Traditional Culture Encyclopedia - Traditional festivals - Is Li a cultural output?

Is Li a cultural output?

1 First of all, from the concept of cultural output, we need to know what the cultural output here is. Cultural output is: cultural output is to let people in other countries consciously accept their own system, language, art, history and other material and intangible things. Further let other countries feel the advanced nature of the country's culture, produce worship, and then imitate and learn from the country's culture. There are many ways to export culture: through the media, enterprises, private and non-state institutions, schools can be established to export languages. Here, I think Li has demonstrated China's pastoral culture and traditional handicraft art to foreigners through the media and her team, which can be seen from her Weibo account and fans on the oil pipeline. I think the fans of her Weibo account have been rising, and her videos are definitely remarkable and popular with foreigners. If those foreigners only use videos for entertainment, why do they become long-term fans of Li? There is only one reason, that is, foreigners really accepted the traditional culture of China spread by Li from their hearts and tried to understand it. Obviously, this influence is not small. Some people may say that Li did this first to make money, and his cultural output was not positive, but it is undeniable that the objective level does have a great influence, which no one can change.

2. Also, I don't think the export of culture needs the state's great fanfare. As a member of the country, each of us can export culture, such as Li, Li and Yu Lan, a famous fashion designer in China. They all spread China culture with their own works, and let more and more people know the traditional culture of China. They sneak into the night with the wind and get things wet quietly. It takes time for culture to infiltrate slowly. Results In recent years, Li has been known by foreigners from obscurity, and his video playback volume has increased dramatically. The works of Magnolia and Xiong Ying have appeared in Paris Fashion Week many times, and they are more and more recognized, and the traditional culture of China is becoming more and more familiar. All these show that individuals can also export culture. Individuals have done it, and the country will do it. Because the country has nurtured us, this land has given us capital. I am honored that we are integrated with the country. Therefore, it is better to do it silently than to say what I want, and actions are faster than all words. This is the case with Li. In her video, we can't see how she said it was a cultural output. We just use her diligence and persistence to explain everything to everyone. In the video, some foreigners may marvel at China's traditional crafts and rural scenery, and some people may value Li's outstanding spirit of the Chinese nation, "diligence, perseverance, hard work and filial piety". In short, she once again attracted foreigners' interest in China's traditional culture.

3. Some people say that Li's cultural export is highly commercialized. Can this be regarded as a pure cultural output? As we all know, economy also affects culture invisibly, and the two influence each other. Our country implements a market economy, and the market is also the carrier of our cultural output. How can we leave it? There are some people in China and the West who hold negative or pessimistic views on the marketization and commercialization of culture, which is reasonable. But they can't see what new conditions and opportunities the market economy can provide for the development of culture. Japan's second dimension, American blockbusters and Korean women's groups, which were able to spread to China at the beginning, were all known with the help of the development of online media. I really don't understand why you can say that these are the cultural output of their country, but you don't think that the video sent by Li through the media platform is a cultural output, but it was made later than those and has not had much influence so far. Also, to a certain extent, Japan's second element, American blockbusters and Korean women's groups all have a strong commercial nature, all of which are for profit. The problem is that capitalist countries have long seen through the phenomenon and trend of developing culture with economy and promoting economic development with cultural discovery. All this shows that it is not only feasible to take the market as a means to develop culture, but also can make it an effective, advanced and powerful means. Everything has its own development process, which is regular. It is obviously impossible for Li's video to cause a reversal in the world at once, but I hope Li Neng will stick to his own choice and go further and further on this road.

For traditional culture, many people may feel bored and don't want to spend too much time watching it. Therefore, we have to be unconventional and use innovative thinking to guide enlightenment. Therefore, the way of cultural output has been innovated. If we stick to the traditional export methods, the spread of China's traditional culture will be slower and slower. Things are developing, and unchangeable things will eventually be submerged by the tide of history. And Li's approach is in line with this trend. Therefore, we should look at things from a developmental perspective.

5. Finally, say one more word. Some people say that the rural life in Li's video is too beautified and unrealistic. Real rural life is much more bitter than this. Maybe Li just shows the beautiful side of the countryside in her heart, because she loves this kind of life, so she doesn't feel that rural life is bitter. On the contrary, she thinks it is beautiful. She loves everything in her hometown. In her eyes, they are all beautiful and lovely. Sometimes your attitude towards life is the reaction of your inner world. I think this is the same reason that beauty is in the eye of the beholder. Mo Yan's Red Sorghum and Lu Yao's Ordinary World both show that people living in rural areas love the land where they live. They are bitter materially, but sweet at heart. However, with the arrival of the harvest season in September, the health of the family is far behind. Who says they are bitter, but others are still living at ease. I think people who think so value material happiness more than spiritual pleasure and happiness. They seek spiritual comfort in the material world, instead of giving themselves a happy and satisfied life through spiritual happiness.