Traditional Culture Encyclopedia - Traditional festivals - In Jiang Yang's second book, The Three of us Lost, Qian Zhongshu met once. What are these ancient post roads?

In Jiang Yang's second book, The Three of us Lost, Qian Zhongshu met once. What are these ancient post roads?

These are Jiang Yang's dreams, and the background of the times is Mr. Jiang Yang's nostalgia for his late husband and daughter. Qian Zhongshu went to the meeting, which was mysterious and confidential. This is a portrayal of the past, which Mr. Jiang Yang could not understand and could not accept the death of Mr. Qian Lao. The ancient post road is an important image that cannot be ignored. In the part of faking death, we take the ancient post road, meet on the ancient post road, and separate on the ancient post road. All the gatherings and departures of Jiang Yang, Qian Zhongshu and Qian Yuan were performed on the ancient post road.

The ancient post road not only symbolizes the sadness of parting in ancient books, but also symbolizes the end of life journey. This ancient post road is a necessary journey in life and cannot be avoided. On this ancient post road, Jiang Yang sent Qian Zhongshu away on one journey after another, and finally he could only watch the boat go away. Even if you want to become a stone on the mountain, an invisible boat, you can't get it.

In the end, it only turned into a yellow leaf. As soon as the wind blew, it fell off the rock and landed at Sanlihe's home. Everything on the ancient post road is independent of personal will. What should go will eventually go, and what should stay will eventually stay.

Extended data

In the article, the description of willows keeps appearing, and the most frequently written are cold willows and bald willows: "The postal road is littered with leaves, and all the willows become bare cold willows." "The willows on the riverbank began to turn yellow and gradually became bare willows."

Willow is the archetypal image of ancient poetry expressing feelings of parting, and it is a parting tree in China's lyric tradition, with bitter charm. Facing where you are going, Jiang Yang used this traditional symbolic image. Different from general parting, Jiang Yang's works are cold willows and bald willows, implying that death is approaching and symbolizing death and farewell.

The three of us are separated and express this profound emotional experience in the form of "dreams".

Writing dreams is a common form of China's ancient mourning poems to describe dreams and express true feelings. Jiang Yang used this technology. From the psychological point of view, the daughter and husband died seriously ill, and their emotions were deeply stimulated, as if they were in a dream, both illusory and real. Psychology believes that emotions are extreme, and whether they are sad or happy, they will become dreams.

From the creative point of view, the free flow of emotions and the expression of subjective real emotions are easy to enter the book with dreams and structure the full text. Can achieve a multi-level, natural and smooth state. At the same time, through artistic narration and description, it can be sublimated into "poetry" to ease the intensity of natural feelings.