China people's drama, Chinese drama festival?

Chinese is the most widely used language in the world, and there is also a Chinese drama festival in the drama festival. So how much do you know about the Chinese drama festival? This traditional festival will take you to learn about China people's drama: Chinese Drama Festival. Let's take a look at it together.

It has been 2 years since the Chinese Drama Festival was first held in Beijing in 1996, and it is hosted by the mainland, Taiwan Province, Hongkong and Macau in turn every two years. Hong Kong hosted the second and sixth sessions in 1998 and 27, respectively, and 216 is the third rotation of Hong Kong. The next one will be held in Taipei in 218.

Mainland China, Taipei, Macau and Hong Kong, the host country, all have different repertoires. The big one is "Boss" from Shanghai, and the experimental one is "Would you please be quiet?" It was staged in a small black box theater. Chinese drama is not limited to the works of Chinese writers, so the drama festival also has Cantonese translations of Macbeth by British Shakespeare and Old Niang Tough Up by Brecht in Germany. Hong Kong's "One Page of Feihong", which combines drama and Cantonese opera in one furnace, is also of great significance as an opening festival performance.

I remember that many years ago, there was also a Chinese drama performance from Singapore at the Drama Festival, but this year it was not offered. In fact, there are Chinese in different parts of the world, and there will be different Chinese dramas. If it can be inclusive, the coverage of the drama festival will be broader.

Yang Shipeng gave the first keynote speech at the opening seminar, "The Close Fate I Made with Shakespeare in Forty-three Years". Yang Shipeng has hosted the Shakespeare Festival at the University of Colorado for many years. During this period, he took two vacations to Hong Kong as the artistic director of the Hong Kong Repertory Theatre. He has a close relationship with Hong Kong and is well known by local drama circles and audiences. As the first guest of the keynote speech, he is also a representative of Hong Kong.

In addition to performances, many foreign scholars came to Hong Kong to participate in seminars and publish academic papers this year. For this reason, the conference even set up the "Outstanding Paper Award for Young Scholars" to give practical rewards to young scholars under the age of 45. It can be seen that the congress also paid great attention to inheritance and hoped that more young people would participate in the study of the long-term development of Chinese drama in the future.

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