Traditional Culture Encyclopedia - Traditional festivals - Briefly describe the national and contemporary characteristics of art styles.

Briefly describe the national and contemporary characteristics of art styles.

The national style of art is determined by the particularity of the aesthetic requirements and aesthetic ideals arising from the particularity of the social and material living conditions and cultural traditions of a certain nation. It is closely linked to the linguistic and psychological characteristics of a nation. China's traditional painting clearly has a significantly different national style from Western painting. This style is formed in the long historical process of our nation, and it is permeated with the special aesthetic requirements and aesthetic ideals of the people of our nation for the art of painting. National style has relatively strong stability and continuity.

The art of each era often has certain similarities, forming the artistic style of the era. Art style of the times. Refers to the same era of art works often have certain **** the same characteristics, reflecting the dominant aesthetic ideals and aesthetic pursuit of this era. From the practical point of view of bronze, different eras have different artistic characteristics. Ancient Chinese bronzes in general, have a vivid shape, fine decoration, clear inscriptions, decorative ornate features. ① Shang and Zhou dynasties, is the heyday of our country's slave society, bronze art also reached an extreme stage, especially in the late Shang Dynasty and the early Western Zhou Dynasty bronzes, generally large and heavy, especially popular a "Taotie" animal face pattern, which is both like a bull's head, like a tiger's head, like some kind of ferocious beasts, like a terrifying Demons and monsters, it shows a mysterious power, a hideous beauty, it carries the obvious marks of the slave society, symbolizing the authority and order of the slave masters. ② By the Spring and Autumn and Warring States periods, the gradual disintegration of the slave system, the lords and vassals, the decline of the royal family, showing the "rites and music" situation, this period of bronze is no longer a monopoly of the royal family and dedicated, a considerable portion of the bronze into daily life, the walls become thinner, lighter, pay special attention to the unity of the tool, shape and decoration, and the emergence of hunting, quarrying and decoration, and the use of bronze, the use of bronze, the use of bronze, the use of bronze, and the use of bronze. And the emergence of hunting, mulberry, feast, attacking and other life atmosphere rich in decorative patterns.

In a sense, this national style or the style of the times, reflecting the consistency of artistic style, it and the diversity of artistic style together, *** with the formation of a dialectical unity of the relationship, so that the artistic style of both diversity and consistency.

From the perspective of aesthetics, the national style of art is inseparable from the national cultural and psychological structure. The formation of national style is inseparable from the unique cultural and psychological structure of each nation, which is accumulated in a "collective unconscious" way, and inherited from generation to generation, continue.

On the whole, the national style of art is to embody the spirit, character and temperament of the nation, the culture, customs and habits of the nation, and the aesthetic ideals and aesthetic traditions of the nation.