Ma Weidu said collection of ceramics after reading

"Transition period" refers to the tomorrow qi dynasty - chongzhen dynasty - shunzhi three dynasties. To 1644 as the boundary, before and after about 20 years, more blue and white, less colorful or monochrome glaze.

Two, Tianqi Chongzhen blue and white (late Ming dynasty blue and white)

1, anomalies, towards the clear Shu Lang, style affects the direction of the Qing dynasty blue and white, especially to lay the foundation of the Kangxi dynasty blue and white. 2, the number of kilns and the quality of the products are much higher than the official kilns.

Reason: 1, the end of the Ming dynasty Tianqi, Chongzhen two rulers of porcelain production completely laissez-faire, political climate relaxation, rapid socio-economic development. 2, the late Ming dynasty prints on the blue and white paintings have a profound impact on the painting.

Three, Shunzhi blue and white

Shunzhi eight years, the Imperial kiln factory began to restore, Shunzhi eleven years, the government ordered the firing of the dragon jar.

The typical Shunzhi blue and white dragon painting method: "a body of three appearances", "a body of five appearances, seven appearances, nine appearances" must be singular.

The "cylinder vase" was fired to symbolize the "unification of the Qing dynasty". The mouth has closed, different from the late qing dynasty "cap tube".

Four, Kangxi blue and white

1, Kangxi encouraged the people to live and work in peace and security, men and women weaving, personally declared that the Minister of painting "ploughing and weaving", "Cotton Figure". During this period, porcelain decoration was influenced by many of the social horizontal, such as the unicorn pattern, dragon painting.

2, "four kings" of the landscape on porcelain decoration.

3, Kangxi porcelain figures of swords and horses and war scenes were very popular.

4, the parasitic paragraph. Early Kangxi porcelain writing a large number of parasitic paragraph such as "Ming Xuande Nianzhi", "Ming Chenghua Nianzhi", "Ming Jiajing Nianzhi". Porcelain is allowed to write the previous dynasty's paragraph, to send the Han people's feelings.

5, the middle and late Kangxi, a large number of Chinese characters written on porcelain, written more is the "Red Cliff Foo", "Drunken Master Pavilion", "the holy master to get a good minister. And then there is the Kangxi sixty birthday burnt blue vase, the Palace Museum and the Nanjing Museum each have a vase.

Summary, the Kangxi blue blue, "Cui Mao blue". Color levels, high requirements for the soil, heavy weight, hard glaze, "tight skin bright glaze" said.

Five, yongzheng blue and white style change, become standardized.

Reason: 1, and political. 2, and its artistic cultivation. (like the Song dynasty porcelain)

Six, Yongzheng cycad style

1, Yongzheng cycad directly after the Ming dynasty Yongxuan cycad.

2, light description, directly after the Chenghua.

Seven, the decoration of the vase (Yutangchun vase), the blue and white twining lotus suggests that the official should be clean.

Eight, pottery officials

Kangxi period: Zang should be selected, Lang Ting pole

Yongzheng period: Nian Xiyao, Tang Ying

Qianlong eight years (1743), Tang Ying in Jingdezhen, presided over the drawing of the "pottery map" 20 open, personally inscribed, is the most important document in ceramic craft.

Nine, Jia Dao is not divided

First, the excellent ceramics represented by the Kangxi and Qianlong Shengshi came to an end. Second, Jiamao porcelain is ceramics in the old-fashioned products, in the past in the antique line is called "road goods". Third, Jiadao things in the past not as a collection.

Late Qianlong to the Jiaqing, the pottery officer system ended, "managed" instead. State failure is unbearable. Expressed in the decoration of the dragon weak, charming, hook lotus, into the color of the orange peel glaze, wave glaze.

Ten, Xianfeng official kiln porcelain

Jingdezhen was forced to stop burning, Xianfeng porcelain is very little, from the collection point of view instead of highlighting the value. Xianfeng blue and white is characterized by a very weak.

Eleven, Tongguang Zhongxing (Tongzhi, Guangxu, Empress Dowager Cixi)

The number of pastels came up, with the blue and white equal share of the world.

"Body and Hall system", "Cunxiugong system" for the Empress Dowager Cixi. Western powers into China, a large number of Chinese porcelain, a large number of imitations appeared.

Twelve, after the Xuantong Republic of China, Zhu Shan eight friends most representative. Wang Bu, Deng Bishan as a representative.