What are the characteristics of Yu opera writers

Question 1: What are the characteristics of Yu opera? Yu opera is characterized by the word is round, the sound changes, the body light, commonly known as: leaning roar and so on.

Question 2: The introduction of Yu opera Yu opera: (English: Yu Opera) originated in the Central Plains (Henan), is one of the five major Chinese opera genres1, China's first major local opera. In recent years, Yu Opera has traveled to many countries around the world, such as Australia, Italy, France, Canada, Venezuela, New Zealand, Germany, the United Kingdom, the United States, Thailand, Pakistan, etc. It has been praised by Westerners as "Oriental Aria" and "Chinese Opera". It has been praised by westerners as "Oriental Aria" and "Chinese Opera". Yu Opera is developed on the basis of Henan Opera, which is constantly inherited, reformed and innovated. After the founding of the People's Republic of China, Henan is called Yu Opera because it is shortened to "Yu". From the end of the Qing Dynasty to the present day, Yu Opera has formed four major voices, namely Xiangfu Tune (centered in Kaifeng), Yu Dong Tune (centered in Shangqiu), Yu Xi Tune (centered in Luoyang), and Shahe Tune (centered in the Shahe River Basin, i.e., in southeastern Henan, northern Anhui and other places). Yu Opera is known for its resonant and atmospheric singing style, its measured cadence, the soundness of its lines, the clarity of its words, its mellow flavor, its vividness, its flesh and blood, and its ability to express the inner feelings of its characters, and it is popular among people from all walks of life because of its high degree of artistry. Because of its musical accompaniment with jujube wooden clappers beat, so the early name of Henan opera. According to the statistics of the Ministry of Culture2, in addition to Henan Province, there are professional Yu opera troupes in Hubei, Anhui, Jiangsu, Shandong, Hebei, Beijing, Shanxi, Shaanxi, Sichuan, Gansu, Qinghai, Xinjiang, Taiwan and other provinces and cities. There are more than 300 Yu opera troupes in the whole country (one or two troupes at the provincial level, one or two troupes at the municipal level, one or two troupes at the county level, etc.)***, more than 1,300 private Yu opera troupes, and more than 100,000 practitioners.3 In 2006, the Yu opera was included in the first batch of the State Council's list of intangible cultural heritages at the national level. It is also directly managed by the Ministry of Culture of the State Council, which has organized 167 troupes.

Question 3: Knowledge of Yu Opera (history, popularity, classic repertoire, characters, etc.) Yu Opera is also known as Henan Bang Opera and Henan Gaoxiao. It is also known as "Henan Acura" (河南讴), because the early actors used their own voices to sing, and used falsetto to turn up the high end of their voices when they started and ended their voices. In the mountainous areas of western Henan, the performances were based on the mountains and the flat earth, locally known as "leaning on the mountain roar". Because Henan Province is abbreviated as "Yu", it was named Yu Opera after the liberation. It is one of the main types of theater in Henan Province.

The largest local opera in China, second only to Beijing Opera, Yu Opera is at the top of the list of all local operas.

The opera Mulan

Chang Xiangyu came to Kaifeng in 1936 with a group of Zhou Haihua opera singers to perform on the Waking Yu Stage. The modern opera "Fighting for Land" exposing the crimes of Japanese imperialist aggression. Playing the Land" was the beginning of Yu Opera's modernization. At the same time, Wang Runzhi, Ma Shuangzhi, Drum Seal, Yang Jinyu and others from Yongan Stage also performed many traditional plays. The gathering of famous actors and actresses promoted the merging of Yu Dong and Yu Xi tunes, as well as the development and improvement of Henan Opera. 1938, after the Japanese invasion army occupied Kaifeng, the Lion's Roar Troupe, Zhou Hai Hai's Taiyi Class, and groups and actors such as Chang Xiangyu went to Xi'an successively, and centered on Xi'an to perform in cities and towns in the Northwest, which enlarged the influence of the Yu Opera and its popularity in the region. From the beginning of the War of Resistance Against Japanese Aggression to the founding of the PRC, many Yu Opera groups also appeared in Xi'an, such as the Lion's Roar Troupe led by Fan Zuiting, the Xiangyu Troupe headed by Chang Xiangyu, the Fenlin Troupe headed by Mao Orchid, and the Lan Guang Troupe headed by Cui Lantian. There is also the Henan Disaster Children's Drama Society (the predecessor of the original *** Yu Opera Troupe) founded by Sun Laoshi.

After the founding of the country, the Henan Yu Theater was established in 1956, and a symposium of famous and old Yu opera artists was held in 1962, and a report on the Yu opera genre was held in 1980.

The Henan Yu Opera Theater was founded in 1956, and in 1962, a symposium of famous and veteran artists was held to present the Yu Opera genre. Yang Lanchun (born in 1921, a native of Wuan, Hebei Province) has adapted and written (some in collaboration with others) The Marriage of Xiao Erhei, People Going Higher, Liu Hulan, Chaoyang Ditch, Winter and Spring, and Inside Chaoyang Ditch, among others. At the same time, he also directed many modern and traditional plays. Such as "blood and tears", "Red Leaf River", "volunteer fiancée", "Qin Xianglian", "Tang Zhixian trial enjoin", etc. Henan and many provinces, municipalities and autonomous regions across the country to establish a general Yu opera performance groups.

Accompaniment Instruments The accompaniment band of Yu opera used to have a drum, two gongs and three strings, and the clappers and cymbals **** eight mouths. Early Yu operas also used four big fans (big cymbals and big cymbals) and a sharp horn (tube length about 1 meter) to create a majestic and warm atmosphere.

The main instruments of the Yu opera orchestra were the big strings (the octagonal moon zither, with the player also playing the suona), the two strings (the soprano banhu with a bamboo or wooden barrel and a tung wood face), and the three strings (the plectrum).

In the 1930s, Mr. Fan Zuiting's festival drew on the accompaniment band of the Shangdong Opera to introduce the banhu, which was then gradually discarded in favor of the alto banhu, or "scoop," the main string. After the 1950s, erhu, pipa, bamboo flute, sheng, mulligans and cello were gradually added to the general cultural scene. Some of them also added the drop hu, guzheng and so on. There are also violins, violas and Western brass and woodwind instruments, forming a mixed Chinese and Western orchestra. There are more than 300 traditional accompaniment tunes in the Yu opera, including more than 130 suona tunes, more than 20 flute tunes, and more than 170 silk string tunes.

唢呐曲牌中常用的有：[春来到]、[大汉东山]、[小汉东山]、[大桃红]、[小桃红]、[大开门]、[小开门]、[大风入松]、[小风入松]、[文二凡]、[武二凡]、[水龙吟]、[新水令]、[折桂枝]、[晏驾令]、[山坡羊]、[红绣鞋]、[唢呐皮]、[ Doll], etc.　Transverse flute song commonly used are: [towards the son of heaven], [five-six-five], [crying heaven], [cloudy sky song], [pomegranate flowers], [flower dynasty Yuan song], [birds towards the phoenix], [chicken climbing the slope], [small open door], and so on.

The commonly used silk-string tunes are: [Little Garden], [Nine Linked Rings], [Flower Mistake], [Little Red Shoes], [Bitter Joy], [Wave Tortosa], [Oil Gourd], [Raving], [Abacus], [Marrying], etc. The most common ones are: [Little Garden], [Nine Linked Rings], [Flower Mistake], [Little Red Shoes], [Bitter Music], [Wave Tortosa], [Oil Gourd], [Raving], [Abacus], [Marrying], etc.

The main instruments of the Yu Opera band's martial arts are the drums, drums, gongs, hand cymbals, small gongs and clappers. Yu Opera martial arts point of the gongs and drums *** there are three major categories: First, the opening gongs and drums point,...... >>

Question 4: Who is the scriptwriter of the Yu opera dynasty opera ditch Yang Lanchun (1920-2009), a native of Wuan, Zhili (Wuan, Handan, Hebei Province). Yu opera screenwriter and director.

In 1952, he went to the Central Academy of Drama to study in the Opera Department. he graduated in 1953. During his studies, he collaborated with Tian Chuan and Hu Sha to adapt Xiao Er Hei Marriage, which became a reserved program of the Chinese Opera and Dance Theatre. In addition, there is Professor Yang Lanchun.

There is the "father of Chaoyanggou" reputation. [1]

Question 5: There are several kinds of Henan Yu opera, also known as Henan Bangzi and Henan Gaozheng. Because of the early actors sang with the voice, start and finish with falsetto turn high end with "Acura", also known as "Henan Acura". In the mountainous areas of western Henan, the performances are based on the mountains and the flat earth, locally known as "leaning on the mountain roar". Because Henan Province is abbreviated as "Yu", it was named Yu Opera after the liberation. It is one of the main types of theater in Henan Province.

Popular Regions

The popularity of Yu Opera is widely distributed, with performances in the north and south of the Yangtze River, on both sides of the Yellow River, and in Xinjiang and ***.

Origin and development

The origin of Yu Opera is known to be the first of its kind in the late Ming and early Qing dynasties. Yu opera was born in the late Ming and early Qing dynasties, and it was mainly sung by the people at the beginning, which was loved by the common people and thus developed very rapidly. The origin of the Yu opera has been difficult to prove, the argument is different. One said that the end of the Ming Dynasty, Qinqiang and Puzhou Bangkang after the introduction of Henan, and local folk songs, ditties combined with a direct development of the Northern Songs from the stringed tone said that the folk singing art in Henan, especially since the mid- to late-Ming Dynasty, in the Central Plains prevailed on the basis of the fashion of small orders, absorbing the strings of the art of the results of the development and become.

During the Qianlong period of the Qing Dynasty (1736-1795), Henan Province has popularized the opera. According to the content of the inscriptions at the time, the Ming Palace is the year of the drama classes praying for the banquet, the generation is far away from the annihilation, I do not know from when it was created. In the Daoguang years (1821-1850), the river breaks, the temple collapsed, the tiles do not exist, visible in the Daoguang before, the opera has long existed. These accounts are consistent with the legends among the artists. According to some of the old artists recall, they learned the art in 1912 or so, had heard the master said Henan within the ten places, that is, Xiangfu (now Kaifeng), Qixian, Chenliu (now incorporated into Kaifeng), Yushi, Zhongmou, Tongxu, Yifeng, Feng (now incorporated into the Lankawe), Fengqiu, Yangwu (now incorporated into the original sun) and outside of the eight that is, Huaiyang, Xihua, Shangshui, Xiangcheng, Shenqiu, Taikang, Fugu, Luyi, Ming and Qing dynasties, that is, the popular Henan Acura. Henan Acura was popular in the Ming and Qing Dynasties. Henan opera in the process of circulation, in the different formation of Xiangfu tune (Kaifeng area), Yu Dong tune (Shangqiu area), Yu West tune (Yang area), Shahe tune (Luohe area) and other different styles.

According to artists, the earliest transmitters of Yu opera for Jiangmen, Xuemen two, Jiangmen in Kaifeng south of Zhu Xianzhen, Xuemen in Kaifeng east of the Qinghe set, have run the class. The first is that the first time I saw the song, I was able to see it, and then I was able to see it, and then I was able to see it, and then I was able to see it, and then I was able to see it, and then I was able to see it, and then I was able to see it, and then I was able to see it, and then I was able to see it.

After the 1911 Revolution, the Henan opera was performed more often in cities. When Kaifeng more famous tea house, such as Zhixiang Tea House, Puqing Tea House, Chenghui Tea House, Qing Tea House, East Fire Temple Tea House, Tongle Tea House, etc., are competing to invite Henan Zibanshe, Yicheng class, Tianxing class, public discussion class, Gongxing class, and so on, and thus active for a while. Since then, Zhengzhou, Luoyang, Xinyang, Shangqiu and other cities have appeared one after another to perform Henan opera tea house, theater. In the countryside, every time to meet the gods will be performed double in some areas, the performance is mostly Henan opera.

In the late 20s and 30s, the development of Henan opera entered a stage. During this period, Kaifeng Xiangguo Temple has established Yongan, Yongle, Yongmin, Tongle four Henan opera theater, many famous artists such as Chen Suzhen, Wang Runzhi, Ma Shuangzhi, Si Fengying, Li Ruiyun, Chang Xiangyu, Zhao Yiting, Peng Haibao, etc., gathered in Kaifeng. 1935 early, Fan Zuiting as the head of the establishment of the Yu Sheng Drama Society, changed the Yongle Stage for the Yu Sheng Theatre, Chen Suzhen in the Qixian County troupe and Zhao Yiting in the Shandong Cao County troupe are Chen Suzhen's Qixian troupe and Zhao Yiting's Caoxian troupe from Shandong participated in the society. Yusheng Drama Society eliminated some unreasonable systems of the old troupe, innovated the performances and stage arts, and performed plays such as The Wind of Righteousness, The Hate of Heaven and Earth, and The Painted Blood, which were written by Fan Zuiting. After the outbreak of the Anti-Japanese War, in 1938, to take the meaning of waking up the lion's fury, changed the school for the Lion Roar Troupe.

Chang Xiangyu went to Kaifeng in 1936 with the Zhou Hui class and performed on the Waking Yu stage, and in 1937, he set up the Zhongzhou Opera Research Society to perform the ancient plays such as Six Western Boxes, Crying for the Great Wall, and the modern play Playing the Land that exposed the crimes of Japanese imperialist aggression, which was written by Wang Zhennan. Playing the Land" was the beginning of Yu Opera's modern theater. At the same time, Wang Runzhi, Ma Shuangzhi, Drum Seal, Yang Jinyu and others from Yongan Stage also performed many traditional plays. The gathering of famous actors and actresses promoted the merging of the eastern and western Yu tunes and the development and improvement of Henan Opera.After the Japanese invading forces occupied Kaifeng in 1938, the Lion's Roar Troupe, the Taiyi Class of Zhou Haihua, and groups and actors such as Chang Xiangyu went to Xi'an successively and centered their performances on the city of Xi'an....... >>

Question 6: Famous Artists of Henan Yu Opera Troupe Henan Yu Opera Troupe's old generation of famous artists include: Choreographer: Yang Lanchun Director: Xu Xin, Chen Xinli, Ma Wanlou, Liu Ling Playwrights: Niu Guanli, Li Dunchen, Dong Xinmin Composers: Wang Kixiao, Lu Benshou, Jiang Hongxuan, Liang Sihui, Ma Mingkun, Zhu Chaolun, Zhang Jingping Performing Artists: Gao Jie, Ma Lin, Wang Shanpu Performing artists: Gao Jie, Ma Lin, Wang Shan Park, Wei Yun, Liu Lanfang, Yang Huarui, Han Dengqing, Du Qitai, Han Yusheng, Lu Lanxiang, Guo Jianmin, Chen Hong, Zhu Yi, Feng Wenjing Famous performers: Gao Songxi, Sun Xixi, Sun Dazhen, Wang Cuifen, Liu Xianpei New Generation Artists: Playwright: Chen Chungquan Composer: An Zhiyi, Zhao Guo'an, Tang Qihe Conductor: Li Hongquan Performers: Liza Wang, Malan, Zhang Chunling, Zhang Yueting, Meng Xiangli, Li Yun, Chen Xiulan, Yang Guo Guoji, Xin Ai, Pan Xiuyun, Wang Ji Xue, Jiang Hongxuan, Liang Sihui, Ma Mingkun, Zhu Chaulun, Zhang Jingping The actors: Wang Luanzhen, Malan, Zhang Chunling, Zhang Yueting, Meng Xiangli, Li Yun, Chen Xiulan, Yang Guoming, Xin Ai, Pan Xiuyun, Yang Hongxia, Sheng Honglin, Wang Xiaofen, Chen Min, Song Yanqiu, Players: Gu Chunlin, Yang Shiyuan, Dong Shixia, Xu Chunlei, Xin Junrui, Li Qingchao, Ji, Chen Xia, Yin Kefu

Question 7: Who are the playwrights and composers for the Yu Opera The Great Sacrifice of the Pile, and who is the renowned playwright Mr. Chen ***

Question 8: What are some of the literary dramas, and who are the authors? Cao Yu's plays:

Thunderstorm

Day

The Wilderness

The Pekingese

(Mr. Cao Yu's works are the symbols of China's modern civilized theatre.)

Guo Ruo's plays:

Qu Yuan

Cai Wen Ji

(Guo Ruo's literary talent is truly remarkable.)

Zong Fuxian's play in the style of Cao Yu:

In the Silence (after the end of the Cultural Revolution, the play and the play had a great popularity).

Question 9: What are the characteristics of the Yu opera "Yugong Yishan"? Large-scale lyrical allegory of the Yu opera "Yugong Yishan" is the city in 2008 to create a high level of stage productions, invited the nationally renowned director Yu Xiaoyu, national-level screenwriter Xiong Wenxiang and other domestic first-class creators and the province's renowned young performing artist Jia Wenlong, two Plum Blossom Award winners, such as Wang Hongli to join the play, while the script was also repeated discussions, refinement, modification, to ensure that the play both from the stage, lighting, costumes, props, or from singing The play has been repeatedly discussed, refined and revised to ensure that it is a refreshing experience in terms of choreography, lighting, costumes and props, as well as in terms of singing design and directing techniques. Large-scale lyrical fable Yu opera "Yugongyishan" closely linked to the pulse of the times, looking at the reality of life, the indomitable spirit of the Chinese nation, perseverance, pioneering spirit of the play embodied in the play, was awarded the Henan Provincial Wenhua Grand Prize, was identified by the Provincial Department of Culture of the Henan Province 2009 annual focus on the processing of improving the repertoire.

After the show, the city leaders and actors shook hands one by one, and took a group photo. Municipal Party Committee, Municipal Party Committee Propaganda Department Minister Li Junxing on the large-scale lyrical allegory Yu opera "Yugongyishan" to Beijing show great hope. Li Junxing said, all the actors and actresses should not let down the province's people's expectations, to the repertoire to further processing, improve, for the next step to participate in the selection of national stage art excellence project to lay a good foundation. To firm confidence, focus, strengthen the rehearsal, rehearsal, excellence, with full of spirit and good posture and perseverance, the spirit of unity and hard work, work to perform a good large-scale lyrical allegory of the Yu opera "Yugong Yishan", for Jiyuan glory, and through this to the spirit of Yugong Yishan to the province, to the country.

Question 10: The Yu opera "Chaoyang Gully" briefly summarizes the story! Chaoyanggou" in the history of China's modern theater has a unique taste and has a special position is indisputable and alternative. The play was premiered in Zhengzhou on May 19, 1958 by the Third Troupe of Henan Yu Theater, with scriptwriter Yang Lanchun, directors Yang Lanchun and Xu Xin, music designers Wang Jixiao and Jiang Hongxuan, etc., and stage art designer Guan Peng. Ma Lin played Yinhuan, and Wang Shan Park played Shuanbao. In June of the same year, the production was transferred to Beijing. In subsequent performances, Wei Yun played the role of Yinhuan and Ma Lin played Erdaniang. During this period, Chang Xiangyu played the role of Shuanbao Niang, which was filmed by Changchun Film Studio as an opera art film in 1963.

Synopsis

The script was published in a single volume. The play ***8 scenes, depicting the high school graduates Yinhuan to fiancé Shuanbao's hometown of Chaoyanggou to participate in agricultural production, encountered a series of difficulties, ideological shaking. In China *** grass-roots branches and the help of the masses, but also due to the labor cultivated in the deep love of the land and crops, so that she realized that the countryside is also the contribution of young people with knowledge of the vast world, and finally put down roots in the countryside. Chaoyanggou has made certain achievements in the use of traditional opera forms to express modern life. In addition to the main character, Yinhuan, the play also portrays Shuanbao, Shuanbao's mother, Shuanbao's father, Erdaniang, the old branch secretary, and other simple and loyal peasants. These characters are full of new thoughts and feelings, showing the spirit of peasants in the socialist era. The language of the play is full of individual characteristics, with a strong flavor of life and local color; the lyrics are vivid, funny and fast-paced. The story of the play is complete, the characters are concentrated, and the play has made achievements in the use of traditional structural methods. 1963, "Chaoyanggou" was made into an opera art film. The play has been transplanted and performed in Beijing Opera, Pian Opera, Lu Opera, Meitou Opera and Comic Opera. (See the colorful Yu opera "Chaoyanggou" (Wei Yun as Yinhuan, Chang Xiangyu as Shuanbao Niang))

It is worth mentioning that in 1982, Yang Lanchun also created a sequel to Chaoyanggou, "Chaoyanggou Inside", based on changes in life in the countryside.

The development of the work

Chaoyanggou has been transplanted by many types of theater. 1958, the Chinese Opera School had been adapted and rehearsed by the students of the 50th class of the Peking Opera Section, directed by Xun Lingxiang and Zhao Rongxin, and starring Qu Suying, Sun Hongxun, and Chen Guowei. 1963, the Experimental Peking Opera Troupe of the Chinese Academy of Theater Research processed and rearranged the play, with Song Deyang as the penman, Liu Muduo as the director, and Liu Xiurong and Li Guang as the main characters, and the performance was to be held for 1964, and was to be performed at the Chinese Academy of Theater Research. A book of performances intended to participate in the 1964 National Peking Opera Modern Drama Observation and Performance Conference, but due to inexplicable reasons, the play was denied by Jiang Qing and never performed in public.

After the Cultural Revolution, there were performances by Ma Shuhua and Li Xiuyun of the Tianjin Theater of Appraisal.

Regardless of the theme of the play (in fact, there are only a handful of works from the Great Leap Forward period that can really stand the baptism of time), its classic nature cannot be questioned. The musical image of "Chaoyanggou" is epoch-making, and I believe that it is not unprecedented in the history of Yu opera, but also the last. Which other play can create such a miracle regardless of the protagonist and supporting characters, regardless of the big and small sections can become "popular" songs? [Editor's note: The opera movie 1963 Foreign title: Chao Yang Village

Directed by: Zeng Wei Zhi Weizhi Zeng

Written by: Lanchun Yang

Starring:

Gao Jie Jie Gao ....

Yun Wei .... Yinhuan

Chen Hong Hong Chen .... Li Guilan

Songxi Gao .... Qiaozhen

Huarui Yang .... 银环妈

Shanpu Wang ....

Cinematography: Hui Zhang

Genre: Chinese Opera

Country/Region: China

Dialogue: Mandarin Chinese

Color: Black and White

Production House: Changchun Film Studio [China]

Plot

A city girl, Yinhuan, and her husband, Shanpu Wang, have been living in the city for a long time, but they have not been able to find each other. p> The city girls Yinhuan and Bengbao are high school classmates who have developed a mutual love for each other in the course of their studies. Yinhuan and Bengbao agreed to go to Bengbao's hometown, Chaoyanggou, to participate in agricultural labor after graduating from high school. After graduation, Bao returned to his hometown of Chaoyanggou, but Yinhuan's mother was firmly opposed to her daughter going to the countryside. After Yinhuan was received by Shuanbao in Chaoyanggou, Yinhuan's mother chased her daughter to Chaoyanggou and asked her to go back with her. Yinhuan was in a dilemma, but with Shuanbao's encouragement and the old branch secretary's intervention to do the work of Yinhuan's mother, Yinhuan decided to keep her daughter with Shuanbao. Everything in the countryside ...... >>