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Ou Opera (Wenzhou messy bomb) Wenzhou messy bomb is a multi-vocal theater, including high cavity, Kun cavity, positive and negative messy bomb, beach spring, word tone and other kinds of cavity. For a long time, the opera circles have not made in-depth study and research on the origin and change of the various voices included in Wenzhou chaotic bomb, and there is some misunderstanding that Wenzhou chaotic bomb is developed from local folk songs and songs, and it is a local opera unique to Wenzhou, so it was renamed as "Ou Opera" in 1959. Qing jiaqing, dao guang between, wenzhou chaobao has been popular in south zhejiang, and for the local people love. Qing people LiangZhangJui "waves continue to talk" recorded, mostly in wenzhou watch play situation, that is, the so-called "sound and color noisy out", he recorded the type of play is "qin cavity". This coincides with the name of the play described in the diary of Rui'an Zhang Zhenxuan during the reign of Guangxu, Wenzhou is visible in the predecessor of the bomb is indeed the Qin cavity undoubtedly.

Xianfeng years, Wenzhou appeared "old Jinxiu" class, Tongzhi, Guangxu, after the class society, according to incomplete statistics, Wenzhou region of the messy bomb class society successively about more than 40. In the early years of the Qing Dynasty, Wenzhou was the most prosperous period for the chaotic bomb, there are traces of: "Bamboo Horse Song", "Old Tongqing", "Risu", "Three Stars "," new with the Qing "," Dajiqing "," small with the Qing "," the new Yiqi "and so on. Since then, Wenzhou chaotic bomb by foreign sound cavity of the impulse, has no longer adhere to the old rules, a large number of transplantation of the repertoire of the brother plays, especially in the Fujian troupe in the novelty of the play, the sound of the voice is infiltrated into the reed, so the masses of this type of class known as "Lotus Flower Class", in order to specialize in the performance of the traditional plays of the old chaotic bomb class to distinguish between. Its activities in addition to the southern Zhejiang Wenzhou, Taizhou, the state and other places, some of the troupe has also been to Jiangxi Shangrao and Fujian Tongshan, Pucheng, Xiapu, Shacheng and Fu'an, Ningde and other places to perform.

Wenzhou chaotic bomb repertoire is more complex, the original traditional repertoire of 84 books. According to the legend of the old artists, where the audience is recognized as the official

The messy bomb class, it must be 84 traditional plays all can be performed. These 84 plays are divided from the voice, there are four high-cavity: "Lei Gong Newspaper", "Cycle Newspaper", "Pavilion of Retribution", "Ziyang Guan"; three Kun cavity: "Leifeng Pagoda", "Fisherman's Joy", "Lianhuan Jie"; four Huizhou tune: "Back to the Dragon Pavilion", "Longfeng Pavilion", "Double Autumn Lotus", "Tian Yuan Match". From the repertoire itself, there are the so-called 5 old plays: Shi Sande, Silver Medal, Giving Two Knives, Bitter Match, and Family Fortunes; and 4 cold plays: Four Countries Qi, Taking the Sword, Haunted Sand River, and Drunken Yuzu. In addition, there are still some other kinds of transplanted plays, collectively referred to as "foreign plays", there are also from the local circulation of folk tales and legends adapted from the plays, such as "Double Fairy Fighting", "yellow three curls", "Wash Horse Bridge" and so on. In terms of the 84 traditional plays, those reflecting family ethics, love, and social morality make up the majority. The struggle between loyalty and treachery, good and evil, good and evil, loyalty and betrayal is the ****same theme of many plays. Although the characters in the play have gone through many vicissitudes and tribulations, in the end, they are always "good is rewarded and evil is punished", which is the general wish and psychological characteristic of the poor people in the lower class. Therefore, the audience of Ou opera is also mostly lower class people. The story and character traits of many characters in the play have become folk proverbs in Wenzhou dialect, such as "three official hall maternal uncle", "Zixia cup in the eldest uncle", "thunder beat of Zhou Baiqi", etc., it can be seen that Ou Opera is in the local folk culture. Visible ou opera in the local folk influence is extremely far-reaching.

The music of Wenzhou chaotic bomb is board cavity structure, except for the previously mentioned "three high, four Kun, four Hui", the rest of the repertoire of the whole song is chaotic bomb, a small number of plays in the folder with anti-chaotic bomb. For example, in "The Pearl Tower", Fang Qing sang the anti-two-han in the back of the nuns, which was very melodious with its high pitch. The positive and negative bomb each has the original plate, tight plate, brake plate, running water and other boards, set the tone of the difference of 5 degrees. In addition, there are also a small number of songs. Such as two Han, Jin Cui, downhill tiger, Luo Bang Bang, small peach red and so on. Accompanied by the original flute-based instrument, and later changed to use the Banhu. Singing, bingbai biting words using Zhongzhou rhyme, but because of the local actors to learn the Central Plains voice is extremely difficult, the result is a strange phenomenon, that is, biting words as close as possible to the Zhongzhou rhyme, while the voice value is still retained in the Wenzhou dialect, the formation of a voice system with a strong local color, known as "chaotic bombing white", the folk proverb is called The folk proverb calls it "chaobang er hitchhiking". Wenzhou, all the local opera varieties are used in this "mess play white", which is Wenzhou when the local sound itself decided.

Before the founding of the State Council, all the messy bomb class society are no written records of the script, all the plays rely on the old artists orally, from generation to generation. 1956 spring, Wenzhou City, the cultural authorities under the auspices of Comrade Ye Dabing, set up a special group, the group's task is to use their spare time, so that the old artists will be in the belly of the play "spit" out, by a special person, the play "spit" out, the play "spit" out, the play "spit" out, the play "spit" out. "out, recorded by a special person. This work continued for about a year, the messy bomb 84 traditional old plays and some foreign plays (transplanted repertoire), a total of about 200 books, copied in two sets, a set of Zhejiang Provincial Department of Cultural Affairs data room for preservation; another set of Wenzhou City, Wenzhou City, preserved by the Cultural Affairs Department. Wenzhou Victory Players Troupe clown actor Huang Yanrong a person on the "spit" 30 or so, until his death in the hospital hanging saline, but also in the non-stop spitting play.

Ou Opera's performance style is simple and rough, close to nature, all the roles are played by male actors, until the Republic of China 20 years later there are female roles. The martial arts are largely based on the southern boxing routines popular in the Pingyang area, especially the sparring mostly. Sometimes the actors could leave the plot and specialize in showing off their skills, which was called "playing on the stage". In the clothing line is not very elaborate, Danjiao also only use flower cloth head, commonly known as "lazy comb makeup". In the second year of the Republic of China, Wenzhou Pinyu Kun class to perform in Shanghai, only to make great improvements in the role of make-up, martial arts also changed to use the "stock file" form.