What are the tunes of traditional Chinese opera?

The tunes of Quju include Yang tune (including crying Yang tune, happy Yang tune and quick Yang tune). ), slow folding, book rhyme, poetry, twisted silk, crying books, soft poetry, Manchuria, upper class, flat folding, pulling the child, saying tune, flying board, yin and yang, headland cut flowers, big Han water, small Han water and so on.

Tone is generally written in Qupai, and Dengzhou in Nanyang is generally called Diao or Diao, which is a relatively independent melody. This melody has a name, and this name becomes the name of the tone, which is the name of the qupai. For example, there is a melody corresponding to crying yang. If we sing according to this melody, the song we sing is crying Yang tune.

The composition of Quju music is such a composition one by one. The melodies of these tunes are humorous, calm and generous, some full of joy, and some have great sadness. Emotions and sorrows can be expressed in different modes, and the music of Quju is formed by the combination of these modes. In this sense, Quju also belongs to a kind of Qupai opera.

As for the tune itself, I think it should be divided into singing and swimming. Singing tones can be sung by filling in the corresponding lyrics. For example, we often play Diao Yang.

You don't need to fill in the lyrics, most of them are background music for performances, such as Shuangcui and free flowers. From the aspect of emotional expression, I think it should be divided into joy, anger, sadness, joy and sadness. Only by understanding the main feelings expressed by different tones and melodies can we perform with different tones in specific plots.

Extended data:

In addition, the less commonly used tones are (generally used in major tunes): drum head, drum tail, broken child, fixed drum sound, upstairs and downstairs, pomegranate flower, Sichuan Yin and Yang, Taiping Year, a string of bells, and Niannujiao;

Manjianghong, Ximan, Gu Si Rope, Lao Yang Tune, Western Tune, Lotus Fall, Plum Blossom Fall, Taihu Lake, Tongguan, Jade A Lang, Double Kingfisher, Old Cape Cut Flowers, Overlapping, Big Peach, Momo, Border Tune, Overlapping Bridge and Inverted Curtain;

Erchunping, pushing the boat upside down, filial piety, Nanluoer, Duitou, Duiwei, Initial Sound, Parasitic Grass, Child's Play, Turning, Endless, Shuangcui, Idle Flowers, Flower Picking, Xiao Wufei, etc.

The relationship between door and tone:

Passing the door is an interval melody between the singers. That is, before the actors sing, or between songs. The melody given by the band therefore, as far as a tone used for singing is concerned, it consists of a door melody and a singing melody.

In a sense, when the actors are not out of tune, the accompaniment of the band is all through the door. But in these doors, their uses are not the same. Some doors are used to render the artistic conception of the whole scene, while others are used to cushion the singer.

The others are for singers to perform. Passing the door is divided into prelude and interlude. Prelude refers to the performance before the singer opens his mouth, and interlude refers to the performance of the singer during the singing process.

At ordinary times, we may hear a big door pull and a small door pull. The size of the door is mainly aimed at the length of the door. How long is the big pass, how long is the small pass. I think doors with less than four boards are generally called small doors.