Three dimensions of contemporary Xinxiang's melancholy view

The three dimensions of contemporary Xinxiang's melancholy view are: cultural dimension, spatial dimension and spatial dimension.

Homesickness was originally a category of cultural philosophy, symbolizing a historical feeling and also containing a cultural expression. Hometown geography, childhood history, public life and emotional memory constitute the connotation of homesickness, which may be a cup of old wine, an ancient well, a century-old tree and a lingering moon in my hometown.

In the classical culture of traditional society, homesickness belongs to the aesthetic category, which is a beautiful reflection and memory of the countryside after people left their hometown for several years, and it is quite aesthetic in itself. Today, the new "homesickness view" not only means nostalgia and appreciation for hometown, but also shows sadness and reflection on the status quo.

The new urbanization should make residents "see the mountains, see the water and remember to live in homesickness". The combination of landscape and homesickness highlights a concrete green civilization and a sense of belonging and identity with great humanistic connotation and historical feelings.

As the aesthetic level of traditional culture, the word "homesickness" first appeared on the official decision-making platform, which showed the new development concept of "people-oriented" adhered to by the central government. As a kind of cultural identity, homesickness has been deeply rooted in the vitality, creativity and cohesion of the nation. It is of great significance to explore the profound connotation of the new "homesickness view" from the academic dimension.

New leaps in civilization often return to the original point. The countryside is the origin of individual life and China culture. The countryside is the essence of farming civilization and the root vein of human civilization. But since 200 1, more than 900,000 villages have disappeared in China in more than ten years, and now nearly 80 villages have disappeared from the earth every day.

Intangible cultural heritage mostly stays in rural areas, and rural areas, especially traditional villages, are the last barrier for China to inherit. Once this line of defense is broken, precious cultural heritage will soon be lost under bulldozers.

As the fundamental way to solve the gap between urban and rural areas-urbanization, we must take the road of combining economy, society and culture to achieve tripartite integration. Change the development mode with the city as the core, replace it with the coordinated development of urban and rural areas, take the city as the village, actively promote local urbanization, inherit and protect traditional culture, and build a harmonious relationship between people and land. On the one hand, Remembering Homesickness not only rigidly maintains the original style of the countryside, but also cultivates a survival mode that adapts to the change of form; On the other hand, cities should work with villages to restore and retain necessary memories and retain homesickness in the process of construction.

The philosopher isaiah berlin said, "Homesickness is the noblest of all pains." In the past 30 years, although the level of urbanization in China has been rapidly improved, traditional villages are disappearing, regional culture is declining, and urban chronic diseases are eroding homesickness: it is increasingly difficult for people born and raised in cities to find familiar old neighborhoods and communities.

With the disintegration of traditional clan relations in rural areas, the "urban generation" who grew up in rural areas is changing their hometown beyond recognition and will soon disappear. Today, with the new urbanization in full swing, how to reshape the new "homesickness view" from the value dimension is a difficult problem.

With the popularization of bulldozers in the process of urbanization, the traditional format has been replaced by the so-called "modern" format. Whether we can find the best fit between tradition and modernity is a kind of cultural identity that contemporary people urgently need. With the deepening of reform, the dual consciousness of "hardship consciousness" and "hardship consciousness" has become enormous in China.

Chinese-style homesickness: the older generation of state-owned enterprises and the new generation of migrant workers have formed dual memories and feelings for industrial cities and agricultural hometowns, resulting in "lost industrial homesickness" and "homesickness that cannot be returned" respectively.

"Scenery touches homesickness". Under the background of new urbanization, the new "homesickness view" is a brand-new ecological philosophy view, which is an organic unity of regularity and purpose. It advocates that people advocate simplicity, return to the truth, curb greed and achieve harmony between heaven and earth. This is not a retrogression of history, but a pursuit of the root of culture, the breadth of the earth and the beauty of wisdom.

It not only conforms to the law of social development, but also conforms to the purpose of social development; It has both the powerful power of truth and the great charm of value. In a word, the new "homesickness view" is a reflection on history and a watch for the future, a new starting point and a new stage of social progress, and a balanced development of material and spirit.