In what aspects is Xunzi's musical aesthetic thought mature?

The maturity of Xunzi's music aesthetic thought is manifested in emphasizing the political and social functions of music, attaching importance to the social functions of music and putting forward the aesthetic standards of music.

First, emphasize the political and social functions of music.

Xunzi believes that music has important political and social functions and can reflect the governance level and social atmosphere of a country. Good music can promote social harmony, improve people's moral level and promote the development of the country. On the contrary, bad concerts lead to social chaos, distraction and even war. Xunzi advocated educating people with music to realize the long-term stability of the country.

Second, advocate the moral education function of music.

Xunzi believes that music has an educational function and can spread moral concepts and behavior norms through music. He advocates integrating moral education into music, so that people can naturally receive moral education while enjoying music. This view is of great significance in the history of ancient music aesthetics in China, which laid the foundation for later Confucian music thought.

Third, pay attention to the social function of music.

Xunzi believes that music has social functions, which can coordinate interpersonal relationships and promote social harmony. He advocates using music to express love and respect between people, and transmitting emotions and values through music. This view had a far-reaching impact on the development of ancient music aesthetics in China.

Fourthly, put forward the aesthetic standards of music.

Xunzi put forward the aesthetic standard of music, that is, "the beauty of neutralization". He believes that music should pursue harmony, balance and moderate beauty, and avoid overly passionate or dull tones. This aesthetic standard applies not only to music art, but also to other art fields.

The background and influence of Xunzi's musical aesthetic thought

1, the background of Xunzi's musical aesthetic thought

Xunzi, as one of the representatives of the Confucian school in the Warring States Period, his musical aesthetic thought not only reflected the social reality at that time, but also inherited and developed the traditional Confucian thought. During the Warring States period, the society was in turmoil and people were faced with various social problems.

Xunzi believes that music, as a universal art form, can have a positive impact on social atmosphere and people's moral level.

2. The influence of Xunzi's musical aesthetic thought.

Xunzi's musical aesthetic thought also had a far-reaching influence on the later Confucian school. His views were inherited and developed by later Confucian scholars and became an important part of China's ancient music aesthetics. Rites and Music inherited Xunzi's thoughts and emphasized the political and social functions of music.

And put forward the concept of "harmony". In addition, The Preface to Shi Mao also emphasizes the moral education and social function of music, and puts forward the viewpoint of "ruling the voice of the world, enjoying peace and happiness". These viewpoints all reflect the influence and inheritance of Xunzi's musical aesthetic thought.