Who knows the genealogy of the Yin family in Qing County, Hebei Province?

Have you read it, is it this one? The first acquaintance with Yin Xieyuan (original) Yin Xieyuan at first refers to a person, and later became a natural village in Fenglin Village, Bao'an Town, Daye City, which relies on the Phoenix Mountains, looking out over the Liangzi Lake, is a typical Jiangnan village with a history of hundreds of years. July 25, invited by friends with the surname Yin, there and Yin Xieyuan's first acquaintance. Here belongs to the hills of Jiangnan, the mountain is not high, but the camphor blue acacia green, but the water is wide, but also wave clear fish fresh. Yin family tree", the Tang Dynasty, the Yin family from Gansu Tianshui moved to Jiangxi, Jiangxi Ruichang moved to Hubei Yangxin, and then moved to Daye Shibanqiao, and then moved to Yin Xieyuan by his ancestor Yin Guonan. When Yin Guonan settled down, there was a Phoenix Hill in the area, which was named Phoenix Hill Tujia, and Yin Guonan's eldest grandson got high school diploma in the Qianlong period, and Phoenix Hill Tujia got the name of Yin Xieyuan. Phoenix Mountain is rich in green stone, and the stone quality is clear. Since the beginning of the Ming Dynasty, the ancestors of Yin Xieyuan Tujia have been taking stones from the mountain, carving stones and engraving texts, and the stone carving process has been passed down through the generations, and the skills have become more and more mature. The traditional stone carving products, such as stone burin, stone wedge, and stone oblique link, are loved by users of all times. Yin Xieyuan Tujia has handed down more than 300 stone carving products symbolizing abundant harvests and good luck, such as "Magpies haunting plums" and "Fish leaping over the Dragon Gate", which are admirable. Whenever carved by Yin Xieyuan stone carvers, they are full of spirituality and unique artistic charm. Yin Xieyuan stone carving art has been passed down for 20 generations. According to the genealogy of stone carving, the skilled craftsmen of the Yoon family are listed as follows: Yoon Gwang-deok (5th year of the Daoguang period), Yoon Hian-fen (Bingsu year of the Guangxu period), Yoon Hyeong-teong (Wuxu year of the Guangxu period), Yoon Ben-hee (Renmin period of the R.O.C.), Yoon Wei-kwon, Yoon Wei-quon, Yoon Wei-qing, Yoon Jang-li, and Yoon Kwok-ahn. There is a stone tablet of "Guan Di Poetry and Bamboo" in the village of Yin Xieyuan, which is more than 300 years old. Experts believe that it was made by the same hand as the tablet of "Guan Di Poetry and Bamboo" in the Xi'an Forest of Steles, and that it was made by an artist in the village called "Duling Erquju Shi" for Changsha. It was carved by an artist called "Duling Erqu Jushi" in the village for Chang'an Beilin and his hometown, and it is a treasure among the monuments. In the 55th year of Emperor Kangxi of Qing Dynasty (1716), Xi'an (Chang'an) Monument Forest, which is famous for its collection of monumental essence and is an earlier place for preserving cultural relics in history, was called by a craftsman from the village of Xieyuan of Yin to carve a monument of Guandi's poems and bamboo drawings copied by Han Zai in Xi'an for the purpose of large-scale organization of the monuments to be engraved. After the carving was completed, due to the timidity of the real name, the monument on the inscription "Duling Erquju Shi". After returning to Yin Xieyuan, the stonemason used the stone of Phoenix Mountain to carve a "Guan Di Poetry and Bamboo Stele" similar to the one in Xi'an from memory. Chang'an monument for the green stone material, 1.2 meters long, 0.62 meters wide, 0.12 meters thick, although after nearly three hundred years, the monument face is clear. Guandi poetry bamboo monument painting of the exquisite, the composition of the marvelous, for all generations of scribes marveled at. On the face of the stele, two poles of bamboo rise up from the ground, clear and clear. Right a pole, the bamboo tip to the right diagonal out, bamboo leaves hanging down, like the appearance of rain, said "rain bamboo"; left a pole, bamboo leaves tilted, such as the wind blowing the shape, said "wind bamboo". Swaying bamboo right below, a five-character poem hidden in the bamboo leaves: "do not thank the East intention, Danqing independent name. Don't be afraid of the faded leaves, they will not wither for a long time." The arrangement of the word "wither" is particularly ingenious, and makes one's heart yearn for more. There are also two engraved seals on the upper right side of the picture, the upper one is "Seal of Guan Yu" in white, and the lower one is "Seal of the Marquis of Hanshou Ting" in positive. Yin Xieyuan's monument is 1 meter long and 0.7 meter high, with rigorous composition, symmetrical and balanced picture, accurate perspective, very rich in decorative interest, and it is an exquisite relief work. At present, the "Guan Di Poetry and Bamboo" stele in Xi'an Beilin has been broken into two pieces, while the "Guan Di Poetry and Bamboo" stele in the village of Yin Xieyuan is still well preserved. The stone carvings made by Yin Xieyuan stone carvers mainly include production stone carvings such as stone mills, stone grinders, pestles and mortars, stone yamen, etc.; life stone carvings such as stone tables, stone benches, stone cabinets, stone chairs, stone pen holders, etc.; architectural stone carvings such as stone bars, columns and drums, stone piers, stone balustrades, stone gatehouses, etc.; and decorative stone carvings such as stone plaques, stone beasts (lions, tigers, dragons,...), stone sculptures, stone sculptures, stone sculptures, stone sculptures and stone sculptures, stone sculptures and stone sculptures, and stone sculptures, stone sculptures and stone sculptures, stone sculptures and stone sculptures. ...), stone birds (phoenixes, cranes, geese, chickens ......), stone people, etc.; commemorative stone carvings, such as stone pagodas, stone tombstones, etc.; faith-based stone carvings, such as stone incense burners, stone god statues, "Tarzan Stone Daredevil" and so on. Yin Xieyuan stone carving artists with the ancestors of the stone carving process passed down from generation to generation, leaving a lot of masterpieces in the motherland, such as the Nine Dragons in the Yellow Crane Tower of the sea monument, the Three Kingdoms of the Turtle Hill, Chu Wangcheng restoration project, etc., and some of the stone carvings have been bought by foreign friends at a high price, such as a pair of stone lions in the United States Chinatown, Huangshi Road, is the Yin Xieyuan stone carving artists' masterpiece. With the expansion of market demand, Yin Xieyuan stone carving artists to comply with the business trend, many of them outside the establishment of their own stone carving folk crafts company. This time to Yin Xieyuan, the village people entrusted me for its will be built for the continuation of the pagoda as a pair, is in the thick of the Xing, for its pagoda for the main coupling of a picture, said: Tsubaki shadow rest lark banana swallowing the back of the house in recognition of the Han ink (the first couplet), the frogs sound of the town phoenix Neem spit in front of the hidden platform (the second couplet). The left and right side of the pagoda is divided into a hexagonal pavilion, for which the name "Plow and Study Pavilion" was created for the left side, and the name "Carving and Chiseling Pavilion" was created for the right side. In front of the "Pavilion of cultivation and study", there is a couplet made for the entrance: "The Chinese middle and high schools are full of fragrance" (the first couplet), "The six sutras are full of ink and paper" (the second couplet); and in the back of the entrance, there is a couplet made for the entrance: "Watering the harvests diligently in the four seasons" (the first couplet), and "Hardly peeking at the desktop of the book in the three shifts" (the second couplet). In the "Chiseling Pavilion" before the entrance to make a couplet: to open the stone must borrow the rain on the mountain side (the first couplet), cracking the soil is also based on the wind on the ridge (the second couplet); after the door to make a couplet: chiseling flowers and burin characters to pass on the family's art (the first couplet), carving grass and carving the text of the ancestors' work (the second couplet). I was fortunate to be entrusted by my fellow villagers. In the midst of small talk, I happened to know that Yin Xieyuan was also named "Hubei Stone Sculpture Art Hometown" by the Provincial Department of Culture in 1995, and "China Folk Stone Sculpture Art Hometown" by the Ministry of Culture in 1996; and in June, 2008, Daye Stone Sculpture (Yin Xieyuan Stone Sculpture) became one of the second batch of Chinese non-non-native stone sculptures announced by the State Council. In June 2008, Daye Stone Sculpture (Yin Xieyuan Stone Sculpture) became one of the second batch of masterpieces of China's intangible cultural heritage protection projects announced by the State Council. With this as evidence, when I know that Yin Xieyuan stone carving has not been a waste of time, and I also not vain this trip.