What is painting and calligraphy restoration

Calligraphy and painting restoration is a special technique, and "repairing the old as the old", turning decay into magic, is an important part of protecting the integrity of calligraphy and painting through the ages and handed down to the present day.

Painting and calligraphy restoration process:

1, decontamination.

Because many paintings and calligraphy will be contaminated by dust, especially for a long time not to open the picture quality of the picture will appear on the black and yellow, if the picture color is more stable, you can put the core of the painting in the water for soaking, and every once in a while to change the water, to keep the surface of the water clean.

If the stains are heavy, you can use hot water to soak, and then slowly pour boiling water on the screen. If the picture once the moisture back to the lead, you can use hydrogen peroxide to apply.

2, uncover the old.

If the heart of the painting found in a number of broken places, the color is not stable, you can use the old way, the heart of the painting in front of the part of the use of a brush dipped in water to paint, and then covered with a new paper, repeated use. If the color of the heart of the painting is not stable, you should use elastic glue alum water, wait until the water dries before smothering.

3, TO fill.

Need to check the state of the painting has been connected to the heart of the state, if it is complete, you can dilute the paste, and then a layer of thin than the old paper silk color paper, if there is a broken, you can use your hands to the edge of the heart of the paintings out of the thin mouth, and then choose another good patch of paper, will be the texture of the patch, and then in the patch on the side of the edge of the thin edge of the edge of the rub out, so that the seams to maintain the appropriate thickness can be.

4, full color.

After the completion of the above steps you can check the patch paper to fill the donation of alum moderate, if the alum is lighter, there will be a transparent state, if the alum is heavier, there will be a pectin state, and so on the full color when you need to hook the color to make it hooked to the lighter, so the restoration of the work