Why is traditional drama more appealing than pop songs now?

China's plays mainly include traditional Chinese opera and drama. Traditional Chinese opera is a traditional drama in China. After a long period of development and evolution, five major operas in China, namely Peking Opera, Yue Opera, Huangmei Opera, Pingju Opera and Henan Opera, have gradually formed. [ 1-3]? Drama is a form of western drama introduced in the 20th century. China's classical opera is an important part of China's national culture, which can be called the quintessence of China. It is favored by people for its artistic charm. Moreover, it also occupies a unique position in the world drama circle, and is called the three ancient dramas in the world together with the tragicomedy of ancient Greece and Brahma drama of India. China's plays mainly include traditional Chinese opera and drama. Traditional Chinese opera is a traditional drama in China. After a long period of development and evolution, five major operas in China, namely Peking Opera, Yue Opera, Huangmei Opera, Pingju Opera and Henan Opera, have gradually formed. [ 1-3]? Drama is a form of western drama introduced in the 20th century. China's classical opera is an important part of China's national culture, which can be called the quintessence of China. It is favored by people for its artistic charm. Moreover, it also occupies a unique position in the world drama circle, and is called the three ancient dramas in the world together with the tragicomedy of ancient Greece and Brahma drama of India.

The formation of China's traditional drama can be traced back to the Qin and Han Dynasties. However, the formation process was quite long, and it was not formed until the Song and Yuan Dynasties. Mature operas should start from Yuan Zaju, develop and mature in Ming and Qing Dynasties, and enter modern times. After more than 800 years of prosperity, there are now more than 360 operas. During its long development, China's classical operas have successively appeared in four basic forms: Southern Opera in Song and Yuan Dynasties, Zaju in Yuan Dynasty, Legends in Ming and Qing Dynasties, Local Opera in Qing Dynasty and Modern Opera.

In music, different vocal cavities have different characteristics. For example, Kunshan Opera is a masterpiece of North and South music, which gives full play to the unique characteristics of elegance and exquisiteness of South music and absorbs the warm and generous style of North music. The collocation of various official tunes and the arrangement of performances are more standardized, and at the same time, borrowing palaces and picking songs are widely used, which makes the structural method of divertimento more complete and expressive. Actors' singing skills are becoming more and more exquisite, and they are required to "sing all kinds of songs" to reach the height of personality and drama. These are the experiences summed up by playwrights and artists in their long-term singing practice of Kunqu Opera, and they have become an important legacy of China's national vocal music. The arrangement of musical instruments and the organization of band scenes in Kunshan cavity are also richer and more complete, which enables the performance to be carried out in the specified scenes and rhythms, and sets a good example for the band accompaniment of later operas and operas. On the basis of "more words and less sounds, all kinds of music in Yiyang create" auxiliary tune "and" rolling tune ". "Bangqiang" is a vocal art combining solo and chorus, which makes up for the deficiency of instrumental accompaniment in Yiyang aria to some extent, enriches the form of aria, and plays a role in rendering the feelings of characters and setting off the atmosphere. Rolling Tune is an easy-to-understand lyric sung by Running Water Board, which not only increases the change of music rhythm, but also helps to express the feelings of the song more freely. Most Yiyang operas only use percussion instruments with strong sound effects such as gongs and drums as foil, which is related to the conditions of performing for a large number of lower-class people in temples and squares in villages and towns, and is also closely related to the fact that the content of early Yiyang operas is biased towards historical dramas with large numbers of people and lively scenes, so the overall style of Yiyang operas appears loud and unrestrained. These had a profound influence on the music of later high-pitched operas.

In performing arts, the meticulous division of labor between feet and colors is undoubtedly the key to the enrichment and improvement of performing arts in this period. Kunshan dialect, in particular, has developed from the seven colors of southern opera to the twelve colors of rivers and lakes, enabling actors to concentrate on the creation of a certain type and a certain character, explore their hearts and try to figure out their personalities. All kinds of performing arts have a unique play, and artists have created many distinctive typical images. "Liyuan Garden" summarizes the experience of Kunshan Opera performance art, and puts forward "Eight Essentials of Form" and "Ten Diseases of Art", which shows the strict requirements for Kunshan Opera performance art. Although the performance of Yiyang Opera is not as exquisite as Kunshan Opera, it also has its achievements and styles that cannot be ignored. For example, when singing, we should pay attention to the audience's acceptance, try to enliven the stage atmosphere with vivid chanting, strengthen the drama and action of the performance, and avoid the single lyricism in some traditional southern operas. According to some entries in Qi Biaojia's Yuan Shan Tang Qu Pin, the actors in Yiyang Opera also attach great importance to the portrayal of the characters' hearts, which often "can make the viewers cry". Due to the need of historical drama performance, the war scenes shown by folk martial arts and acrobatics are unique, with fiery and rough colors.