What are the dress characteristics of Beijing Opera?

Question 1: What are the characteristics of traditional opera costumes in China? The (realism) (romanticism) (symbolism) of traditional Chinese opera costumes is very characteristic.

Question 2: The characteristic of Peking Opera is stylization: the process and form of Peking Opera performance have been highly standardized and fixed, and different occupations have their own different voices, performing movements, singing and playing styles, as well as costumes, masks, props and so on.

Clothing features: The patterns in clothing are not only beautiful decorations, but also symbolic. The clothes of the royal family and ministers often use dragon patterns, which is a symbol of feudal authority and dignity; Military commanders often use tiger and leopard patterns to symbolize courage; Wensheng's folds depict plum, orchid, bamboo and chrysanthemum, which are related to their personality and temperament. The counselor's costume symbolizes wisdom and Taoism with extreme pictures and gossip.

Comprehensive: Beijing Opera includes literature, music, dance, fine arts, martial arts, acrobatics and other art forms. In Beijing Opera, many artistic expressions are combined into an organic whole.

Stage and space-time mode: In the past, there was no curtain on the stage of Peking Opera, and the audience could see the whole stage at a glance. Generally, there is only one table around the table and two chairs with chair covers on the stage, which is called "one table and two chairs". There is decorative embroidery on the table and chair cover. Sometimes there is nothing on the stage. Later, a curtain was added in front of the stage to cover the stage before the performance. Sometimes, during the performance, another curtain will be put on, which is called the "second curtain". It is used to keep the preparation work such as setting tables and chairs behind the scenes and changing clothes for actors. Actors can perform in front of the curtain at the same time, making the performance of Beijing Opera more compact.

Virtuality: The scenes and props of Beijing Opera are quite simple and have strong symbolic significance. Actors use highly virtual performances on the stage to arouse the imagination and buzz of the audience.

Musical Features: The aria of Beijing Opera is a plate variant, with Xipi and Chun Er as the main vocals. Xipi's melody fluctuates greatly, the rhythm is compact, and the singing is smooth and lively, which is suitable for expressing cheerful and determined emotions; Huang Er's melody is relatively stable, the rhythm is slow, and his singing is dignified and vigorous, which is more suitable for expressing depressed, sad and angry emotions.

Question 3: The characteristics and introduction of Beijing opera costumes are too complicated and pay attention to a lot. A few words are unclear. Simply put, clothes have patterns,' the picture must be intentional and the meaning must be auspicious'. For example, Wen beast. Ten thousand words is not enough, and so on. .

Question 4: What are the characteristics of China traditional opera costumes? The characteristics of China traditional opera costumes are as follows:

First of all, it has formal beauty.

Traditional Chinese opera costumes, like traditional Chinese opera masks and performances, are not realistic, but far away from the truth of life and pursue the truth of art, with a strong sense of form and formal beauty. The most typical example is the beggar's rich clothes.

Second, it has the beauty of image.

The formal beauty of traditional Chinese opera costumes is not only for formal beauty, but also for shaping the image beauty of traditional Chinese opera characters. The art of traditional Chinese opera, like other operas, takes shaping characters as its central task.

Third, it has artistic beauty.

China traditional opera is characterized by the use of virtual stylized songs and dances, that is, singing and acting, which creates beautiful stage artistic conception while shaping imagery characters; Create a beautiful stage artistic conception, and at the same time shape the image of the characters.

Question 5: What are the characteristics of ugliness in Beijing opera? Wen Chou: Play a funny role and concentrate on reading and doing things. Wen Chou is divided into Wen Chou, Square Scarf Ugly, Tea Clothes Ugly, Scarf Ugly and Caidan.

The square towel is ugly, with a square towel on her head, clothes on her body and a fan in her hand. He walked in four directions and behaved slowly and gracefully.

Tea clothes are ugly, tea clothes are short blue cloth coats, and the term is tea clothes. Tea clothes are ugly and play the role of working people.

Cai Dan: A clown who plays a woman in China's traditional drama. Older people are also called ugly women.

Wu Chou: Playing a role with martial arts and funny personality, emphasizing martial arts, or "jumping", and being good at dental skills, most of them are elusive Wulin people. With the inverted eight-shaped "two-beard" and tights, you can walk lightly, move flexibly and quickly, turn down from a few meters high and land silently.

Question 6: What about the color matching of Peking Opera costumes? We often see emperors on the stage wearing various colors of armor and robes. In fact, the colors of these armor and robes have certain norms when they are worn. Take general armor and official embroidered robes as examples, which are divided into five colors and five colors. The first five colors are red, yellow, green, white and black; The next five colors are purple, blue, pink, lake blue, bronze or Qiu Xiangse, which are collectively called ten pythons and ten oblique. The yellow pythons in embroidered robes can be divided into apricot yellow and bright yellow. The bright yellow pythons are exclusively used by emperors and queens, but the embroidered dragons in embroidered robes of emperors, embroidered phoenixes in embroidered robes of queens, and embroidered pythons in embroidered robes of ministers, generals and princes. The so-called dragon, five claws for the dragon, spit beads, to show that I am the only one; Four claws are pythons, and they keep their mouths shut to show respect and obedience. Except for bright yellow pythons, embroidered robes of other colors are worn out rather than worn out. For example, Guan Yu, the general of the Three Kingdoms and Five Tigers, is famous for his loyalty and righteousness, and he is a red-faced and green python. Zhang Fei's personality is strong and reckless, and his face is black, which is worthy of being black and thin. Zhaoyun is upright and elegant, brave and good at fighting, handsome and dressed, and white pythons wear them for nothing; Huang Zhong is a strong old man, and because of his surname Huang, he deserves to wear apricot pythons. Ma Chao, like Zhao Yun, is both handsome and dressed in white pythons, but they have no chance to appear at the same time in the play, so there is no problem of relying on color. Because Liu Bei is an uncle, he wears a red python to show solemnity and majesty. It can be seen that most people who wear white pythons are young and handsome positive figures, such as Zhou Yu, Yue Fei and Yang. White beards can also wear white pythons; Most people who wear pink pythons are charming teenagers, such as Lu Bu, Wang Jinlong and others. If there are eight generals or four ministers on the stage at the same time, except for some roles, other roles can wear different colors. For example, the eight generals of Cao Cao, except Xia Houdun, Cao Hong, Dian Wei, Xu Jun, Xia wears black and Zhang wears white, can be deployed and dressed according to the principle of * * * and the python with the same color on it. In addition, if the elderly wear incense pythons or bronze pythons, the mighty and brave wear blue pythons. People who draw red faces or green faces wear green python shit. Of course, due to the high utilization rate of black and white pythons and pendants, when a troupe buys ten pythons and ten pendants according to the upper five colors and the lower five colors, both black and white colors must be copied to meet the needs of the performance.

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Question 7: Beijing Opera Clothing Knowledge Beijing Opera, also known as "Pihuang", consists of two basic tunes, Xipi and Huanger, and also sings some local tunes (such as Liu Zi tune and Chuiguan tune) and Kunqu opera. 1840 was formed in Beijing and prevailed in 1930s and 40s. It is sometimes called "National Opera". It is still a big drama with national influence. It is the representative of China modern opera, with comprehensive business, mature performance and magnificent momentum. Peking Opera is the quintessence of China with a history of 200 years. In addition, "Beijing Opera" is also an online word, which means the same as "fear".

Basic explanation

[Peking Opera] As one of the major operas in China, Hui tune and Han tune were introduced to Beijing in the middle of Qing Dynasty, and they merged and evolved with each other. The accent is mainly Xipi and Huanger, accompanied by huqin and gongs and drums, which are popular all over the country.

detailed description

Also known as "Beijing Opera". One of the most popular plays in China. After entering Beijing in the last years of Qing Qianlong, Class Four of Huizhou School cooperated with artists from Hubei during Jiaqing and Daoguang years and influenced each other. They gradually accepted some plays, tunes and performance methods of Kunqu opera and Shaanxi opera, and absorbed some folk tunes, and gradually integrated and developed.

basic concept

Peking Opera is one of the traditional operas formed in Beijing with a history of nearly 200 years. On the basis of harmony between Hui Opera and Han Opera, it gradually evolved by absorbing the advantages and specialties of some operas such as Kunqu Opera and Shaanxi Opera. Peking Opera music belongs to the banqiang style, and the lead singers are Huang Er and Xipi, so Peking Opera is also called "Pihuang". Other commonly used vocals in Beijing Opera are Nanbangzi, Siping Tone, Gaobazi and Chui. There are about 1000 traditional operas in Beijing Opera, and about 300 or 400 are often performed. Among them, besides Anhui Opera, Han Opera, Kunqu Opera and Shaanxi Opera, quite a few of them were created by Beijing Opera artists and folk writers. Beijing opera is good at expressing political and military struggles with historical themes, and most of the stories are taken from historical romances and novel scripts. There are not only the whole drama, but also a large number of passbook dramas, in addition to some series.

Performance skills

Singing, reading and acting are four artistic methods and four basic skills of Beijing opera performance. Singing refers to singing, while reciting refers to musical chanting, which complement each other and form a "song", which is one of the two major elements of the performing arts of singing, dancing and Peking Opera. Doing refers to the body movements, fighting and tumbling skills of dance, which are combined with each other to form a "dance", which is one of the two major elements of the performing arts of song, dance and Beijing opera. Four skills, commonly known as four skills and five methods, refer to singing, reading, doing and playing four skills. "Singing" means singing skills. "Doing" means doing work, that is, performing. "Nian" refers to music chanting. And "fighting" refers to martial arts. Opera actors are trained from these four aspects since childhood, although some actors are good at singing (singing old pedants), some are mainly engaged in work (Hua Dan), and some are mainly engaged in martial arts (Jason Wu). However, every actor is required to have four basic skills: singing, reading, doing and acting, in order to give full play to the function of opera art performance as a musical. Better performance and characterization of various roles in the play.

Beijing opera role

The roles in Beijing Opera are divided into seven lines: health, Dan, Jing, Ugliness, Martial Arts and Fashion (walk-on), and then into four lines: health, Dan, Jing and Ugliness. Each line has a detailed division of labor. "Sheng" is a general term for male roles other than painted faces and clowns, and it is also divided into old students (bearded students), primary school students, martial arts students and baby students. "Dan" is a general term for female roles, which is divided into Hua Dan, Gui Mendan, Wu Dan and (Dan) Beijing Opera Blues. "Jing", commonly known as Hua Lian, mostly plays a male character with a certain special character, quality or appearance. The makeup mask has a loud tone and a rough style. "Net" is a singer, such as Bao Zheng; Erhualian, who mainly works, looks like Cao Cao. The "ugly" who plays the role of comedy is commonly known as the little face because he put a small piece of white powder on his nose.

Peking opera facial makeup design

Painting a certain color on a person's face symbolizes his personality and characteristics. The role and fate are a major feature of Beijing opera, which can help to understand the plot. Simply put, red face contains praise, representing loyalty and courage; Black face is neutral, representing fierce wisdom; Blue face and green face are also neutral, representing rebellious heroes; Yellow face and white face are derogatory, representing fierceness; Gold and silver surfaces are mysterious, representing gods and demons. Facebook originated from ancient religions and dance masks, and this tradition has been preserved in many local operas today. Beijing opera mask picture

Edit the artistic features of this passage.

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Question 8: The costume features of Beijing Opera singing are urgent! Birth is a business that plays a male role and plays an important role in Beijing opera. There are old students, young students, martial arts students, red students, baby students and so on in life. Except for Hong Sheng and Wu Sheng, who have a crooked face, all the other students are plain-faced, and the expert term is "handsome", which means their appearance is clean and beautiful.

Old students are also called "Xu Sheng", "Zheng Sheng" and "Hu Zisheng".

Generally, they are middle-aged and elderly men with a sense of justice. The protagonists are all black beards. In the past, there were three lines in Peking Opera, namely, primary, exogenous and terminal, which were later collectively referred to as old students. According to the different characteristics of performing arts, old pedants can be divided into hard pedants, declining pedants and pedants who rely on handles.

Old An Gong students, also known as "singing and cutting old students" and "Wang", play more emperors and generals, and are calm and steady on the stage, so they are called "An Gong", such as Emperor Guangwu of Han Dynasty in Going to the Tiantai and Chen Gong in Catch and Release Cao. Declining old students, also known as "old students who do work" and "old workers" mostly play people who are old or whose mental state is declining, so they are called "declining factions", such as Song Tujie in Four Sons, Qin Qiong in Selling Horses, and Song Jiang in Sitting on a Building to Kill Cherish.

Relying on the elderly, most of them play the role of military commanders. It is named after relying on (wearing a helmet and armour) and using a sword and a gun (the weapon used by the people in the play), plus Huang Zhong, a veteran of Dingjunshan, Hua Yun in "The War of Peace" and Yue Fei in Zhentanzhou. No matter what kind of old students are, they mainly sing and use their own voices. The old students of An Gong should sing melodiously, while the old students of the declining school should sing with indignation and depression, relying on their passionate and generous singing.

In addition, in the history of Peking Opera, there are also some senior actors who are good at writing, martial arts, singing, acting and playing tricks. Later, they were called "civil and military officials", such as Cheng Changgeng and Tan Xinpei.

Xiao Sheng mainly plays young men. He wears makeup without a beard and looks handsome.

According to the different characteristics of characters' personality and status, they can be divided into robe belt, fan, Ling Zisheng, poverty and martial arts.

A young man in a robe, also called a shamao young man, plays an official young man. Wearing a gauze cap is its main symbol. Most of these characters are literati, such as Wang Jinlong in Yu Tang Chun, Zhao Chong in Strange Double Meeting and Chen Kui in Chen Sanliang's Climbing the Hall.

Fan students often play young scholars and romantic and elegant sons, holding fans, wearing literary towels and pleating, so they are also called "pleated students". Fans are special props to help characters express charm and elegance. For example, Fu Peng is picking up jade bracelets and Zhang Junrui is in the west wing.

Ling Zisheng, also known as "pheasant tail", is its main symbol, and he is a figure who plays both military commanders and civil and military skills. Playing Zi Ling requires martial arts. With the help of scaffolding and dancing, many dance moves were performed with Zi Ling. For example, Zhou Yu in Hero, Lu Bu in Lu Bu and Diophantine, Yang Zongbao in Wood Carving Zhai and so on.

Poor students, who mostly play down-and-out literati and scholars, "pay special attention to their performance", mainly show the sour smell of the characters and are used to stepping on the heels of shoes to show their poverty, so they are also called "shoe students", and wearing rich clothes is their main symbol. Rich clothes are green folds with many colorful patches, which means that although these people are poor and poorly dressed now, they will still be rich in the future, so they are called "rich clothes". For example, Moggi in Flirting and Wang Mingfang in Liansheng Store.

Martial arts, mainly playing young heroes, performing martial arts, singing, chanting and working. From the martial arts point of view, Wu is similar to Wu Sheng, but both singing and reciting methods are used. Such as Lu Wenlong in Eight Hammer, Zhao Yun in Borrowing Zhao Yun and Shi Xiu in Shi Xiu.

Wushu students play young and middle-aged men who are good at Wushu, and they are divided into two types: long-term dependence on Wushu and short-term fighting Wushu, commonly known as "chopping" and "skimming". "Split" refers to wearing thick-soled boots, and "skimming" refers to wearing thin-soled boots.

Dragons rely on martial arts, and both martial arts and scaffolding are equally important, such as Zhao Yun in Changbanpo, Ma Chao and Pullman in Jizhou.

Bunting martial arts students wear tight shorts. Attach importance to martial arts stunts, such as Ren in Sanchakou, Lin Chong in fun run. Wu Laosheng plays middle-aged and elderly British figures, such as Zhen Wu of Bailiang Building and Qiu Cheng of Jianfeng Mountain. Wu Sheng also plays some face-lifting plays (played by Wu Jing), such as Jiang Weihe in Tielongshan ... In Long Tail Deng >>

Question 9: What are the characteristics of clown costumes in Beijing Opera? All the characters in the play have specific hats. The imperial hat is also called Wang hat, Tang hat and Tang hat. The hat is round, low in the front and high in the back, with a pair of wings facing the sky. The black ground is decorated with dragon patterns, and there are two big yellow pompoms and many beads at the top. There are big yellow spikes hanging on the left and right, which are called "tassels". A hat for the emperor. The marquis wears a marquis hat, with wide wings on both sides and ears hanging down from the wings. The top of the martial power has a halberd head, which is called the platform top. Fenyang hat, commonly known as Christophe Wen, is similar to sable. Both sides are decorated with velvet beads and gold wings, which are used for powerful slaughter. The gauze cap is slightly round, low in the front and high in the back, with wings on the left and right; Because of the different shapes of wings, there are "square yarn", "round yarn" and "pointed yarn". Generally speaking, high-ranking civil servants have rectangular hat wings inserted on both sides of their gauze hats; The second grade is a long round hat wing; Wearing "pointed yarn" or "round yarn" with low taste contains derogatory meaning, which is mostly worn by traitors and clowns.