Commentary of Famous Artists by Fu Jinhua

Qigong (the late President of the Chinese Calligraphy Association, Honorary Chairman, and Director of the Central Research Center for Literature and History)

The Lanting Preface is written with a smooth stroke in the middle of the regular script, and the writing is smooth and natural, which is very rare, so it is clear that the work has not been in vain. Running script should also be liberalized to write, not those "mysterious" rules in the heart, will be more freely. Learning to write is not impatient, as long as the level of "accurate repetition" to write, day by day familiar with, naturally better.

Li Duo (Advisor of the Chinese Calligraphy Association)

Jinhua's calligraphy is rooted in tradition, with the brushwork of Erwang and the formality of Ou-Liu, and he takes the methods of various schools, and his brushwork is relaxed, and his character style is clear and handsome, upright, and full of the aura of a book, which shows that his work in Linchi is deep, and he expects to continue his efforts and go to a higher level.

Sun Jianmin (Director of the Chinese Academy of Painting and Calligraphy)

Most people who know Mr. Jinhua are modest, sincere, simple and diligent. From his few words in the speech can breathe a kind of transcendent cultural temperament. Reading his new calligraphy works, I y know his feelings towards the art of calligraphy.

Mr. Jinhua learned calligraphy from his father at a young age, and has been teaching classes for more than 40 years. He started with Liu, Yan, Chu, and Ou, and realized the rhythm of all the schools, and then gradually penetrated into the calligraphy of the two kings. He put the most effort into the Regular Script, Running Script and Clerical Script. Regular script with Ou character charm, line positioning Wang Xizhi, Qigong, two kings, Qigong calligraphy has been integrated into his bone marrow, Clerical Script based on the Han Clerical, into the brief case of penmanship. At the same time, he was patient in seeking advice, and had been personally taught by Mr. Qigong. At the same time, he also seeks advice from Liu Bingsen, Li Duo, Zou Dezhong, Sun Jianmin, Lei Zhengmin and other famous painters and calligraphers. He adheres to the "learn through a family, learn a hundred, self-contained" purpose, now a formation of their own unique dignified and meticulous, elegant and elegant, harmonious and united, the attitude of the calligraphy style.

In recent years, Mr. Jinhua often has new works in the Chinese Academy of Painting and Calligraphy, the Chinese Calligraphy Association sponsored by the National Exhibition, really amazing. His artistic achievement today is the inevitable result of his dozens of years of thinking and perseverance. The sea of art is endless, only diligence is the boat. I firmly believe that Mr. Jinhua, with his education, diligence and pragmatism, will continue to climb the peak of the art of calligraphy.

Zou Dezhong (former director of the Chinese Calligraphy Association and executive vice-president of the Zhongzhi Branch)

Mr. Jinhua began his study of calligraphy with the Liu Style, then moved on to the Yan Style, from which he gained the strengths of a rounded brush and a thick body. Later, he studied Chu Sui-liang, and realized the Chu style of solemn and meticulous, elegant and elegant rhyme. He felt that the Chu book rhyme from the Jin people, calligraphy gradually seeped into the two Wang style. He put the most effort is the regular script and running script, he put the "Jucheng Palace", "Lanting Preface", "Sacred Teaching Preface" and so on pro writing dozens of times. The Regular Script shows the charm of Ou's characters. Running script is located in Wang Xizhi and Qigong, and he has carefully scrutinized the calligraphy of Erwang and Qigong, and it can be said that the calligraphy of Erwang and Qigong has been integrated into his bone marrow. As Zhang Zongxiang said on calligraphy: "Learning through a family, learning through a hundred schools, and forming his own family", his calligraphy has entered his own unique realm of elegant and graceful style. He also practiced the seal script and official script while studying the regular script and the running script. With a solid foundation in the regular script, he broadened the scope of his practice; the seal script has the style of oracle bone and jinwen, and the official script is based on the Han Clerical Script and infiltrated with the strokes of the simple writing style. "Mr. Jinhua's simple, generous, sincere and kind personality is reflected in his works. In this sense, he is clearly different from those "modern calligraphers" who are "shallow and eager to get rid of their shells and show their innate deficiencies". I look forward to his continued adherence to orthodoxy, exploration and innovation, and dedication to the practice of calligraphy.

Lei Zhengmin (former director of the Chinese Artists Association, Chairman of the Chinese National Painters Association)

Jinhua calligraphy in the ancient tradition of the classics up and down a very deep effort, remote inheritance of the two kings of the lineage, with Zhao, Ou, Liu Jyutong style of the word trend of penmanship, works of timelessness and spontaneity, elegant and elegant, upright and down-to-earth, in the dense ink exudes a kind of open-minded literati style of the scrolls of the air