What role does this mask play in Beijing opera? Attach an introduction.

The facial makeup of China traditional opera is a program to make up the actors. Generally used in the industry of cleaning and ugliness, most of the characters have their own specific spectra and colors to highlight the personality characteristics of the characters, and have the artistic function of "including praise and derogatory, distinguishing good from evil", so that the audience can intuitively observe their appearance and get a glimpse of their hearts. Therefore, Facebook is called the "psychological portrait" of the characters. The evolution and development of Facebook is not the product of someone's imagination, but the observation, experience and synthesis of life phenomena, as well as the continuous analysis, judgment and evaluation of the characters in the play, which gradually formed a complete set of artistic techniques. According to historical records, facial makeup gradually evolved from the mask worn by the big face of music and dance in the Tang Dynasty (one of the traditional opera roles, which is another name for clean in Beijing opera and some local operas) and legionary teleplay's clean paintings. Weng Ouhong, a China opera theorist, once wrote: "The facial makeup of China operas originated from ancient totems, from Nuo sacrifices in the Spring and Autumn Period, and developed into facial makeup in the Song and Yuan Dynasties, forming facial makeup in the Ming and Qing Dynasties. After the formation of traditional operas in China, masks and masks are still used alternately. The most obvious "local operas" in Guizhou, "Nuo operas" in Jiangxi and Anhui, and "Tibetan operas" in Tibet all wear masks. No matter how ugly they are, there are hundreds of operas and as few as dozens. The gods and ghosts in Nankun usually wear masks and don't draw faces. Beijing Opera is a national opera with a lot of facial expressions, but officials, the god of wealth, Kuixing, the land and Leigong still wear masks. From the mixture of masks and masks, from simple to complex, we can see the development track of China opera. " Peking Opera facial makeup, like Peking Opera performing arts, is a living art that appears on the stage with actors. Although Peking Opera has only a history of more than 200 years in the history of China opera, compared with other operas, it has developed rapidly, spread widely, is deeply loved by the people and has a broad mass base. Therefore, Peking Opera masks have a special position in China opera masks. Peking Opera facial makeup is a kind of freehand brushwork and exaggerated art, which often uses bats, swallows' wings and butterflies' wings as patterns to hook eyebrows, eyes and cheeks, and combines exaggerated nasal fossa and mouth fossa to depict facial expressions. Cheerful and optimistic facial makeup is always eye-catching for Shu Mei, while sad or violent facial makeup is mostly eye-catching. When sketching, the height of crow's feet is used to show age, the up-and-down opening and closing of decrees is used to show temperament, and the different patterns of Tang Yinwen are used to symbolize character. Peking Opera facial makeup is a special makeup method with national characteristics. Because every historical figure or a certain kind of figure has a common score, just like singing and playing music should be based on the score, it is called "Facebook". As for the source of Facebook, it is generally said that it comes from a mask. Peking Opera facial makeup adopts certain colors according to a certain personality, temperament or a special type of characters. Red facial makeup shows loyalty, such as Guan Yu, Jiang Wei and Chang Yuchun; Black faces show fortitude, integrity, courage and even recklessness, such as Bao Zheng, Zhang Fei and Li Kui jy. Yellow facial expressions indicate fierceness and cruelty, such as Yuwen Chengdou and Dian Wei; Blue or green Facebook shows some rude and violent characters, such as Doulton and Ma Wu. White faces generally represent traitors and bad guys, such as Cao Cao and Zhao Gao. The color painting methods of Peking Opera facial makeup are basically divided into three categories: rubbing face, wiping face and hooking face. The initial function of Facebook is only to exaggerate the five senses and facial texture of the characters in the play, and to express the characters' personality, psychology and physiology in an exaggerated way to serve the whole drama festival. But later, from simple to complex, from coarse to fine, from surface to inside, from shallow to deep, Facebook gradually became a graphic art with national characteristics and human face as the means of expression.