriental culture with the spirit of ink and wash; Using modern machinery to make ice bricks, and using ice sculpture technology to show the core of China spirit.

Dawn's works show strong confidence in China spirit and local language, and explore how China traditional culture develops its sense of responsibility with the cultural imagination of China spirit when scientific rationalism plunders the world.