Design of Qiao Qi Festival Handwritten Newspaper

The Weaver Girl is a beautiful, clever and clever fairy. On this night, ordinary women prayed to her for wisdom and skillful skills, and they also prayed to her for a happy marriage. Therefore, the seventh day of July is also called Begging Festival. The following is the picture design of Qiaoqi Festival handwritten newspaper, hoping to help you.

Qiaoqi Festival Handwritten Newspaper Picture Design 1 Qiaoqi Festival Handwritten Newspaper Picture Design 2 Qiao Qi Festival Handwritten Newspaper Picture Design 3 Guangzhou Qiaoqi Festival Guangzhou people have always attached importance to this festival. Liu Kezhuang, a poet in the Song Dynasty, said, "Cantonese people are so smart that the lights are on until dawn." In the late Qing Dynasty and the early Republic of China, this trend was particularly prosperous. Hu Pu 'an's "Records of Chinese National Customs" collected the customs of Guangzhou women worshiping Seven Sisters in the late Qing Dynasty and the early Republic of China, and recorded the situation of begging for cleverness in detail. The amorous feelings of Guangzhou Qixi written by writer Ouyang Shan in Sanjiaxiang can be mutually confirmed with Hu's Collection. A large number of Zhi Zhu Ci poems also reflect the grand occasion of the Begging for Cleverness Festival in Yangcheng. For example, Wang Wei, a Guangdong poet in the Qing Dynasty, wrote in "The Poems of Zhi Zhu in Chinese Valentine's Day, Yangcheng": "A ten-foot-long banquet is full of five colors and incense is flourishing. You can be a fairy couple in the sky and learn the makeup of the world. " "Sesame is a candle of rice and a bridge. Lang is not as good as a concubine, not as good as a weaver girl. Every night every year is tonight. " And so on, in addition, Guangzhou has also formed a Qiao Qi market specializing in women's products, such as Shangjiufu, Xiajiufu, Liufu and Liufu.

During War of Resistance against Japanese Aggression and the Great Revolution, the custom of begging for cleverness declined for a time, and then gradually recovered. At present, the custom of begging for cleverness is prevalent in Tianhe District, Panyu District and Huangpu District of Guangzhou. Among them, Tianhe Zhucun is the most concentrated and largest "village" in Guangzhou at present, as well as Panyu Tanshan; According to legend, Zhu Cun began to play the role of "seven ladies" very early, which was very popular in the Ming and Qing Dynasties.

The elaborate and grand ceremony of the Guangzhou Qiaoqi Festival is unprecedented in China. The festival activities include juggling, worshiping immortals, begging for juggling, eating seven-niang rice, watching seven-niang opera and many other contents. With "ingenuity" as the specific content, the festival has formed a unique series of traditional Qixi craft works, such as Zhaita, Sesame Fragrance, Queqiao Landscape, Qiniangpan and Qixi Doll. The unique ceremony of "worshipping immortals" is the third important feature of "Qiaoqiao Sister Festival" in Guangzhou dialect. The objects of worship are not only cows and girls, but also the six sisters of Weaver Girl, which reflects the strong worship of gods in this area since ancient times.

Guangzhou is the most complete and distinctive area in China at present, and the "Seven Sisters Birthday" organized by various ethnic groups is of great folk and anthropological value. It is of great cultural significance to rescue and protect the endangered begging culture and festival culture, and to preserve the precious intangible heritage and the diversity of urban culture in the city, which is of great practical significance to the ongoing reconstruction project of "villages in cities" and the creation of harmonious communities.

Most of the ancestral temples in villages in Guangzhou have been ruined, and the places for begging for clever activities are on the verge of disappearing; There is a fault in the main body of folk activities, and the begging festival is facing the crisis of no successor; Under the impact of the powerful urban commercial culture and entertainment culture, the folk custom core of Guangzhou Qiaoqi Festival is changing, which is the deepest crisis faced by the festival. It has become a top priority to rescue and protect Guangzhou Qiao Qi Cultural Festival.