Traditional Culture Encyclopedia - Traditional festivals - Xinjiang dance is characterized by its style.
Xinjiang dance is characterized by its style.
In Xinjiang dance, there are movements of head, shoulders, waist, arms, elbows, knees and feet, and vivid eyes are more representative. In addition, a series of small decorations, such as moving neck, snapping fingers and turning wrist, have formed the characteristics of Uygur dance.
Xinjiang folk dance inherits the ancient cultural traditions of Erhun River Valley and Tianshan Uighur, and absorbs the essence of ancient western music and dance, with diverse forms and unique styles. It uses the movements of all parts of the body to communicate feelings with facial expressions.
The dancer's head, shoulders, waist, back, arms, legs and toes all have complicated movements, which are often embellished by the combination of static and dynamic movements, the comparison of large and small movements and the decorative movements such as neck shifting and wrist turning, forming a warm, steady and delicate style.
Dynamic legal characteristics
1, trembling
Constant shaking of the knees or shaking just before changing the movements are common rhythms in dancing, which makes the movements soft and natural. The rhythm of continuous trembling is more common in the performance of steady rhythm. In some areas of Xinjiang, it is common in dance performances of middle-aged and elderly people. In the action combination Chichitiman, this dynamic law is particularly obvious.
2. The rotation speed is fast, the color is bright and abrupt.
Changing dance posture in continuous rotation is a difficult skill, which is beyond ordinary people's grasp. In addition, in women's dance, the softness of the waist and the lightness of the dance will be reflected in the spinning skills. The rotation of various dance forms has its own characteristics, and competitive rotation is usually carried out at the climax of the dance.
3. The characteristics of breathing come down to holding your breath, inhaling quickly and calling fast.
In fact, the breathing problem of Uygur dance should be paid enough attention, which is inseparable from the unique "segmentation" characteristics of Uygur dance rhythm. Uygur dance pays attention to short and thick breathing, so it is short, thick and powerful, grand and powerful. For example, the main movements such as three steps and one lift, three steps and one step all have the characteristics of holding your breath, inhaling quickly and calling quickly.
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