Drama names and introduction of Peking Opera

Peking Opera has inherited the artistic achievements of the leather reed opera and its rich repertoire. Not only are there repertoires belonging to the two-reed system, but also those belonging to the two-reed system, such as the two-reed, the western skin, the blowing cavity, the four flat tunes, and the plectrum. After the founding of the People's Republic of China, through the mutual cooperation of opera workers and the vast number of opera performers, *** with the collation and modification of which the excellent repertoire as a national cultural and artistic heritage included in the Chinese new culture and art Lin Yuan was preserved, continue to circulate widely on the stage. It is estimated that there are more than 200 plays of this kind, such as "Cosmic Front", "Jade Hall Spring", "Chang Ban Po", "The Meeting of Heroes", "Fishing and Killing Family", "Five People's Righteousness", "Picking the Slide", "Playing the Golden Bough", "Picking Up the Jade Bracelet", "The Three Strikes of the Palm", "Snow in June", "The Four Scholars", "Searching for Orphans and Rescuing Orphans", "Qin Xianglian", "Playing Yan Song", "Blocking the Horse", "The Golden Younger Slave", "Fan Jiang Guan", "The Wild Boar Woods", "Eight Hammers", "The Empty City Scheme", "The King of Kings and Farewell to his Concubine etc. The themes and forms of expression are varied, including literary plays, martial arts plays, singing plays, doing plays, pairs of children's plays, group plays, folding plays, this play, etc. The various forms of plays are collectively known as the "play". Various forms of repertoire, collectively referred to as traditional theater.

Peking Opera, once known as Ping Opera, one of China's five major opera genres [1], the cadence of Xipi, Erhuang-based, accompanied by huqin and gongs and drums and so on, is regarded as China's national treasure, the Chinese opera, three Dingjia "top".

Hui Opera is the predecessor of Beijing Opera. Since the Qing Dynasty Qianlong 55 years (1790), the original performance in the south of the three Qing, four happy, Chuntai, and spring, the four Huizhou class one after another into Beijing, they and the Han tune artists from Hubei, and at the same time accepted the Kunqu, Qinqiao part of the repertoire, tunes and performance methods, absorbing some of the local folk tunes, through continuous exchanges, fusion and ultimately the formation of the Peking Opera. After the formation of Peking Opera, it began to develop rapidly in the court of the Qing Dynasty until the Republic of China gained unprecedented prosperity.