Qinqiang Hua Mulan Lyrics

Advise father to relax and stand firm at the village head,?

I have a few words for my parents.

It is my duty to fight in the battlefield in case of a national tragedy,

and also to fulfill my filial duty by joining the army on behalf of my father.

We are not going to hate the others today.

We do not hate anyone but Tulizi for his cruelty to the people.

If it weren't for Tuliko's invasion of the country, we would have been able to find a place to live and work.

If it were not for Tuliko's invasion of the country, I would not have been able to stay away from my daughter's home.

I wish that I could have been victorious in my endeavors.

It's a good idea to go back home and honor your parents.

Expanded Information

Cultural Characteristics

Language

Qinqiang, as a local culture, is characterized by the so-called singing and reciting based on the Guanzhong dialect of Shaanxi Province, and at the same time, it also blends in the language of some of the poems, lyrics, and tunes of Han and Tang dynasties, which are blended with the musical characteristics. These linguistic characteristics and musical features are integrated, **** with the formation of the Qinqiang art unique vocal style, that is, the tone of high-pitched exciting, hard voice, tone of voice, hard and solid style.

The language rhythm of Qinqiang's lyrics is also very rich, and the structure of the lyrics is a permanent language, and the sentences of the lyrics are both long and short according to the need to express the content of the ideas, but the sentences can be basically categorized as a cross sentence, a seven-word sentence, five-word sentence, a prose sentence, etc. The common ones are the cross sentence and the seven-word sentence. Commonly, there are cross sentences and seven-word sentences, that is, the entire opera lyrics as a non-rhyming poem and song as neatly arranged.

The Qinqiang's singing style is a plate style, that is to say, it takes a tune as the base, and forms a series of different plate styles through the changes of beat, rhythm, melody and speed. Qinqiang singing includes two parts: the "plate road" and the "colorful cavity". The plate road has six basic types of plate styles: two-six plate, slow plate, arrow plate, two inverted plate, belt plate, and rolling plate. The color accent, commonly known as the "two tone", is an octave in pitch, and is mostly used in the emotional turmoil of the characters and the ups and downs of the plot.

The Qinqiang is sung in a false voice, in which the dragging cavity must be attributed to the "an" rhyme, and a sentence sounds full and hearty, extremely expressive, which is also the Qinqiang is different from other local operas.

The Qinqiang's plate style and colorful cavity are divided into cheerful and bitter sounds in each part. The bitter tone of the cavity best represents the characteristics of the Qinqiang, deep, mournful and impassioned, suitable for grief and anger, nostalgia, and mournful feelings.

The joyful tone cavity is bright and cheerful, robust and powerful, and is good at expressing joyful and bright feelings. The Qinqiang has a broad voice and a big voice, which is straight up and down, and it has the style of thick and deep, sad and strong, generous and exciting, and at the same time, it has the characteristics of lingering and sentimental, delicate and soft, and light and lively, which is poignant and euphemistic and beautiful, and it is favored by the general public.

The Qinqiang has various forms of artistic performance, simple, rough, delicate, profound, exaggerated, rich in life flavor, and rigorous procedures.

Music

Qinqiang's repertoire is divided into six categories: strings, suona, sea flute, sheng and pipe, kunqu, and suite, mainly strings and suona repertoire. Qinqiang music accompaniment, to the four pieces, to the two-stringed main player, known as the Qinqiang "gall". The qin master has an important position in the Qinqiang troupe, often sitting in the middle of the back of the stage foreground, accompaniment music is good at playing the old tunes, the pitch of the "three-eyed tune", after the thirties, changed to use out of the tune (i.e., under the handle pull method). Qinqiang accompaniment is divided into cultural and martial arts field.

The musical instruments used in the cultural field include the banhu, erxian, erhu, flute, sanxian, pipa, yangqin, suona, sea flute, pipe, and tuba (horn), etc. In the martial arts field, there are the storm drum, dry drum, tangguo, jiulong, gongs, gongs, cymbals, hinges, and clappers.

Roles

The Qinqiang's performances are self-contained, and each of them has its own characteristics. The Qinqiang role system has four students, six Dan, two net, one ugly, *** counting thirteen doors, also known as "thirteen head netzi". Its salient features are mainly reflected in the singing, Su Sheng, Qingyi, old Dan, flower face multi-horn re-singing, so it is also known as the "singing chaos bomb". Folk have "East Anan West slow board, Xi'an singing good messy bomb" said.

These raw corner of the big board play, up to dozens of sentences. For example, the instrumental sound of Emperor Xian of Han Dynasty in "White Forced Palace" is sung in more than 50 sentences, and it is sung in a natural and graceful manner, which is called "Crispy Board Bomb". In addition, as the Wu Jing Hua face pay attention to the frame work, in order to show the mighty and heroic temperament, the masses called "frame frame two".

Stunts

The Qinqiang's performance techniques are very rich, with a wide range of body parts and stunts, commonly used such as horse trips, pulling frames, spitting fire, pouncing on the fall, sweeping the lanterns and flowers, playing with the fire stick and the back of the gun, topping the lamp, biting the teeth of the swivel chair, etc. The mythological theater is even more important. Mythological theater performance techniques, more peculiar and colorful. Such as the performance of the "Yellow River Formation", to use five kinds of magic props, such as measuring the sky ruler, turning the sky seal, can cast a long string of fireworks, gold cross-cutting can fly out of many butterflies.

These techniques are used to set the stage atmosphere and enhance the dramatic effect. The Qinqiang performance is a comprehensive performance centered on singing, sitting, reading and playing. Each means of performance must always be accomplished in the characteristics of singing, dancing, programming, dramatization and rhythm. The actors' movements on stage, together with the soundtrack, can give the audience a sense of reality.

The performance characteristics of Qinqiang are also reflected in the musical accompaniment. The accompanying band is commonly known as the "scene" and is divided into the cultural scene and the martial arts scene. The accompaniment band is on the left side of the stage, and the martial arts field is on the right side of the stage. The traditional Qinqiang accompaniment to the main instrument, people call it "Qinqiang of the gallbladder", the pronunciation of the thin and crisp, can best reflect the characteristics of the Qinqiang plate changes.

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