Traditional Culture Encyclopedia - Traditional festivals - Ten Classics of Degang Guo Yu Qian's Crosstalk

Ten Classics of Degang Guo Yu Qian's Crosstalk

The top ten classics of Degang Guo crosstalk are as follows:

1, "I want to fight against the three customs".

2. Misapproving the Three Kingdoms.

3. My Life.

4. Xi Zhengmeng.

5. The Big Truth.

6. I am a scientist.

7. "I am a triad."

8. On Dreams.

9. "Uncover the tiles".

10, "supporting a wife to have children".

Degang Guo,197365438+1October 18, Tianjin native, originally from Shaanxi. Chinese mainland crosstalk performer, director, screenwriter, singer, actor and host, founder of Beijing Deyun Society, and the eighth generation crosstalk artist.

1979, began to learn art. 1989, worked in Hongqiao Cultural Center. 1998, Beijing Crosstalk Conference (predecessor of Deyun Society) was established. In 2000, he began to cooperate with Yu Qian. On June 8, 2004, Bai Hou was a teacher; On June+10, 5438, the live recording of Deyun Society began to be broadcast in the "Happy Teahouse" column of Beijing Literature and Art Broadcasting, which was the beginning of media attention to Deyun Society.

Detailed introduction: From the early Beijing Crosstalk Conference to the early Deyun Society, it can be said that every paragraph is almost a classic. When Zhang Wenshun was alive, he measured Degang Guo's life, such as Truth, Great Dance, Uncovering Tiles, Great Life and so on. Degang Guo is really second to none in the adaptation of traditional cross talk.

Then there is "On the Current Situation of Crosstalk in Fifty Years", and the popularity of "The Truth" is really going to explode. Later, Mr. Yu was young and energetic, including Dream of the West, Romance of the Three Kingdoms, Love Legend and so on. Many of them are very good.

Basically, they all take the old road in traditional activities without great improvement, and the best ones are "uncovering tiles" and "supporting their wives and children". Its * * * similarity is that people have settled down, and Degang Guo, an unreasonable "gangster" or a guy who holds his own heart to regulate people, is particularly brilliant in this role.

Other works, such as Wu pendant, generally follow the old road, but there are too many helmets and flour at the back, which is too noisy and vulgar. "Vinegar Lamp", in fact, his temperament is quite suitable for acting, but it may be because the paragraph is too old and the effect will not come out. This song "The Old Man" by Li Boxiang is well played and worth appreciating.