Sentences praising the beauty of calligraphy

1. Wang Xizhi has high attainments in original calligraphy, cursive calligraphy and calligraphy. His real calligraphy, ingenious and dense, has opened up a new realm. His grass is long and thick; His running script is very attractive and energetic. People call his words "floating like clouds, agile like dragons"; "Yue Long Tianmen, the tiger lies in the phoenix pavilion." .

2. Look at its strength without losing, show its posture without boasting, and its pen is flowing.

3. The genre of cursive script is related to almost every word. Although there is occasional disconnection between words, the upper and lower strokes run through, echoing, caring and connected by blood from beginning to end, and there is a kind of momentum of dancing with pen and ink in one go. In the process of writing, the standing position of each word seems to be full of danger, but it is wonderful to buckle firmly in danger, so that the font is not suspected of being skewed and soft, but has a delicate flying posture.

4. Its Shen Feng is swaying, the long wave is big, Teton is ups and downs, full of meaning and rhyme, and it does not reduce Lanting, which is as good as Yan's "Sacrifice to My Nephew", which is a masterpiece of running script.

5. The cursive script is as light as a feather, flying like a dragonfly and dancing like a phoenix. Block letters are vigorous and straight.

6. One trick, take a look, take off your horse and fly away; Another example is the dragon flying in the sky, which comes from nothingness and returns to nothingness. It is almost crazy and contains the aura of heaven and earth.

7. Calligraphy incorporates the perseverance, boldness and enterprising spirit of Confucianism, and also includes the emptiness, dispersion, quietness and leisure of Laozi and Zhuangzi, and often omits the worldly glitz in brushwork in order to be ethereal and far-reaching.

8. Chen Rong has adopted a dangerous position. His writing style is oblique or positive, heavy or light, with the beauty of "she started like a thunderbolt and vented her anger". He writes quickly, with a strong pen and great effort.

9. The glyphs are staggered, big and small, open and closed, and the line thickness changes obviously, with ups and downs.

10. Show the paper with a pen, and the pen will go away. Draw straight like a sword, bend a pen like a vine, fall to the tip of a dangerous peak, and leave green leaves like the wind. It is a clever combination of points and lines, creating a new road, writing life to the fullest, and blending the joys and sorrows of life.

1 1. The charm of Mao calligraphy lies in its boldness, its revolutionary passion and strength, and its essence.

12. If it's Liu Gongquan's style, it's strong as bones and magnificent-vigorous and rigorous. Thin and powerful, regular script is attractive, strong and powerful, beyond the dust and refined. The horizontal elders are thin and stretched, and the short ones are strong and powerful.

13. If it's Yan Zhenqing-style, it's thick and round like a rib-with the brush strokes of seal script, it turns fine and hard into plump and vigorous, with broad and magnificent structure, vigorous and awe-inspiring, vigorous lines and refined atmosphere.

14. If you are a silver hook, you will be surprised if you drift.

15. Words should have backbone, meat should be covered with tendons, tendons should hide meat, and posts should be beautiful and moist.