Are there any works of the Qing Dynasty that can reflect the legal situation of the Qing Dynasty, including A Dream of Red Mansions?

Draft of the Qing Dynasty, Dream of Red Mansions, Strange Tales from a Lonely Studio, Scholars, Flowers in the Mirror, Travels of Lao Can, Behavior of Wu Tongchu, Life of Shu Wu and Pan Ersheng, Biography of Yan Dian, Biography of Mr. Hua Wangjin, and Romance of Hong Xiuquan, etc.

Qing Law, Qing Dian, Qing Dian, Qing Tong Zhi, Fan Liyuan Gui, Yu Wen Tong Kao, Tong Zhi, Supplement to Qing Law Collection, Kangxi Dian, Yongzheng Dian and Qianlong Dian. Imperial Etiquette Rules, Imperial Central Government Examination, Current Rules of the Ministry of Punishment, Imperial Ministry of Industry Rules, Imperial Taiwan Province Rules, Official Department Disciplinary Rules, Ministry of War Disciplinary Rules, Official Department Civil Servant Selection Rules, Tax Encyclopedia, Academic Policy Encyclopedia and Yin Sheng's Official Awards.

At the beginning of Qing Dynasty, the literati opposed Manchu, Manchu, Manchu, Manchu, Manchu, Manchu, Manchu, Manchu, Manchu, Manchu, Manchu, Manchu, Manchu, Manchu, Manchu, Manchu, Manchu, Manchu, Manchu, Manchu, Manchu, Manchu. Huang Zongxi, Gu and Wang Fuzhi are the most outstanding thinkers and scholars in this period. Their prose, with profound skill, shows strong people's consciousness, national consciousness and thinking consciousness, which surpasses the achievements of late Ming prose to varying degrees and presents a new look; Their poems are also of high quality. Gui Zhuang, Du□, Wu Jiaji, Yan, Qian Chengzhi, Qu Dajun, Chen Gongyin, etc. The important themes of adherents' poems are: opposition, reflection, people, nation, spear, shield, expression, present, love, country, thinking and thinking; Yan, Qian Chengzhi and Wu Jiaji also reflected the society, society and order, rank, spear and shield at that time. In style, they also have their own characteristics.

Qian and Wu were famous poets and two important writers in the early Qing Dynasty. Their identities are different from those of adherents, but the contents of their works are similar. Money has profound knowledge and magnificent writing spirit. Before Huang, Gu and Wang, he began to change the pattern of prose in the late Ming Dynasty and expand its scale. His poetry master of Tang and Song Dynasties, after entering Qing Dynasty, is also good at writing the sense of rise and fall, in order to "never forget the old country". Most of Wu's poems are historical events in the late Ming and early Qing dynasties. Their seven-character poems are full of beautiful words, sentimental feelings and harmonious syllables, which have strong appeal. Famous essayists include Wei, Wang Wan and others. Wei is a adherent, and his works have strong national feelings and strong images. Hou Fangyu's writing style is unrestrained. Wang's words are fluent and concise. Influenced by Qian, Gu and others, the literati in the early Qing Dynasty read a lot of books and were rich in ancient books, and they were also good at writing parallel prose, especially the parallel prose.

In the late Kangxi period, most of the unified, ruling, hardworking, solid and educated scholars grew up in the Qing Dynasty, and their life experiences were different from those of the adherents of the Ming Dynasty. Poetry in this period no longer focuses on expression, modernity, people, clan, spear, shield and order, rank, spear and shield, but is devoted to the pursuit of artistic skills, with lyric and description of mountains and rivers as the main content. Famous poets include Shi, Zhu Zun, Cha, and so on. Wang Shi □ is the leader of the verve school. Tea's poems are exquisitely carved and made great achievements. Zhao Zhixin pays more attention to, emphasizes, opposes, reflects, shows and is true.

In the early Qing dynasty, the ci circle also revived. Chen Weisong imitates Su Shi and Xin Qiji's bold and unconstrained style of ci, and has a large number of works. He is a representative writer of Yangxian Ci School. Zhu Zun, the editor-in-chief of Ci Synopsis, advocated that Jiang Kui and Zhang Qian in the Southern Song Dynasty emptied the elegant style of Ci, and was the founder of Zhejiang Ci. Nalan Xingde's ci is good at drawing lines, which is similar to that of Li Yu in the Southern Tang Dynasty. They all had a great influence on the future.

Due to the evolution of literature itself and the growth of cities, cities, life, development, exhibitions, cities, people, grades and levels, the status of emerging operas and novels in the history of literature has gradually surpassed that of poetry and prose at that time since the Yuan and Ming Dynasties. Literature in the Qing Dynasty also continued this trend, with outstanding achievements in operas and novels.

The operas in the early Qing Dynasty, such as Wu's "Moling Spring" and Li Yu's "Niutoushan", expressed the country, family, decline, death and pain, and were the tortuous projections of the people, tribes, spears and shields at that time. Li Yu and others cooperated with Pure Loyalty Spectrum to expose, expose, be an official, be an official, and the black and dark in politics, posing, fighting and contending among the streets, people, groups and masses on the stage; The concentration of plot characters has reduced the trouble of complex clues in the legendary operas of the Ming Dynasty, and the content and form are worthy of recognition. Zhu □ ()' s Fifteen Biographies and Ye ()' s Amber Spoon are also worth seeing. Then two outstanding legends appeared: The Palace of Eternal Life by Hong and Peach Blossom Fan by Kong. The Palace of Eternal Life, with the background of the Anshi Rebellion, describes the love tragedy between Tang Dynasty and Yang Guifei, criticizes the corruption, decadence and features of Guan, Jian, Zheng and Zhi, as well as the life of Li and Yang, and reflects the vast society, society, spear and shield. While praising sincere love, he paid close attention to the author's ideal. Although there are contradictions in the handling of the theme and the protagonist's character, this plot is touching, with a strong lyrical atmosphere, and the achievements are still very high. "Peach Blossom Fan" takes the love with Li as the main line, describes the rise and fall of the Ming Dynasty, and even the collapse of the Ming Dynasty for 300 years, and realizes a more successful combination of historical truth and artistic truth. Writing the historical events before and after the Qing soldiers entered the customs directly is closer to the real struggle than the Palace of Eternal Life. The structure of the whole play is compact, which shows that Li, who lives in the aristocratic character of being bullied, humiliated, bullied, pressured, forced and placed in a position, has created a love of loyalty, defense, people, race, loyalty and chastity, country, women, women and image. Its main limitation is to despise the enemies of peasants, people, uprising and rebel army in the late Ming Dynasty.

In the early Qing Dynasty, Zhang Hui's novels, such as Water Margin and Yue Biography by Qian Cai, reflected the class struggle, ethnic contradictions, performance, present, love, country, thoughts and reflections by writing stories of the previous generation. However, Pu Songling's collection of short stories in classical Chinese, Strange Tales from a Lonely Studio, has made great artistic achievements. It exposes, develops, seals, establishes, collects, manages, reconciles, shares, uses, judges, controls and measures the darkness with stories such as the charm of flowers and foxes, and praises the pursuit of happiness and love by young people, young people, men and women. Written in fluent classical Chinese, with rich imagination, vivid plot and fascinating; Good at giving people in the non-real world a strong human touch in real life.

The literature in Yongzheng and Qianlong periods entered the "flourishing age" of the Qing Dynasty on the basis of post-Kangxi period, period, politics, governance, economy, shape, potential, promotion and promotion. The destroyed factors of production such as capital, capital, ownership and justice, which germinated since the middle of the Ming Dynasty, have been restored and developed, and China's closure, construction, economy and economy have shown the final stage of prosperity. However, while the Qing court boasted about its martial arts, the concentration of land, officials, officials, greed, pollution, unification, governance, extravagance, extravagance, greed, literature and belligerence gradually intensified the temporarily eased society, society, spear and shield. In terms of cultural thought, we continue to strictly implement restraint policies and political strategies: Lv Liuliang's suicide note during Yongzheng, Hu Zhongzao's and Peng Jiaping's writings and words during Qianlong. It is still widely implicated, punished, slaughtered, disabled and refreshed; In addition to praising Cheng and Zhu's Neo-Confucianism, the rulers also rewarded textual research, which actually played a role in guiding scholars into academic research of detachment, detachment, reality, struggle and struggle. The Qianlong dynasty took advantage of the opportunity of compiling Sikuquanshu to destroy and tamper with a large number of books that were not conducive to the Qing dynasty, the imperial court, unity and governance.

Poets in this period succumbed to the restraint, restraint, pressure and force of the imperial court, and were confused by the superficial peace of the "prosperous times", which continued the tendency of the late Kangxi period and made their creative content weak. However, poetry theory and poetry schools are quite active. Famous poets include Shen Deqian who holds the theory of style, Yuan Mei who holds the theory of spirituality, and Jiang Shiquan, Zhao Yi and Zhang Wentao who are as famous as Yuan Mei and have similar creative ideas. Wei li, whose style wins with quiet show, Qian Zai, who wins with new students, Li Jian, who wins with extraordinary height, and Huang Jingren, who wins with clarity and charm; And Zheng Xie, describing people, people, diseases, suffering and so on. There are many poets with diverse styles, and they also have different degrees of innovation in artistic skills, forming a grand occasion that has never appeared since the Yuan and Ming Dynasties.

In prose, Tongcheng School, represented by Fang Bao, Liu Da and Yao Nai, appeared. Fang Bao lectures, and Yao Nai stresses the rigidity and softness of yin and yang. Ideologically, the orthodox concept of Zhu Neo-Confucianism, with the style of halal elegance as the Sect, adapted to the politics, governance, background and scenery at that time. Their concise and graceful works have their own characteristics, but they lack grandeur and sense of scale. There were also many parallel prose writers in this period: Hu Tianyou, Yuan Mei, Wu Xiqi, Kong Guangsen and others came down in one continuous line with the Six Dynasties, Tang and Song Dynasties, and won by talent; , Hong, Shao and others followed the example of Wei and Jin dynasties and won by elegance. The Zhejiang School, represented by Li E, has the greatest influence in ci.

The novels of this period exude unique brilliance, namely Wu's The Scholars and Cao Xueqin's A Dream of Red Mansions. The Scholars fully exposes and satirizes the destruction of talents by the feudal stereotyped imperial examination system. Although it is exaggerated, it embodies the profound reality that "satirizing life is real". Its simple language art with a sense of humor can also be "harmonious, sad and ironic", full of implications. It is the highest achievement of China in ancient times, with long words, essays, satire, stabbing and chatting. A Dream of Red Mansions reflects the corruption of officials, officials, officials, students and sentient beings through the love, affection and sadness of Jia Baoyu and Lin Daiyu, as well as the story of Jia Fu's prosperity and decline, and reveals the conflicts between people, leaders, thoughts and traditional ideologies with rebellion, rebellion, sex, personality, youth and age. Through the meticulous description of trivial matters in daily life and the inner world of characters, a large number of characters with profound typical significance and distinctive personality have been created. Delicate description, rich atmosphere and beautiful language. It became the peak of China's classical novels and made great achievements in thought and art. China's short classical note novels, such as Yuewei Caotang Notes by Ji Yun and New Qi Xie by Yuan Mei, are not as successful as the previous Strange Tales from a Lonely Studio.

After the literature in Jiaqing and Daoguang periods was exhausted, it was corrupted, defeated, promoted, organized, satisfied, speared, shielded, stimulated and reformed in the period, politics, governance and literature. From the early years of Jiaqing to the twenty years of Daoguang, crows, movies, wars and struggles continued to develop, and societies, societies, spears and shields continued to develop, becoming more and more sharp. The "flourishing age" of the Qing Dynasty tends to decline, as does the closure, construction and association of China. People, people, morality, opposition, resistance, struggle, and struggle are strengthened with the increasing poverty of life, and the greatness, rules, models, rise and righteousness of white, honesty, teaching, heaven, reason and teaching have all erupted. The literati at that time, seeing the gradual disillusionment of the "prosperous times", could not get rid of the ideological restraint and bondage, and were in the dreary and suffocating air on the eve of the storm. There have been some minor changes in the literary world, but the vigorous weather is not as good as the previous paragraph.

In prose, some writers, such as Ji Jing, Zhang Huiyan and Li Zhaoluo, advocate that articles should be combined with the strengths of Han, Wei, Six Dynasties, Tang and Song Dynasties, parallel prose and prose to save the weakness of Tongcheng School, which is called Yanghu School. The achievements of Yanghu School in writing practice cannot surpass Tongcheng School, and its influence is not as deep as Tongcheng School. The representative writers of Tongcheng School in this period are Mei Zengliang, Guan Tong and others.

Zhang Huiyan and later alms, etc. Promote the metaphorical meaning and social function of words, and publicize that words should be written profoundly and beautifully, with solid and heavy quality. It made great contributions in theory, promoted the progress of Qing Ci, and its influence directly extended to modern times, so it was called Changzhou School. However, although their creations try to "cast the face of Wen, Wei, Zhou and Xin with the purpose of Li Sao", they are actually deeply influenced by Wen, Zhou Bangyan and Xin, which are quite gorgeous and lack depth, breadth, reality, meaning, righteousness and accumulation, extremes, essence and spirit. Compared with Zhejiang School and Yangxian School, there is no substantial difference between them. When Changzhou Ci School was popular in the field of Ci, there were also poets who were not embarrassed by this school's ethos, such as Guo and others. Their works were written in a clear and sad way, and they were also highly praised by critics.

In poetry, famous writers include Wang Tan, Sun Yuanxiang and Shu Wei. They are called "the last three" after Yuan Mei, Jiang Shiquan and Zhao Yi. Shu Wei's poems are good at cutting idioms and full of strangeness; Sun Yuanxiang's poems are beautiful and full of originality, which can be called excellent works.

Although the authors of the above poems and lyrics all died in Jiaqing period, some creative activities began in the late Qianlong period, so in the history of literature, Ji Jing, Zhang Huiyan, Wang Tan, Sun Yuanxiang and others were also listed among the early writers. The representative writer who foresaw the coming storm and looked forward to the dawn of the new era was Gong Zizhen. He lived in this period, but his poems and essays are enlightening, enlightening, subjective, meaningful, ideological and thoughtful, full of magnificent colors, which created a new atmosphere of modern literature and had a great influence on modern literature, so they are often listed as pioneers of modern literature in the history of literature.

Novels and operas were at a low ebb during this period. One of Zhang Hui's most famous novels is Li Ruzhen's Flowers in the Mirror. It has some progressive views on women's issues, which embodies democratic thoughts, but it also contains a lot of feudal preaching and vulgarity, and has obvious artistic shortcomings. After the Palace of Eternal Life and Peach Blossom Fan, legends gradually tend to publicize, popularize, worship Zen, create, imply and meet the needs of literati entertainment. The form is too long, piled up and tends to be rigid, and excellent works are rare. Instead, it is a variety of local operas with new vitality. There are many kinds of rap literature such as storytelling, drum music and tanci, which are quite active in urban and rural areas, showing their folk color and vitality.

The literature of the Qing Dynasty has the above characteristics, which are caused by the existence, reality, life, excitement, generation, society and society of the Qing Dynasty. In politics, governance, politics, unification, governance, country and family, the politics and power of a nation, a race, a nation, a nationality, a servant are strengthened, which not only strengthens centralization, centralization, power, monarch, domination, specialization and control, but also has a strong color of national rule. On the one hand, it strongly advocates Zhu Cheng's Neo-Confucianism and religion, numbness, numbness, people, struggle and ambition. On the one hand, it is big, prosperous, literary, word, prison, strict, severe, tyrannical, restrained, knowing, knowing, dividing, being, thinking, thinking and intellectual resistance; On the one hand, it inherited the imperial examination system of stereotyped writing in Ming dynasty, which not only expanded the admission quota, but also increased the quota, donation, collection, regulation and test. When Kangxi was in power, he also set up a "learned and learned class" to attract "celebrities" to detain intellectuals more widely. Therefore, in the Qing dynasty, the social order, rank, spear, shield and people. The Qing Dynasty was the last period of feudal society in China, which fully exposed the corruption, decay and essence of feudal society, construction society and society. The contradiction between agriculture, the people and the land, the contradiction between the spear of the Lord, the shield, the city, the people and the seal, the contradiction between construction, power and strength, and the contradiction between unification, governance, hierarchy, hierarchy, internal and internal departments are all very intense. This not only provides a new theme for literary creation, but also has a far-reaching impact on the writer's thoughts. Economically speaking, after the unification of China, the Qing Dynasty adopted a series of measures to ease the order, rank and contradiction, and punished the people with a tax of 65,438+0.4, recruiting people to make up for the shortage, persuading them to make a living, building water conservancy projects and banning, circling, land and farmland. In this way, after years of war and chaos, the people have a chance to breathe. After decades of rest and recuperation, the cultivated land area has expanded, the population has gradually increased, and the agricultural economy has flourished. Subsequently, the city's industry and commerce also became active, and the once devastated capital, foundation, subjectivity, righteousness, sprout and bud began to develop again. The prosperity of sealing, building, classics and classics, especially the growth of ten, eight, world, discipline, capital, topic, meaning, sprout and bud, provided favorable social conditions for the development of opera novels at that time, on the other hand, it also promoted the emergence of new ideas, such as Huang Zongxi, Gu and Wang Fuzhi's opposition to sealing, building, specialization and suppression. All these have had a great and far-reaching impact on the literary theory and creation of the Qing Dynasty. In the Qianlong and Jiaqing periods, textual research became a kind of specialized knowledge. Jia, Xue and Bai gradually changed the style of study advocated by Gu and others in the early Qing Dynasty, which was divorced from reality and immersed in old literature. Although they made contributions to sorting out the ancient academic culture of China, they were used by the great unification, rule and scholars, which made intellectuals embark on the road of retro, with Ding as the representative, and the tendency of retro in literary creation was more serious.