How to treat the traditional culture reflected by Peking Opera masks?

Peking Opera is the quintessence of China's traditional culture. Another feature of Peking Opera is its rich and colorful drama masks, each of which has the artistic characteristics of Chinese style. Now the facial makeup of drama is gradually maturing and stereotyped, so facial makeup is also a unique way of makeup in China's traditional culture, which is different from other countries. Symbols and exaggerations in the chronicle reflect its national characteristics.

First of all, Facebook comes from life. The form of Facebook has a fixed pattern, most of which comes from life. Through the adjustment of the shape and outline layout of people's five senses, the age, experiences or living conditions of people are reflected. For example, Guan Yu's description of the phoenix eye and his face like a heavy jujube will be absorbed and expressed in Liao Pu. So every historical figure will have a roughly fixed spectrum. The existence of Facebook reflects China's exploration of aesthetics in ancient times, which is not only reflected in painting, but also in the artist's pursuit of incisive expression on the stage of drama.

Second, the historical development of facial makeup According to the dramatist, the earliest source of inspiration for facial makeup in China's plays was the ancient totem, which developed into a mask in the Tang Dynasty and was directly applied to the face in the Song and Yuan Dynasties, forming the facial makeup in the late Ming and Qing Dynasties. But in fact, the facial makeup of the Qing Dynasty absorbed the strengths of various schools and the essence of traditional Chinese opera. In order to pursue the perfection of performance, we pay more attention to the external modeling of characters. The art of Facebook gained unprecedented development in the Qing Dynasty, and the style of Facebook was also very diverse and personalized, and the performance in patterns was more complicated. The appearance of this phenomenon reflects the inclusiveness of China's traditional culture.

Third, the picture of the soul is on the stage, and the facial makeup of Peking Opera is also called the inner picture of the characters. It can be seen that the existence of Facebook not only shows the character, identity and inner activities of the characters, but also is the pursuit of artistic perfection in ancient China. And Facebook itself has a high aesthetic value.