The makeup in the Tang Dynasty was the same as that in Japan.

Poems about makeup in Tang Dynasty 1. The quatrains describing makeup in Tang Dynasty

The makeup face of Tang makeup: atmospheric, gorgeous, mainly lines, mainly pink and purple in color, and looks charming as a whole.

Foundation: slightly white, making the face plump and round. Make-up can be thicker.

Eye: The eyeliner is exaggerated, the tail of the eye is slightly upturned, the inclined plane of eye shadow is elongated, the focus is on the tail of the eye, the false eyelashes are thick, and some even extend the eyebrows to the sideburns, which makes people feel more charming. Eyebrows: you can also raise them, which is a bit domineering.

But in the end, it depends on the model. Nowadays, the photo studio is rarely proud. It depends.

In the earliest Tang Dynasty, Emei was the "arch eyebrows" in the early Tang Dynasty, the "eight eyebrows" in the middle Tang Dynasty and the "laurel eyebrows" in the late Tang Dynasty were the most representative. Lips: mainly in red, draw petal mouth, use poinsettia, pink and rose red.

Blush: It can be used with eye shadow and lips to smudge along the edge of hairline. You said that the world is melancholy and has its own secrets; Later, the sea was broken, and Tang makeup recalled in the sound of heartbroken.

You said, in the Qing swing, ten fingers of tea are cool; Later green fat, red thin, full sleeve Leng Xiang. You said, dreaming of water town, Jiangnan; Later, the painting of the building was late and the water in Xiaoxiang was dry.

You said that on the west stone bridge, lovers leaned against the sunset, and later, a wisp of moss was infatuated for a lifetime. You said that years of drunken dreams were pieced together in vain.

Later, I was a little homesick and said goodbye. You said, I didn't mean to worry Who should I send the candle scissors for the west window?

Later, the flowers dispersed and the ink dried up.

2. What poems describe ancient women's makeup?

1. babao/babao makeup

Year: Song Author:

Jinping Rob began to sleep. The curtain turned and the door closed again. It's neither too cold nor too hot. It's windy and rainy in Mao Mao, which makes people sleepy. It hurts spring at this time. By whom, in disgust. This shallow feeling is fickle, and Qian Shan is full of water, so you must come to the village.

2. "The faint crimson lips meet the makeup mat."

Year: Song Author: Yan

Meet the makeup seats,

Spin red tears and sing gold thread.

I promised,

I want to blow away the flowers.

Long Ai He Xiang,

Six-color Yinqiao Road.

Being with people, light smoke and light rain,

What an amphibious place.

3. "Yi Dijing, light makeup and small leisure elements"

Year: Song Author: Huang Tingjian

Light makeup and small casual elements. Hold the pipa and stand still. Twist slowly, gather gently, and whisper carefully. Turn the pick to cut the string, and a piece of sand will be shocked.

Wanli married Princess Wusun. I don't care about Num and Fermin. Tears pink line, beauty spot, refers to the flower falling storm. Excuse me, who is this teacher? Be careful when collecting and dialing.

4. Slow calligraphy and makeup/calligraphy and makeup

Year: Song Author:

Running water and dust, the sun is shining and the painting is like fog. Laughing at the grass is unknown. At first glance, Ling Bo Broken Bridge is in the west. Dance with poplars. Always confused, tied the spring. When Yan came back, he asked the hand, what is it now?

Huan Meng was wrong. An arrow flew and he walked while eating cold food. I can't bear to be old, with flying flowers on my temples and cold smoke around me. Du Xuan revises the sentence to remember the previous degree, and Liu Lang once wrote it. The saddest, a lonely mountain drizzle.

5. Huanxisha

Year: Song Author: Su Shi

Open the red makeup to see the monarch. Three, three, five, five barbed fences. Touched each other and wore Luo's skirt.

Young and old help wheat harvest society, Wu Yuxiang Dance God Village. When you are drunk, you lie in the dusk.

3. Poems about makeup

Ask her husband in a low voice after makeup.

The huge red wedding candle went out.

Yue Nv's new makeup appeared in the mirror.

Knowing yourself is more glamorous and profound.

Her finger embroidery is unparalleled,

But she can't compete with the eyebrow painter.

The cock crows and wakes up outside,

The bride wore a lot of makeup.

Embroider my skirt,

Everything is four or five.

Stand on tiptoe,

The tortoise on the head.

If the waist is flowing,

Listen to the moon.

It means, for example, peeling onion roots,

Mouth like Danny.

Take a beautiful step,

Exquisite. (Peacock flies southeast)

Tang Wen Ting Yun. Bodhisattva is beautiful

Mountains overlap, gold disappears,

The clouds on the temples want to smell the snow on the cheeks.

Lazy to draw a moth eyebrow,

It's too late to make up and wash.

Look at the front and back mirrors,

Meet each other.

Newly embroidered Luo,

Double gold partridge.

This describes the whole process of women's makeup.

4. The more ancient poems describing women's makeup, the better.

Its shape is as beautiful and elegant as Youlong. Glory Qiuju, Song Chun, Hua Mao. Like a light Yun Zheyue, like the wind flowing back to the snow. Looking from a distance, if the sunrise rises; If you are forced to check it, it will burn like a wave. If you are satisfied with the fiber, you will shorten the fit. If the shoulders are cut, the waist is as good as the elements. Neck stretching looks good, and its quality is exposed. If you don't add Fang Ze, you will get rich in lead. The clouds are towering and the eyebrows are repaired. Red lips are bright outside, white teeth are fresh inside, bright eyes are good at looking, and cymbals help. Elegant, elegant and quiet. Tender as water, charming language. Stunning clothes are outstanding, and the bone image should be mapped. The glory of wearing a sweater is the glory of Yao and Bi. Wear jade jewelry and embellish pearls to show off your figure. To practice a long journey of writing is to drag the fog lightly. The fragrance of small orchids lingers in the corner of the mountain. So how can you suddenly jump and travel and play? Leaning on the left, leaning on the laurel flag on the right. Filled Hao's wrist with gods, he adopted the mysterious wisdom of turbulent wrasse.

-Cao Zhi's "Luo Shenfu"

Counting flowers in the atrium, dragonflies scratching their heads-Liu Yuxi

Making lotus flowers is clothes, and picking hibiscus is clothes ―― Qu Yuan's Li Sao.

The silver comb inlaid with shellfish was broken by her rhythm, and the blood-stained skirt was stained by wine ―― Bai Juyi's pipa.

Cloud on the window and yellow on the mirror ―― Mulan Ci

Xiang Qi is the lower skirt and Zi Qi is the upper skirt ―― Sang in Shang Mo.

Wind is a dress, water is admiration ―― Su Xiaoxiao's Tomb by Li He.

Dignified attitude, lofty and quiet personality, plump skin, thin and moderate figure. Their embroidered silk robes sparkled in the spring sun, with a large group of golden peacocks and silver unicorns on them-Du Fu's "Two on the Road".

Ji Yun is half asleep, and her flowered hat is loose when she walks along the balcony. The breeze blows her cloak, and with her movements, she seems to be dancing colorful skirts and feathers ―― Bai Juyi's Song of Eternal Sorrow.

But I don't like the color of the powder. I sweep my eyebrows to Supreme-

Stepping on the silk, the tortoise shell shines on the head, the waist is elegant, the moon is ringing in the ear, the fingers are like cutting onion roots, the mouth is like Dani, and the chinese odyssey is fine.

Paving a green crown, twisting golden snow willows, and fighting for Chu, now it is described as haggard, with clouds and snow floating on its temples, and dare not walk at night. -Li Qingzhao's Happy Forever

Remember the green silk skirt and pity the grass everywhere-

Qiu Guang painted a cold screen with a silver candle, and fanned the firefly with a small fan ―― Autumn Night by Du Mu.

Ask you in a low voice after makeup, thrush is out of date ―― Zhu Qingyu's On the Eve of Jinshi to Secretary Zhang.

The cold dew on her jade steps has invaded Luo You for a long time ―― Li Bai's jade clan.

She picked some flowers, not for her hair, but for letting pine needles fall from her fingers. She forgot the thin silk sleeves and the cold, and leaned on a tall bamboo in the sunset-Du Fu's beauty.

Beside her, the thin Germany hung with crystal dew, and the sweat on her chest permeated with the thin silk robe. Seeing someone coming, socks shovel gold hairpin and slip away ―― Li Qingzhao's "Diancrimson Lips"

The wind is soft, spring is still early, and the shirt is in a good mood. I feel slightly cold when I sleep, and plum blossoms are on my temples. -Li Qingzhao's "Bodhisattva Man"

"Princess Shouyang wore makeup when she got married, and her eyebrows were yellow. -Li Shangyin's Butterfly

Supplement:

When decorated with ornaments, Luo Wan's performance was very artistic and beautiful. Embroidered clothes, neither long nor short, come from step by step, if Youlong takes Yun Xiang ―― Song Yu's Goddess Fu

The stars are shining and the cosmetic mirror is on. The disturbance of Lv Yun, comb Xiao Huan also. Nutrient-rich streams are greasy and fatty water is discarded. The smoke is foggy and the pepper orchids are also burning. -Mutu's Epang Palace Fu

Jade falls and gold cymbals move with the steps, the clouds are light and foggy, and the wind is light. -Sun Chang Wuji

When the sun shines on the window, the beautiful woman sits in the mirror. I hate that it is too light to wear loose clothes, and it is wrong to insert women. Don't concentrate on swimming, thanks to spring makeup. -Wang Wei's Five Poems by Fu Nan

Fly thin shoes step by step, and fan coral lips yingying. Some people say that the mulberry picking period is not ripe, and it can be restored by the river. -President Jiang's Melodious Song

Wherever you swim, Shu is full of sex. Cloud how to release love flowers, embroidered gold thread.

Pretending to be a gold cymbal, I am ashamed to wait for the moon to swing.

Living in the shade of green trees, near the Spring Bridge —— Wei Zhuang's Qing Ping Le.

Before my lips move, I feel fat and fragrant. -Wei Zhuang's "Golden Gate"

Gold is like clothes and jade is like body, eyes are like autumn water and temples are like clouds.

Xia qun yue bi group. -Sidi Township, Wei Zhuang

Jade cicada and golden finch, bouquet singing, embroidered clothes long. -Wei Zhuang's "Hate the Son of Tai"

Yu Di has no reason to wear clothes. The golden cicada falls, and the mirror covers the makeup. Recall the past of Zhaoyang. Dancing in Red and Embroidering Yuanyang in Clothes ―― Xiao Zhongshan by Wei Zhuang.

5. What poems describe "make-up"?

1, "To Secretary Zhang on the eve of the government examination" Tang Zhu Qingyu

Last night, the candles in the bridal chamber were lit all night, waiting for dawn to worship the parents-in-law.

Make-up whispered to her husband, is thrush fashionable or not?

2. "Bodhisattva Crossing the River, Mountains Overlapping, Gold Declining" Ting Yun, Tang Wen

The mountains overlap, and the clouds want to smell the snow on their cheeks. Too lazy to draw a moth eyebrow, too late to make up and wash.

Look in the mirror before and after the flowers, and look at the flowers. The new post is embroidered with lolo, all of which are golden partridges.

3. "Bodhisattva crossing the river, Li pillow curtain" Ting Yun, Tang Wen

A beautiful woman sleeps on a delicate crystal curtain pillow. What does the woman sleep on it do? Miss acacia, the room is lukewarm, the incense burner is fragrant, and even the embroidered mandarin ducks are fragrant. Such an environment is unimaginable.

The long and soft willow branches by the river, just sprouting, look hazy, like shrouded in a mist. When spring comes, geese begin to fly north, geese fly and the moon in the sky disappears.

4. "Looking Back at Bodhisattva Man Lou Yuyue Ming" Tang Wenting Jun

Looking back on the bright moon in Lou Yu, there is another village. There is grass outside the door to take you to smell Ma Si.

Painting Luo Jin Emerald, fragrant and tears. Flowers cry regularly, and green windows are full of dreams.

5. "Buddy Bodhisattva, Bao Han, you are short of Jin and Liang? Don Wen Ting Yun

Bao Han Quejin? I went to Wushan Wall of Sean Temple. Willow, like silk, is the spring rain on the postal bridge.

The painting is broken, and the grass is Jiang Nanan. Luan mirror and flower branch, who knows this?

6. Ask for makeup in Han and Tang Dynasties

Summary of makeup culture in Han Dynasty Author: Li Ya Abstract: China ancient makeup culture is an important part of cultural history. The study of it can not only help us better understand the living customs, ideas, aesthetic tastes, economic and trade development of ancient people, but also provide scientific reference for the characterization of contemporary drama films.

The Han Dynasty is an important period in the history of makeup in China, and it has made qualitative progress in the production and modeling of cosmetics compared with the previous generation. It can be said that without the solid foundation of material, concept and formal beauty laid by the Han Dynasty, there would be no subsequent glory in the history of Chinese makeup in Wei, Jin and Tang Dynasties.

This paper attempts to present the basic characteristics of makeup culture in Han Dynasty to readers through the analysis of cosmetics and makeup modeling in Han Dynasty. Keywords: makeup modeling in Han Dynasty, as an important part of people's daily customs and cultural history, has a long history in China.

As early as the Neolithic cultural relics, people have found pottery figurines with patterns painted on their faces. If the custom of painting faces at this time is more a reflection of ancient totem ceremony than a cosmetic form to beautify one's appearance in the modern sense, then in the pre-Qin period, there was a clear record of using fat, color, powder and wearing makeup. However, in the pre-Qin period, due to the influence of the culture of respecting ceremony in the Central Plains, the requirements for characters' morality were more important than appearance modification, coupled with the restrictions on cosmetics production technology and raw material import, the makeup at this time was basically in the era of plain makeup with "white powder and black" as the mainstream.

The Han Dynasty is a dynasty in which the Han nationality was formed and the spirit of Han culture was established, and it is also an era in which the contention of hundred schools of thought in pre-Qin period ended and the aesthetic concept of pluralism was formed. The recuperation at the beginning of the Han Dynasty and the excellent rule of Emperor Wu of the Han Dynasty not only made the social and political stability of the Han Dynasty relatively rich in various products, but also defeated the Xiongnu in the north militarily and pacified South Vietnam, which not only opened up the Silk Road on land, but also opened up the maritime traffic in the south, greatly expanded the foreign trade exchanges of the Han Dynasty and created good objective conditions for the production of cosmetics.

Cosmetics such as lead powder, rouge and synthetic perfume are all very popular at this time. In terms of ideology and culture, the early Han dynasty adopted a loose policy, advocated and respected Confucianism, but did not exclude other schools, and began to sort out and study cultural classics.

At the same time, Han culture also absorbed Chu culture in large quantities, and injected primitive witchcraft and romantic spirit in myth into northern culture, thus producing a dynamic and magnificent Chinese culture that combines profound rational spirit with bold romantic fantasy. This magnificent Chinese culture undoubtedly had an important influence on the aesthetic concept of makeup in Han Dynasty, and promoted the rapid development of all aspects of makeup.

It made the Han Dynasty an important turning point in the history of ancient makeup in China, and laid a solid foundation for the glory of China's makeup history. I. Overview of Cosmetics in the Han Dynasty During the Han Dynasty, due to the development of science and technology and the opening of the Silk Road, the production technology of cosmetics has made great progress and the raw materials of cosmetics have been greatly enriched.

For example, in the early Western Han Dynasty, two well-preserved brides were unearthed in Mawangdui No.1 Han Tomb in Changsha, among which there were nine little brides, large and small, filled with various cosmetics. The texture of cosmetics for internal use is powdery, oily and blocky.

[1] Although its specific formula and application cannot be verified for the time being. However, according to the research on the history of makeup in the Han Dynasty, the varieties of cosmetics in the Han Dynasty are very comprehensive, and all kinds of cosmetics are available, basically covering all major categories of cosmetics.

(1) facial fat facial fat is a balm that moistens the face and can also be applied to the lips. Han Liuxi's "Interpretation of Famous Jewelry" wrote: "Fat, grinding also.

The face is as smooth as a stone. "After describing the face coated with fat, smooth as a delicate stone.

Notes in Hanshu Shiyou Tangyan Stone Drum: "Fat refers to fat on the face and fat on the lips, both of which are greasy." 2 Ze Ze Ze is also called Lanze, Xiangze and Local Records.

This is sesame oil for applying hair. Han Liuxi's Interpretation of Famous Things said: "Fragrance is fragrance, and it will wither when it enters the hair, so it can be fragrant.

Tang Yan Shi Gu, a historical tour of the Han Dynasty, records: "Those who paste and grind gather a lot of spices and fry them with paste to moisten them. It means that applying perfume to hair can make dry hair shiny.

Han Meicheng's "Seven Hair": "It's Lan Ze covered by wine and dust." This is the thing.

(3) cosmetic powder cosmetic powder, that is, cosmetic powder, can be divided into white powder and red powder. In the Zhou Dynasty, people already knew that flour was used to make noodles. Most of the flour used at that time was rice flour.

During the Qin and Han Dynasties, lead powder was invented in addition to rice flour. The invention of new things must be related to the development of production technology at that time.

During the Qin and Han Dynasties, Taoist alchemy prevailed. In order to live forever, Qin Shihuang looked for "elixir" everywhere. The development of burning alchemy and the improvement of smelting technology in Han dynasty made the invention of lead powder have technical conditions and spread as a cosmetic.

Ding Qingfu written by Zhang Heng in Han Dynasty said: "Thinking in the face is clear, but suffering from distraction and dullness." In language, new words are often born with the appearance of new concepts or things.

It is no accident that the word lead China is used in literary works of Han Dynasty, but it is a reflection of the existence of lead powder society. Lead powder is usually made of lead, tin and other materials. After chemical treatment, it is transformed into powder, and the main component is basic lead carbonate.

There are two forms of lead powder: solid and paste. Solids are often processed into tile and silver ingot shapes, which are called "tile powder" or "fixed (ingot) powder"; Paste people are commonly known as "Hu (paste) powder" or "gouache".

Han Liuxi's interpretation of names and jewels: "Hu Fen. Hu, paste, fat and paste, with pictures. "

So some people think that "Hu fen" is the powder of Hu people, which is wrong. Lead powder can add luster to people's appearance, so it is also called "lead China".

In addition to white makeup powder, there was also red makeup powder in Han Dynasty, which was used to make up cheeks. Han Liuxi's interpretation of jewelry: "I am pink, I am red, I am dyed red with pink, and I wear blush."

The second poem of Nineteen Ancient Poems wrote: "E-E's red makeup made her delicate hands." In addition to powder, there are refreshing powders in the Han Dynasty, which are generally made into powder and sprinkled on the body after bathing, which has a cool and smooth effect.

general-purpose