What are the schools of traditional architecture in China and how to distinguish them?

As a cultural carrier, architecture develops with the growth of human beings and the development of culture. From cave dwelling and nesting of primitive people to today, every step of architectural development is the result of the comprehensive effect of natural environment, social science and technology, social organization, lifestyle and values at that time. Courtyard is the essence of traditional architecture in China, and its development process also reflects the role of cultural elements. Portal refers to the main entrance and entrance of the building. Liu Song's poem "Xin Qing": "Only Nanfeng knows each other, stealing doors and turning over books."

Each of us lives in the natural development and evolution of architecture in China, but most of us don't have the concept of architectural history, and they don't realize which stage of architectural history they are in, how the writing of architectural history in China has changed in different dynasties, and so on. The emergence of such a concept requires the intervention of architectural history research within the academic scope. In China, Liang Sicheng, a famous architect, is one of the pioneers in reshaping the architectural history of China according to modern or western academic ideas, and can be said to be one of the most important figures.

Traditional architecture is the concrete embodiment of China's traditional culture. Thousands of years of Chinese civilization have nurtured splendid culture and built exquisite architectural systems, all of which are the results of the infiltration of China traditional culture, from quadrangles in Beijing, round buildings in southern Fujian, Indian houses in Yunnan, cave dwellings in Shaanxi, Henan, to the planning of the capital, the layout of palaces and the tombs of royal dignitaries. There are also some smaller ones. It is an ancient building with great ornamental and artistic value.

Tile is the hanging part of the top of the pipe tile in ancient buildings in China. The tiles are engraved with figures and patterns, as well as the patterns of Suzaku, Xuanwu, Qinglong and White Tiger, the God of the Quartet. It is the tile at the front end of the eaves, and the circular baffle with patterns is hung on the tile surface. Walking into the hall, you may find that although the Mou family was once rich, the layout and decoration in the room did not look as luxurious as expected, but it was full of rich Jiaodong folk customs everywhere.