Chinese national musical instruments creative painting

Chinese Ethnic Musical Instruments Creative Painting Method is as follows:

Preparation tools: gouache paper, black card, re-coloring stick, scraping brush

Making Steps:

1, use gouache to draw the background color tone on the gouache paper.

2. Cut out different sizes of chimes using black card.

3. Continue to cut out different shapes of decorations using black card.

4.Decorate the chimes with different shapes of black cards prepared earlier.

5, paste the clock in the appropriate position in the picture, use the heavy color stick to make the old effect.

6, continue to use the heavy color stick to add a background.

7, the use of scratch brush to add patterns, works completed.

Expanded Information:

Ethnic musical instruments, refers to the unique musical instruments of ethnic groups around the world. It is categorized into Chinese ethnic instruments and other ethnic instruments of the world. For example, the guqin is a Chinese folk instrument; the shamisen is a Japanese folk instrument. Chinese national musical instruments are now generally popular are zither, zheng, xiao, flute, suona, erhu, pipa, silk and bamboo, drums, etc. Chinese national musical instruments represent the instruments of traditional Chinese music and culture.

Pre-Qin period

According to the unearthed artifacts and documents, the pre-Qin period of musical instruments have drums, drums, drums, drums, drums, drums, should be, the field, the county drums, bells, bells, gongs, chimes, percussion, braided rock, bell, ceramic bells, Ya, Zhu, Kei, and, Luan, spring, whistle (ceramic, bone, etc.), ocarina, 鼇龢, 鼇, words, xiao, pipe, Chi, pianoforte, qin, serpent, building and so on. The piano, the serpent, the building and so on many kinds of.

In the primitive society, the appearance of musical instruments and myths and legends, the gods rituals, folk dance, labor and other aspects of life has a close connection. Into the class society, musical instruments in addition to religious, ceremonial and other occasions, mainly for the ruler to enjoy entertainment. In the musical instrument production exquisite luxury, the scale is getting bigger and bigger.

For example, as contained in Lv's Spring and Autumn Annals - Lavish Music: "Xia Jie, Yin Zhou as lavish music, drums, bells, chimes, tubes, piping, xiao sound, to huge for the beauty of the crowd as a spectacle; begin to bizarre and different magnificence, the ear has not been heard, the eye has not been seen, and the business is to be over the phase, do not think about the measure."

The period from the Qin and Han Dynasties to the Wei and Jin Dynasties

The main musical instruments that appeared at that time were the zheng, the pipa (with two different shapes: the Qin Hanzi and the Ruan Xian), the flute, the square ringer, and the konghou ser (i.e., the reclining konghou). The zheng, pipa and flute were the accompanying instruments of "Xianghe Song". Wind instruments such as reed, horn, zhongming, changming and flute were also used. Due to the interaction with the western cultures, the imported musical instruments mainly included vertical konghou, Persian pipa (i.e., Qu Xiang pipa), and Wicker bamboos.

The vertical konghou is also a Persian musical instrument, which was introduced to China at the time of the Wei and Jin dynasties. Curved lute around 350 AD through India and Xinjiang, introduced to the Gansu area, according to the "Liang Shu - Jian Wen Di Ben Ji", at least in 551 AD (Northern and Southern Dynasties) has been introduced to the South.