Who is the master of Cantonese Opera?

The master of Cantonese opera is Sinuhong.

Xin Nuhong (1927~20 13) was originally named Qiu Jianlian from Xiguan, Guangzhou. Xian Nvhong is a master of Cantonese Opera. Xian Nvhong created one of the most influential Hua Dan singing schools in the history of China Cantonese Opera-the Red School Art, and set up an immortal monument for Lingnan Cantonese Opera art and even Chinese civilization.

1924 65438+February 27th, born in Pan Village, Shuikou, Kaiping, Guangdong. I live in Xiguan of Guangzhou. I often go to the theater with my mother and come back to imitate singing at home.

1938 was out of school because of the Japanese invasion of China. In July and August of the same year, I went to Hong Kong with my mother via Macau, and I took my aunt He Fulian as my teacher. I formally studied art with a small stage name. 1939 During the Spring Festival, I performed for the first time in Shengshou Annual Class. From then on, she practiced in the troupe, learned to sing, and played maids and maids in the evening. When performing matinee in the suburbs of Hong Kong, he also played a supporting role in some scenes, and also had the opportunity to play the leading role in the "Sky Show".

1940, Xian Nahong and He Fulian temporarily performed together at Liang Shaofeng Jinxing Theatre. 194 1 performed in Shanghai, and Sinuhong became the third Hua Dan. 1943, she performed in Zhaoqing and used the stage name "Sin Nui Hung" for the first time in the inland. From then on, she became the official seal of Shi Zeng's troupe Hua Dan. Later, he went to Guangxi and other places in the rear area of the Anti-Japanese War to perform many horse-brand dramas such as "Bitter Phoenix Begging for the Ying", "Bitter Son-in-law" and "Soft-skinned Snake Recruiting County Horse".

After the victory of the Anti-Japanese War, Sinuhong settled in Hong Kong and became an amphibious actor in film and television dramas. 1952, Zhenshanmei Troupe was established in Hongkong, and cooperated with Ma Shiceng, Xue Juexian, etc. to perform such plays as "Madame Butterfly" and "Clear Words and Hate History". 1952, in the practice of performing A Generation of Tianjiao, Wang Zhaojun adapted Madame Butterfly and Shakespeare's masterpieces. According to his own talent and voice conditions, on the basis of traditional roles, he combined the singing art of Peking Opera and Kunqu Opera and the techniques of western Bel Canto singing to create Red Tune.

1955 returned to Guangzhou to join Guangdong Cantonese Opera Troupe, and worked in Guangdong Cantonese Opera Troupe, Guangdong Cantonese Opera Academy and Guangzhou Cantonese Opera Troupe successively. In the1950s and1960s, Sinuhong went to North Korea and Vietnam to perform with the delegation.

In 1980s, faced with the depression of Cantonese opera stage performance, in order to revitalize Cantonese opera, she rearranged old dramas and arranged new ones. 1988 On the eve of the National Day, Xin Nahong led the Guangzhou Cantonese Opera Troupe to Beijing to hold the "Xin Nahong Special Session"; 1994, Sinuhong starred in "Welcome to the Spring in Bai Yan" in Beijing, successfully shaping the artistic image of Jie Shen, a factory surgeon.

In 2009, Sinuhong won the first China Drama Lifetime Achievement Award.

20 13 12 8, died in Guangzhou at the age of 88.