Traditional Culture Encyclopedia - Traditional festivals - What are the types of singing in shadow play?

What are the types of singing in shadow play?

The main vocals are Pingqiang, Aiqiang, Daoqiang, Fishtail, Pipa, Guanyin and Miscellaneous Flowers. There are three kinds of lyrics: "three, three, four" horizontal sentence, "two, two, three" seven sentences and "five, five, seven, five" long and short sentences.

Mianyang fishing drum is sung in the rhyme of Mianyang dialect, which has the characteristics of bright rhythm and high tune. The vocal structure belongs to the combination of Qupai. The organization of Qupai is different from other Qupai Qupai, and there is no fixed format, head and tail.

Later, after the development and creation of Gong Benhuai, a famous fisherman's drum artist, more than 20 kinds of qupai, such as new flat cavity, female flat cavity, several boards and joint boards, appeared.

Except for the different types of folk songs and minor tunes, the other four kinds of vocals are mostly composed of upper and lower sentences, which have the characteristics of plate cavity, with continuous sentences often accompanied by words and many people helping each other. If you don't need to sing continuously, it's a rolling board or a couplet. The vocal part is sung in the form of duet or a group of people.

Among the five kinds of vocals in Mianyang Fishing Drum, it can be said that there is a tune in the tune and a cavity in the cavity. For example, there are male flat cavity, female flat cavity and new flat cavity. The tune is lively and lively, and it is good at narration, dialogue and expressing emotions such as joy and impatience.

Male Pingqiang is the main singing voice in the fishing drum, good at narration, crisp and concise melody and strong language. Female Pingqiang is the main singing voice of female roles. In shadow play, male artists usually sing in falsetto.

Ugly Pingqiang is the singing voice of clowns in shadow play, with funny melody, unique singing voice and distinctive comedy style.

Sad cavity is a kind of singing that expresses the sadness, melancholy, sadness and desolation of different characters, including male sad cavity, female sad cavity, ugly sad cavity, male crying spirit and female crying spirit. According to the industry, there are many kinds of singing methods, such as delicate and euphemistic female voice, high-pitched and simple male voice and humorous and ugly voice.

Sorrow between men and women is usually the sadness of adult male and female roles, while sorrow between men and women is the mourning of unmarried boys and girls. There are three types of words: seven sentences, cross-sentences and five or seven sentences.

The "fishtail cavity" is divided into single fishtail and double fishtail. This cavity is generally used at the beginning and end of the play, with cheerful melody, beautiful circuitous and festive blessing.

"Single fishtail" is the tone, "double fishtail" is the tone, and the word lattice is seven characters, which is the mode. Because of syncopation rhythm, vivid use of dotted notes and clever decoration of sound, its tune is bright and beautiful, light and smooth, and it is known as hilarious cavity.

Pipa cavity has single pipa sound and double pipa sound, and the font has seven sentences, cross sentences and 5575 sentences. Pipa is very rap, and the narrative part of its tune has the characteristics of chanting, while the tune is a strange peak, ups and downs, mostly used to express agitation.

Its characteristic is the end of the cavity, and its "miscellaneous flower cavity" is the general name of Guanyin cavity, happy tune and minor. Most of them are single songs evolved from Mianyang folk songs and folk songs. There are the coloratura, chat, flip and miscellaneous flower tunes of shadow play, and the Guanyin tune, Taoist tune and resurrection tune of immortal Taoist. Most of the lyrics have a simple and rough temperament, which complements the above four singing methods, ups and downs, humorous exaggeration. The shadow play is a clown's cry, which was later adapted into a warm and cheerful happy tune in the fishing drum singing.

No, it's the auxiliary singing of Yugu cavity.

Miyang's shadow play can be divided into literary creation and oral literary creation. There are more than 300 kinds of fishing drum shadow play in Mianyang. Most of these plays are just articles in the play. When performing, artists improvise completely according to historical stories or plots, unfold plots and portray characters.

The four lines of the barrel shadow play change rhyme, and the singing requires a sense of emotional rhythm, and it is literary, so the shadow play artists in Jianghan Plain are known as "oral talents". Jargon is divided into astronomy, geography, people, animals and plants, food, clothing, housing and transportation, speech, etiquette, drama and so on.