Traditional Culture Encyclopedia - Traditional festivals - The Significance of Chinese Painting in Cultural Inheritance
The Significance of Chinese Painting in Cultural Inheritance
"Aesthetic thought" and "aesthetic state" are embodied in specific aesthetic culture and have their own national characteristics. As a nation's emotional way, aesthetic culture is bound to be subject to the nation's mode of production, lifestyle, beliefs and ways of thinking. As an intermediary link, these ways determine the connotation, composition and formal characteristics of national aesthetic consciousness and aesthetic activities.
Aesthetic features:
The discovery of Yangshao painted pottery, gluttony of Yin merchants, Forbidden City architecture, Suzhou gardens and other cultural heritages is not only the discovery of these heritages themselves, but also the discovery of a certain emotional way of times fashion, a social psychology, a group temperament and a national spirit, that is, the "ideographic" aesthetic characteristics of China's literature and art.
The basic foundation of aesthetic activities:
As China's paintings are based on the cultural spirit of China, it is an unquestionable law and rule that the cultural and educational level of painters and calligraphers is directly proportional to the value level of their works. The law can be changed, but the law cannot be changed.
China's paintings and calligraphy are highly abstract and generalized ideographic, with special emphasis on the subjective role of art in reflecting the spirit and emotion of the object, life and subject. Therefore, the works not only emphasize the artist's skills, but also reflect his learning and cultivation as well as his personality spirit. Generally speaking, it includes three aspects: cultural literacy, artistic tradition literacy and life literacy.
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