What are the characteristics of Wu Guanzhong's famous paintings?

Mr. Wu Guanzhong studied at the National Hangzhou Art College in his early years, studying oil painting and Chinese painting. After studying in France, I studied western painting. After returning to China, he deeply studied the tradition of China, summed up the new learning of western art, and actively explored and practiced the nationalization of oil painting and the modernization of Chinese painting. In years of exploration and practice, he creatively combined the formal beauty of the West with the artistic conception beauty in China's traditional aesthetics, and formed a new system of "nature-form and rhyme" with China's national characteristics. Most of his oil paintings and ink landscapes are based on the scenery in the south of the Yangtze River, expressing poetic artistic conception with geometric combination, bright colors and bright tones. The more mature the style, the more prominent the tendency of abstraction, and some works even become a pile of ink lines and color dots intertwined, dancing and jumping, forming rhythm, rhythm and poetry. In the multicultural context of the contemporary world, Mr. Wu Guanzhong found an artistic language with his own code, which was recognized by the world art world. Mr. Wu is engaged in artistic practice and theoretical exploration. Since the end of 1970s, he has put forward a series of theories, such as "the kite will never stop flying", "the beauty of form is inseparable from content" and "pen and ink equals zero", which have promoted the development of China fine arts since 1980s. Compared with the outstanding artists in the world art history, Mr. Wu Guanzhong's achievements in artistic practice and theory are very outstanding. Mr. Wu Guanzhong and his art have the following characteristics, which are worth recommending:

1, human nature. Wu Guanzhong once put forward the creative principle of "the kite never stops". He believes that "no image" divorced from people and life is a broken kite, and works of art should not lose emotional communication with the broad masses of the people. He prefers kites that don't break! In actual creation, as he said, he actively communicated with the people. A series of works, such as Transplant, Shidao Village and Fisherman's Music, all come from the people, reflecting their living conditions in time and representing their voices. 2. Nationality. Wu Guanzhong's abstraction is to separate the line, ink and color in China's traditional painting, and pay attention to the beauty of form and artistic conception. It is different from realism and western abstraction, and has a more modern and formal sense than the traditional freehand brushwork school in China. It is a modern art with China national characteristics. 3. artistry. Wu Guanzhong's abstraction comes from feeling that there is a natural foundation, refining the beauty of real life into the eternal beauty of art, and the shadows of real life beauty and natural beauty can be found in his works. For example, Shuang Yan, House in a Watertown in the South of the Yangtze River, Old Lijiang at the foot of Yulong Mountain and Love in the City. All of them are abstracted from the elements of real life beauty and natural beauty for artistic treatment, which constitutes an abstract beauty with great visual tension. 4. Creativity. Mr. Wu Guanzhong downplayed China's traditional painting, and combined the artistic conception and charm of China's traditional aesthetics with the formal structure of western modern art, which not only broadened the expression form of Chinese painting, but also made oil painting full of the charm of the Chinese nation and created a new meaningful art form.